In 1991, a 1978 cover version by metal band Judas Priest was the subject of a bizarre subliminal message trial, with the Brummies accused of inserting malevolent hidden messages into their music that caused two young fans to kill themselves. As they say, only in America!

It's all gone wrong for Pip Schofield and this time it's even more serious than the queue jumping scandal. We also get into celebrity shoplifting with Worrall-Thompson and Madeley.

In a Dominic Littlewood-heavy episode, we (yet again) berate the state of modern TV and come up with our own far superior shows, such as The Dominator, Aintree Harriot and Caine & Disabled.

Blimey, this is a long one. Aldi beers, Audiobooks, Britpop, Tribute Acts, Shaun Hutson, Cowell, all discussed with the same amount of respect and humour you've come to expect from us.

No one would have believed that in the last years of the 1970s, a concept album based on the H.G. Wells novel would have such a profound and lasting impact on those who heard it. Few men even considered the possibility that it would it re-emerge in the 21st century as a live theatrical experience, featuring Russell Watson and Marti fucking Pellow. And yet, across the gulf of 4 decades, minds immeasurably superior to ours regarded this record as a peerless masterpiece, whilst Gary Barlow slowly and surely drew his plans against us. 

Enjoy a long scotch whilst playing with your dart as we review the unintentionally hilarious 2018 documentary 'After The Screaming Stops' featuring twin turnip-heads Matt and Luke Goss. 

There was Tucker's coolness, Baxter's sarcasm, Zammo getting smashed on smack, Gripper starting a race war and Bronson's wig. And who could forget poor put-upon punchbag Ro-land? We remember one of the best shows of our childhood.

We cast a critical eye over the festive season and ask the question 'Is Christmas just shit now?'

Yes, we couldn't resist adding our voices to the noise but we hope our take is a bit different. We also get into Zidane, Botham and Jimmy Somerville!

From a shape-shifting super-spy to an old man in a big coat, it seemed like anyone could tackle crime in the 80s, you didn't even need permission. We lapped up the futuristic vehicles and the fantasy of it all but why was a nosy novelist such a magnet for murder and just what was a Majordomo called Max really thinking?