The Reith Lectures: Archive 1948-1975

This year's Reith Lecturer is the Principal and Vice-Chancellor of the University of Edinburgh Sir Edward Appleton. From 1939 to 1949 he was Secretary of the Department of Scientific and Industrial Research, and in 1947 he was awarded the Nobel Prize in Physics for his contributions to the knowledge of the ionosphere, which led to the development of radar. In his Reith series entitled 'Science and the Nation', he considers the importance of science.

In his fifth lecture entitled 'Industrial Science', Professor Appleton considers the functional uses of science. He explores the scientific research work carried out by industries in order to produce better products, and analyses how automation is expanding this kind of science.

This year's Reith lecturer is Dr Nikolaus Pevsner, the German-born British scholar of history of art and architecture, and author of the county guide series, The Buildings of England (1951–74). In this series, Pevsner explores the qualities of art which he regards as particularly English, as illustrated in the works of several English artists, and what they say about the English national character.

In his final lecture, Dr Pevsner examines the particular aspects of Englishness which he believes are prevalent today, and what, by their means, England might achieve for her own benefit, and perhaps, that of other nations. He explores how England's towns and centres have been planned, and argues that traditional English planning theory takes into account the historical, social and aesthetic aspects of a site, as well as its pure geography.

This year's Reith lecturer is Dr Nikolaus Pevsner, the German-born British scholar of history of art and architecture, and author of the county guide series, The Buildings of England (1951–74). In this series, Pevsner explores the qualities of art which he regards as particularly English, as illustrated in the works of several English artists, and what they say about the English national character.

In his sixth and penultimate Reith lecture, Dr Pevsner describes the attitude of the English Romantic painter John Constable (1776-1837) and some of his contemporaries to Italian art, and compares his Englishness with that of Blake and Hogarth. He examines the sudden flowering of English landscape painting which began with Richard Wilson (1714–1782) and his Welsh landscapes, and argues that this concentration on landscape is a direct result of the temperate English climate.

This year's Reith lecturer is Dr Nikolaus Pevsner, the German-born British scholar of history of art and architecture, and author of the county guide series, The Buildings of England (1951–74). In this series, Pevsner explores the qualities of art which he regards as particularly English, as illustrated in the works of several English artists, and what they say about the English national character.

Dr Pevsner explores the 'Decorated Style', which seems in every respect to be the opposite of the Perpendicular style which he examined in his previous lecture. Through illustrations ranging from English church architecture from 1290-1350 to the gentle curves of painters such as Gainsborough and Reynolds, Dr Pevsner places the artist William Blake (1757-1827) in the context of a very English tradition.

This year's Reith lecturer is Dr Nikolaus Pevsner, the German-born British scholar of history of art and architecture, and author of the county guide series, The Buildings of England (1951–74). In this series, Pevsner explores the qualities of art which he regards as particularly English, as illustrated in the works of several English artists, and what they say about the English national character.

In his fourth lecture, Dr Pevsner examines the Perpendicular style, formed in England in about 1330, and which he calls 'the most English creation in architecture'. It represented a complete break with what had gone before, but once it had been established universally in the country by the 1380s, it remained virtually unchanged for 150 years, so much so that even specialists struggle to determine accurate dates for this style of work.

This year's Reith lecturer is Dr Nikolaus Pevsner, the German-born British scholar of history of art and architecture, and author of the county guide series, The Buildings of England (1951–74). In this series, Pevsner explores the qualities of art which he regards as particularly English, as illustrated in the works of several English artists, and what they say about the English national character.

In his third lecture, Dr Pevsner examines the work of the portrait painter Sir Joshua Reynolds (1723-1792), and argues that the far-reaching contrast between his promotion of painting in the Grand Manner, and how he actually painted, is eminently English.

This year's Reith lecturer is Dr Nikolaus Pevsner, the German-born British scholar of history of art and architecture, and author of the county guide series, The Buildings of England (1951–74). In this series, Dr Pevsner explores the qualities of art which he regards as particularly English, as illustrated in the works of several English artists, and what they say about the English national character.

In his second lecture, Dr Pevsner considers the 'Englishness' of the artist and satirist William Hogarth (1697-1764). He explores the characteristics which he says make Hogarth a particularly English artist, and argues that his work embodies the ideals of the Age of Reason.

This year's Reith lecturer is Dr Nikolaus Pevsner, the German-born British scholar of history of art and architecture, and author of the county guide series, The Buildings of England (1951–74). In this series, Dr Pevsner explores the qualities of art which he regards as particularly English, as illustrated in the works of several English artists, and what they say about the English national character.

In his first lecture, Dr Pevsner examines the reasons for the study of history of art. He argues that an understanding and appreciation of the work of the artist is truly life-enhancing, and he goes on to explore the English national character as it is expressed in terms of art.

This year's Reith Lecturer is the Chairman of Lloyds Bank, Sir Oliver Franks. He is the former Provost of Queen's College, Oxford, and the former Professor of Moral Philosophy at University of Glasgow. He was the British Ambassador in Washington, DC, between 1948 and 1952, and has been described as "one of the founders of the post-war world". He delivers his Reith series entitled 'Britain and Tide of World Affairs'.

In his third lecture entitled 'The Atlantic Bridge', Sir Oliver explores the relationship between the United States of America and Britain. He discusses the frictions between the two countries and their mutual interdependence. He analyses the discomforts of the passage of power, McCarthyism, and the fear that the United States will land us in a third world war.

This year's Reith Lecturer is American theoretical physicist Robert Oppenheimer. Professor of Physics at the Institute for Advanced Study, Princeton, he has been described as the "father of the atomic bomb" for his role in the Manhattan Project while Director of Los Alamos Scientific Laboratory between 1943–45. In his Reith lectures entitled 'Science and the Common Understanding', he examines the impact of quantum and atomic theory on society.

In his sixth and final lecture entitled 'The Sciences and Man's Community', Professor Oppenheimer explains how the "House of Science" helps us to understand the underlying profundities of the earth and our lives. He draws parallels between the construction of human society and the atom: each man is dependent on the next, and through the power of the collective, Man's power grows with the shared knowledge of individuals.