The Sculptor's Funeral

What did it take to move Greek culture forward into the Classical period from the Archaic? Just a few victorious battles against impossible odds, unexpected and fantastic wealth, military and political genius, and... - oh yeah, the complete destruction of Athens. Learn how luck, will, disasters, and mayhem strong enough to wipe the archaic smile off any Greek's face kickstarted the greatest era of Greek civilization.

Renaissance means 'Rebirth'. But we don't hear much about the original 'Naissance' in Ancient Greece that gave birth to what we call Classical sculpture. When were the first lifesized bronze figures cast? What were the first civic public monuments? Who invented Contrapposto? Find out here.

In the first of a new series of Sculptor's Funeral episodes focusing on the ancient Greeks, Jason looks at the fundamental question underlying the nature of the entire Western European Tradition of sculpture - Why Greece? Why did it all start there, and why do artists throughout history keep returning there -and not Egypt or Persia or another artistic tradition? It's actually a question with a straightforward answer - Nature. But the origins and motives behind this simple answer are more complex.

Gutzon Borglum's masterpiece, the Mount Rushmore National Monument... Overblown tourist attraction, or a sculpture for the Ages? Listen to the unlikely story of its creation, and you might decide that somehow it's both.

Who is Gutzon Borglum, you ask? How strange that the sculptor of the Mount Rushmore National Monument in South Dakota is practically unknown, even in the United States. In the first of this two-part episode, we look at the life and work of the man, before he met the mountain.

This episode of the Sculptor's Funeral examines the controversy surrounding the removal of statues from public spaces around the United States. Why are statues commemorating the losing side of a civil war more prevalent than those commemorating the victors of other wars? What is the message they were designed to send - and who sent the message? Jason examines this fascinating case study in public art as propaganda.

Daniel Chester French's greatest work is arguably the statue of Abraham Lincoln in the Lincoln Memorial on the National Mall in Washington, DC. but where does 'greatness' in art come from? Is it given to the artwork by its creator, or is it, like beauty, in the eye of the beholder?

Daniel Chester French is mostly remembered for sculpting the colossal Lincoln on the National Mall in Washington DC, but equally, he was America's master of memorials in the late 19th century. From the Minuteman to the Melvin Memorial, he produced works which helped promote the city beautiful movement far beyond the nation's capital.

Is it Paris? Versailles? Venice? ...Chicago, actually! The stunning cityscape you see in the image was known as the White City, a dreamlike place which existed for a few short years before disappearing - but its legacy lives on in cities and towns all over the United States, part of a phenomenon known as the City Beautiful Movement.

"Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tost to me..." ...The American ideals which the Statue of Liberty represents are hard to trump...