The Queer Quadrant

Jordan and Brooke are rejoined by Erik Anderson (AwardsWatch) to complete this female fantasy duology (we do not talk about 2019). Join us to discuss the supernatural powers of the Angels, living in a world free from failure, Drew Barrymore's affinity for roller derby (gay), Demi Moore as a delightfully campy bisexual temptress, and how the celebrity churn should really just leave women alone forever.

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Jordan and Brooke are rejoined by film & culture writer Lillian Crawford for 2002's sad and lovely ode to the interiority of women's lives. We talk awards-y lesbianism, the enduring impact of Virgina Woolf's brilliant writing, Philip Glass's divisive score, the ins and outs of this movie's intense Oscar campaign (courtesy of David Canfield), and being DEPRESSED and GAY and BUYING THE FLOWERS YOURSELF.

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Follow Lillian on Bluesky! Read her article The Hours at 25: The book that changed how we see Virginia Woolf

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Jordan and Brooke are rejoined by film critic Laura Venning for this harrowing drama where the corruption – gasp – goes all the way to the top. We discuss shirtless Kurt Russell chopping wood (good), Meryl's mullet (good), Cher saying the word "dyke" in a Southern accent (GOOD), and our favorite pro-union films. Plus the messed up things that happen in blue-collar America and why Nora Ephron really is the best to ever do it!

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Jordan and Brooke are rejoined by one of the all-time greats Emily St. James to talk the most memeable film of 2024. Exisiting beyond certainties! Xerox drama! Nespresso! The incredibly complex ideas of faith and belief! This movie has it all. Plus we discuss the nuances of adaptation for the screen, casting within the GNC community, Emily's incredible new book, and if we correctly predicted Best Picture. CONCLAVE HIVE RISE!

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PopeCrave Conclave charity zine

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It's the third annual QQ Qualifier Awards – aka the Quallies! In advance of the Oscars, Jordan and Brooke award the coveted "Rainbow Prism" to their favorite performances of the 2024 cinematic year, along with a healthy dose of subjective criticism, Brooke slacking on viewing stats, and Jordan's "chaos picks" for new awards.

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Jordan and Brooke are rejoined by screenwriter Nat Torres for a very special Valentine's Day episode! We talk Edgar Wright's 2011 cult classic, including swordfights, the power of love AND the power of self respect, manic pixie dream girls, bi-furiosity, Brie Larson in peak "gay awakening" mode, and some of our all-time favorite camerawork. Plus, a special Toronto dispatch from Canadian legend Phillip Iscove.

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Jordan and Brooke are joined by Alison Sivitz (aka Bald Ann Dowd), as we rocket agrressively back to 2012 and every piece of culture that comes with that. We discuss why this movie has aged like milk but still hits, questionable fashion choices (heeled...Converse...), Universal queerbaiting their audience, actual Peacock spinoff show "Bumper in Berlin," what Kenny Ortega is up to these days, what Hailee Steinfeld is also up to these days, Anna Kendrick's Oscar nom, and the fact that The Cup Song hit #6 on the Billboard Hot 100 – it did, it really did.

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Follow the one and only Bald Ann Dowd on Twitter and Letterboxd! Listen to PodSlop!

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Jordan and Brooke celebrate some early 2025 horror by kicking it all the way back to 1941 and discussing the original "Wolf Man." We chat our own personal Universal Monster rankings, soundstage-sized sets and practical makeup, the evolution of werewolves and werewolf transformations, plus a healthy dose of Halloween Horror Nights content.

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Jordan and Brooke are joined by Joe Reid (This Had Oscar Buzz) for Baz Luhrmann's 1997 sun-soaked adaptation that taught a whole generation how to be young and horny. We talk Leo's floppy lesbian haircut, the best and gayest Harold Perrineau performance you could ask for, why Juliet really needs her own squad, and how much we love swords as guns. The Bard, baby!

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Follow Joe on Twitter and Patreon, and listen to This Had Oscar Buzz!

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Jordan and Brooke close out the year with Chris Columbus's unconventional holiday movie about the supposed power of collective action...or maybe just a toxic friend group! We go through which characters have been terrible people since the musical premiered, Jonathan Larson's catchy tunes and personal writing journey, the stereotypes of cheating bisexuals and tragic drag queens (eek), and our favorite questional "La Vie Bohème" lyrics.

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