One Infinity, featuring a live score by Genevieve Lacey and the Jun Tian Fang Music Ensemble, brings together dancers from Dancenorth and the Beijing Dance Theatre, author Stuart Kells outlines the hunt for the Bard of Avon's personal collection and why it matters in Shakespeare's Library: Unlocking the Greatest Mystery in Literature, and a vocal impressionist, a surrealist drag artist and a lonely soul singer welcome us to Fringe World 2019.

One Infinity, featuring a live score by Genevieve Lacey and the Jun Tian Fang Music Ensemble, brings together dancers from Dancenorth and the Beijing Dance Theatre, author Stuart Kells outlines the hunt for the Bard of Avon's personal collection and why it matters in Shakespeare's Library: Unlocking the Greatest Mystery in Literature, and a vocal impressionist, a surrealist drag artist and a lonely soul singer welcome us to Fringe World 2019.

Yorta Yorta soprano and composer Deborah Cheetham's requiem for the Eumeralla wars, Anouk van Dijk's Common Ground at Chunky Move performed by Tara Jade Samaya and Richard Cilli, voice and dialect coach Leith McPherson teaches the accent of the Southern United States, Rory Kinnear summons a wicked Macbeth for the National Theatre, and we meet some young performers from Andrew Lloyd Webber's School of Rock: The Musical.

Yorta Yorta soprano and composer Deborah Cheetham's requiem for the Eumeralla wars, Anouk van Dijk's Common Ground at Chunky Move performed by Tara Jade Samaya and Richard Cilli, voice and dialect coach Leith McPherson teaches the accent of the Southern United States, Rory Kinnear summons a wicked Macbeth for the National Theatre, and we meet some young performers from Andrew Lloyd Webber's School of Rock: The Musical.

South African work of documentary theatre The Fall captures a movement to decolonise their institutions, Gabrielle Wang's novel for younger readers A Ghost in My Suitcase has been adapted for the stage by Barking Gecko Theatre, we check in to an upmarket hotel to learn about Wiradjuri dancer and choreographer Joel Bray's work Biladurang, and White Pearl takes us into the world of skin whitening cosmetics and pan-Asian race relations.

South African work of documentary theatre The Fall captures a movement to decolonise their institutions, Gabrielle Wang's novel for younger readers A Ghost in My Suitcase has been adapted for the stage by Barking Gecko Theatre, we check in to an upmarket hotel to learn about Wiradjuri dancer and choreographer Joel Bray's work Biladurang, and White Pearl takes us into the world of skin whitening cosmetics and pan-Asian race relations.

We speak to the legendary Australian choreographer Graeme Murphy about his 50 years with The Australian Ballet, we meet Tony Award-winning director of Jersey Boys Des McAnuff and the Australian cast, voice and dialect coach Leith McPherson leads us through a cockney accent lesson, and we travel backstage with Dancenorth, Circa and The Good Room as they prepare to stage new work at the Brisbane Festival.

We speak to the legendary Australian choreographer Graeme Murphy about his 50 years with The Australian Ballet, we meet Tony Award-winning director of Jersey Boys Des McAnuff and the Australian cast, voice and dialect coach Leith McPherson leads us through a cockney accent lesson, and we travel backstage with Dancenorth, Circa and The Good Room as they prepare to stage new work at the Brisbane Festival.

The acclaimed production of Calamity Jane starring Virginia Gay continues to tour, Bill Bailey on his musical idols and the Shakespearian origins of knock-knock jokes, voice and dialect coach Leith McPherson explains the transformation actors undergo to embody their characters, and Opera Australia's regional tour of Madame Butterfly features children from the local community.

The acclaimed production of Calamity Jane starring Virginia Gay continues to tour, Bill Bailey on his musical idols and the Shakespearian origins of knock-knock jokes, voice and dialect coach Leith McPherson explains the transformation actors undergo to embody their characters, and Opera Australia's regional tour of Madame Butterfly features children from the local community.