The Sculptor's Funeral

The second part of the dramatic reading from The Autobiography of Giovanni Duprè, in which Duprè receives a crit from Lorenzo Bartolini, is accused of art fraud, and nearly causes the accidental death of his nude model. We've all been there, right?

The Sculptor's Funeral Theater is back with another dramatic reading! The Autobiography of Giovanni Duprè is the memoir of a man who had to fight every step of the way to achieve his dream of becoming a sculptor. Though written over a century ago, his struggles and his triumphs are familiar to many figurative sculptors and sculpture students today.

We talk with Florentine sculptor Raffaello Romanelli, sixth generation sculptor and proprietor of one of the most historic sculpture studios in Europe. Through his family's work we can trace the progression from Neoclassicism through Romanticism, Modernism, and right through to the present resurgence of figurative sculpture.

This episode kicks of the exploration of the OTHER 19th century in sculpture - the one occurring outside the milieu of Paris. Lorenzo Bartolini shaped the sculpture of 19th century Italy, evolving the Neoclassicism of Canova into a ethos which sought to seek Beauty in Truth, and Truth in Beauty.

The Three Graces. Cupid and Psyche. Napoleon. Everyone knows Antonio Canova, and you either love him or hate him. But - love him or hate him - do you understand him? The Sculptor's Funeral explores Canova's work in the context of the Enlightenment and French Revolution, and finds there is more to Canova than just a sculptor of ideal nudes.

The idea of looking towards Greek art for inspiration wasn't exactly new in the late 18th Century with artists such as Canova and David. Artists had been doing it constantly, and for centuries. And yet, the name we give the dominant style of the late 18th century - Neoclassicism - seems to imply there was. What was so 'Neo' about Neoclassicism? Listen to the podcast and join the Enlightened.

Plaster - where would we sculptors be without it? As fundamental as this versatile material is to the basic processes of sculpture, how many of us know why plaster does what it does - or what it's even made of? This podcast sheds light on these and other mysteries, and includes an interview with unabashed plaster lover Alicia Ponzio.

Figurative sculptor Sabin Howard has just been selected to complete the sculptural components of the National World War One Memorial in Washington, DC. In this interview, Howard talks about how he arrived at the concepts behind the sculptures for the memorial (which will include a frieze in bronze over 80 feet long), and his approach towards his art.

Michelangelo's path to immortality continues to twist and turn in this episode, detailing his time in Florence working on the New Sacristy, a commission for which he worked Day and Night, and from Dawn to Dusk...

Just because you are the immortal genius Michelangelo doesn't mean you have it easy... This episode explored the trials and tribulations of the commission for the Tomb of Pope Julius II, the the lavishly extravagant commission of the century - that was never meant to be.