In the summer of 1987 Britain's best loved indie band abruptly came to end when guitarist Johnny Marr sensationally quit. The Morrissey/Marr partnership that had produced such a wealth of finely crafted pop tunes was over, just weeks after the group finished recording their fourth album, "Strangeways, Here We Come." Since then, all four band members have separately pronounced the LP as their best work. Bass player Andy Rourke and drummer Mike Joyce also claim that, at the time, they were blissfully unaware of any conflict. So what happened? 
In this final part of the Swansong series, Stuart Maconie examines the circumstances surrounding the final recording by The Smiths, revealing the reasons behind one of the most famous breakups in British pop history. With new interviews from Mike Joyce, Andy Rourke and producer Stephen Street and contributions from music journalist Sian Pattenden and Morrissey biographer Simon Goddard.

The Smiths' Strangeways, Here We Come

From Armstrong to Zappa - music documentaries from the Radio 4 archive.

Music

Robert Wyatt has been recognised as a prog-rock drummer, jazz composer, avant-garde cornet player, artist and activist in a wheelchair. But, above all else, he has been known by one of the most instantly recognisable and distinctive voices of the last fifty years. Forever associated with Shipbuilding, Elvis Costello's song written in reaction to the Falklands War, Wyatt's voice and the causes he gives voice to are intricately entwined.  This intimate radio portrait, in his own words, traces Wyatt's journey from the psychedelic excesses of Soft Machine (appearing both with Jimi Hendrix and at the BBC Proms), through the life-changing accident that has confined him to a wheelchair for almost forty years, to recent celebrated musical projects that are reaching new audiences.  Produced by Alan Hall.
A Falling Tree production for BBC Radio 4.

The Voices of Robert Wyatt

Ten years ago rap superstar Jay-Z was struggling to get a record deal after being spurned by every major label - so he started his own. A decade on, with 20 million CD sales under his belt, he is now a major music industry player, and currently reigns as president of the legendary Def Jam records.  He built on his success with lucrative sidelines in the fashion industry, a chain of bars, his own brand of vodka, and is also part-owner of a professional basketball team. Now some of America's biggest brands are hiring him in hope his business savvy can help them, too.  Finance guru Alvin Hall meets Shawn Carter a.k.a Jay-Z for an in-depth discussion charting the birth of his business empire and rise from the notorious Marcy Projects in Brooklyn to C.E.O’s office, revealing the story of a man who has become a brand in his own right.  This programme was originally broadcast on BBC Radio 4 on December 2, 2006. Presenter: Alvin Hall
Producer: Richard Fenton-Smith
Editor: Tony Phillips

Jay-Z: From Brooklyn to the Boardroom

Broadcaster Toby Amies digs into the archives to discover the value and significance of old vinyl.  He uncovers a network of dealers and buyers, supplying a community of 'crate diggers' and 'beat miners' and a world in which samples from records bought for a few pence in a car boot sale can provide the basis for a million-selling hit.

Beat Mining with the Vinyl Hoover

In November 2005, Kate Bush broke a 12 year silence with the release of her double album 'Aerial', In this programme she gives a very rare interview to John Wilson in a special edition of Front Row, where she talks about why the album took so long to appear and tells some of the stories behind the songs.

Kate Bush

Cerys Matthews celebrates the life of one of her musical heroines, the great gospel singer Mahalia ("Halie") Jackson, who died in 1972. Jackson became one of the most influential gospel singers in the world at the height of her popularity, inspiring singers like Aretha Franklin and Mavis Staples. But she was also one of the unsung heroes of the civil rights movement in America, described by the legendary historian and broadcaster Studs Terkel as one of the bravest people he'd ever met. As a child she suffered illness, poverty and deprivation. The Church was her shelter. During the late 1920s, at the height of the great migration, she toured Illinois performing in churches. But it was in Chicago that she made her name and carved out a place for herself as the first professional gospel singer. She refused to sing secular music, a pledge she kept throughout her professional life. Even Louis Armstrong couldn't persuade her to sing jazz with him. By the 1950s and 60s, touring across Europe, she was being described as "the greatest spiritual singer alive." Throughout, she remained a close friend and comrade of Martin Luther King, travelling with him to the deepest parts of the segregated south and often singing at gatherings where he spoke including at the famous march on Washington. In this programme Cerys shares her passion for Mahalia with another huge fan, Sir Tom Jones. She also talks to gospel singer Vermettya Royster and to the Reverend Stanley Keeble both of whom knew and played with Mahalia. We also hear archive recordings of the historian Studs Terkel talking with Mahalia in the years when they became close friends. We hear from blues and gospel writers Val Wilmer and Viv Broughton. As well as hearing her live performances. Produced by Sarah Cuddon 
A Falling Tree Production for BBC Radio 4.

The Smiths' Strangeways, Here We Come

Download our free app to listen on your phone