Harriet Hosmer was known in her day as a 'Lady Sculptor', an 'Emancipated Woman', and as a leading member of 'The White Marmorean Flock'. What all the meant was that she was a successful, independent sculptor at a time when such a career path was hardly open to women. And today, she is barely known at all... In this episode, find out why her work and life is worth remembering.

Host Jason Arkles bids you all a Romantic Adieu (Don't worry, it's just the Season Finale) with this rebroadcast of the Romanticism podcast, as well as discusses the Sculptor's Funeral podcast itself and how it's doing, and gives a big thanks to those who have helped it become what it is.

The first American sculptor to achieve international fame, Hiram Powers, did so with a statue which was as controversial for its anti-slavery sentiment as it was for its (gasp!) nudity. We know that America eventually overcame the scourge of slavery; but how did 19th century America deal with the scourge of the nude in art?

What New World? European settlers on the American continent brought Old World European tastes in sculpture with them from their earliest days, but it wasn't until 1825 that an American-born sculptor, Horatio Greenough, journeyed to Europe to learn how it was done.

Brian Booth Craig talks a lot. Usually this is not a problem, I can edit an interview into a snappy hour long episode - but what Brian says is so interesting and engaging, I can't help but make another episode from all the off-topic conversation I had with him. Listen in and find out why I think he's one of the most thoughtful and perceptive figurative sculptors we have around these days.

Today's interview on the Sculptor's Funeral has me talking with Brian Booth Craig, one of the leading figurative sculptors of the day. We discuss Craig's unique education and work experience, which led on the path toward producing some of the most original and thought-provoking work in a genre awash in repetitive banality - the female nude.

The second part of the dramatic reading from The Autobiography of Giovanni Duprè, in which Duprè receives a crit from Lorenzo Bartolini, is accused of art fraud, and nearly causes the accidental death of his nude model. We've all been there, right?

The Sculptor's Funeral Theater is back with another dramatic reading! The Autobiography of Giovanni Duprè is the memoir of a man who had to fight every step of the way to achieve his dream of becoming a sculptor. Though written over a century ago, his struggles and his triumphs are familiar to many figurative sculptors and sculpture students today.

We talk with Florentine sculptor Raffaello Romanelli, sixth generation sculptor and proprietor of one of the most historic sculpture studios in Europe. Through his family's work we can trace the progression from Neoclassicism through Romanticism, Modernism, and right through to the present resurgence of figurative sculpture.

This episode kicks of the exploration of the OTHER 19th century in sculpture - the one occurring outside the milieu of Paris. Lorenzo Bartolini shaped the sculpture of 19th century Italy, evolving the Neoclassicism of Canova into a ethos which sought to seek Beauty in Truth, and Truth in Beauty.