Today we're putting The Tonearm's needle on violinist and composer Bryan Senti.

Bryan Senti won a BAFTA for scoring the BBC series Mood. He's composed for films since 2015 and worked with artists like Regina Spektor and Mark Ronson. But his new album La Marea tells a different story—his father's story.

La Marea takes Cuban migration and turns it into sound. His previous album, Manu, honored his Colombian mother through short violin pieces. This time, Bryan recorded with the Czech National Symphony Orchestra. The result mixes classical precision with Latin American folk traditions and ambient textures. He recorded it specifically for Dolby Atmos. 800 tracks of strings, all acoustic, creating what he calls the feeling of being adrift at sea.

In this conversation, I talk with Bryan about rediscovering the violin as an adult, how techno influenced a string orchestra album, and what it means to honor family stories through music.

(The musical excerpts heard in the interview are from Bryan Senti's album La Marea)

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• Visit Bryan Senti at bryansenti.com
• Follow Bryan Senti on Instagram, Facebook, Bluesky, and YouTube
• Purchase Bryan Senti's La Marea from Bandcamp or Qobuz and listen on your streaming platform of choice
• Bryan Senti's previous album Manu
• Dustin O'Halloran - composer and collaborator
• Francesco Donadello - mixer, Synecdoche Music Research
• Justin Moshkevich - co-producer, Igloo Music
• Spencer Zahn - bassist, 'Quiet in a World Full of Noise'
• Noah Hoffeld - cellist
• Rrose - techno artist
• Czech National Symphony Orchestra
• Andrea Franco - video director
• Dig into this episode's complete show notes at podcast.thetonearm.com

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• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.

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• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.

• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com

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Our recent episode featuring Wilco and creative music guitarist Nels Cline has proven to be a listener-favorite. This holiday season, we thought it might be fun to give you even more of what we know you love. So … we are excited to bring you another conversation with Nels, this one from the Wilco Will Love You Podcast.

Wilco Will Love You is hosted by two fans who cover the music and influence of the Chicago band. The podcast is co-hosted by Mary MacLane Mellas and The Tonearm’s contributing writer Meredith Hobbs Coons.

If you’ve listened our episode with Nels, you know what a warm and generous interview subject he is. Listening to this conversation, I really enjoyed hearing how the different perspective the hosts brought highlighted the enthusiasm for making and talking about music Nels has. It was also clear how much the fans mean to him.

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Dig Deeper

• Listen to The Tonearm Podcast with Nels Cline at thetonearm.com and wherever you get your podcasts
• Visit Nels Cline at nelscline.com and follow him on Instagram and Facebook

• Get more episodes of Wilco Will Love You here and your podcast platform of choice
• Find Mary MacLane Mellas on Instagram and Meredith Hobbs Coons on her website

• Wilco - Nels Cline has been guitarist since 2004
• The Nels Cline Singers - long-running experimental project
• Nels Cline 4 - featuring Julian Lage, Scott Colley, and Tom Rainey
• Consentrik Quartet - with Ingrid Laubrock, Chris Lightcap, and Tom Rainey on Blue Note Records

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• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.

• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.

• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.

• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com

Hosted on Acast. See acast.com/privacy for more information.

Today, we're putting The Tonearm's needle on Graham St John, a cultural anthropologist and Senior Research Fellow at the University of Huddersfield in the UK.

Graham has spent decades studying transformational events, psychedelic culture, and electronic dance music scenes. He's written ten books, and his latest is Strange Attractor: The Hallucinatory Life of Terence McKenna, published by MIT Press. McKenna was the 20th century's psychedelic renaissance man, a stand-up philosopher who became a sampled voice on rave tracks and a herald of consciousness expansion.

Graham spent years tracking down letters, interviewing over 80 people, and sifting through archives to capture McKenna's life, not to canonize or condemn him, but to understand how this rogue scholar became both hero and controversy in equal measure.

We talk about the challenge of writing a biography when your subject was known for embellishing stories, and why distinguishing fact from fiction in McKenna's "hallucinatory life" matters.

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Dig Deeper

• Visit Graham St. John's website at Edgecentral
• Graham St. John - Senior Research Fellow at University of Huddersfield
• Purchase Strange Attractor: The Hallucinatory Life of Terence McKenna from MIT Press or Bookshop
• Los Angeles Review of Books review of Strange Attractor
• Lucid News review - "Genius and Delusion in Terence McKenna's Life"
• McKenna Academy of Natural Philosophy - Founded and led by Dennis McKenna
• Purdue University - Betsy Gordon Psychoactive Substances Research Collection - Contains McKenna archive materials donated by Dennis McKenna in 2013
• Klea McKenna's archival project at TerenceMcKenna.com
• Dig into this episode's complete show notes at podcast.thetonearm.com

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• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.

• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.

• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.

• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com

Hosted on Acast. See acast.com/privacy for more information.

Today, we’re putting The Tonearm’s needle on guitarist Nels Cline.

Most people know Nels Cline as Wilco's guitarist for the past two decades. But his range goes far beyond indie rock. He's spent forty-plus years moving between jazz clubs, punk venues, and studios where the rules get bent or thrown out entirely. Rolling Stone put him on their list of the top 100 guitarists of all time, but that tells you nothing about how he actually plays.

His current project, Trio of Bloom, pairs him with keyboardist Craig Taborn and drummer Marcus Gilmore on Pyroclastic Records. The three had never played together before producer David Breskin brought them into the studio in November 2024. What came out sounds like a band that's been working together for years, full of ambient drift and barbed funk that explores the outer edges of dub.

(The musical excerpts heard in the interview are from Trio of Bloom's self-titled album)

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Dig Deeper

• Visit Nels Cline at nelscline.com and follow him on Instagram and Facebook
• Visit Craig Taborn at craigtaborn.com and follow him on Instagram
• Visit Marcus Gilmore at drummerslams.com and follow him on Instagram
• Purchase Trio of Bloom from Bandcamp or Qobuz and listen on your streaming platform of choice
• Trio of Bloom on Pyroclastic Records

• David Breskin - producer, poet, and creative catalyst
• Kris Davis - founder of Pyroclastic Records
• Pyroclastic Records - independent label supporting creative music

• Wilco - Nels Cline has been guitarist since 2004
• The Nels Cline Singers - long-running experimental project
• Nels Cline 4 - featuring Julian Lage, Scott Colley, and Tom Rainey
• Consentrik Quartet - with Ingrid Laubrock, Chris Lightcap, and Tom Rainey on Blue Note Records

• Terje Rypdal - What Comes After (ECM, 1974) - source of "Bend It"
• Wayne Shorter & Milton Nascimento - Native Dancer (Columbia, 1975) - source of "Diana"
• Ronald Shannon Jackson & Decoding Society - Eye On You (About Time, 1980) - source of "Nightwhistlers"

• Initiate by Nels Cline Singers (Cryptogramophone, 2010) - source of "Forge" and "King Queen" (which became "Queen King")
• Marcus Gilmore - "Breath"
• Craig Taborn - "Unreal Light" and "Why Canada"
• Nels Cline - "Eye Shadow Eye," "Gone Bust"
• Free improvisation - "Bloomers"

• Sharon Core - painter whose flower series adorns the album
• Irving Penn - photographer whose 1980 'Flowers' series inspired Core's paintings
• Yancey Richardson Gallery - representing Sharon Core

• Power Tools - Bill Frisell, Melvin Gibbs, Ronald Shannon Jackson trio produced by David Breskin (1987)
• John Zorn's Cobra - game piece and performance system
• The Knitting Factory (original NYC venue) - seminal downtown jazz and experimental music venue

• The Stone - John Zorn's performance space
• Roulette - experimental music venue in Brooklyn
• Village Vanguard - legendary jazz club
• Littlefield - Brooklyn venue (now closed)
• The Bellhouse - Brooklyn music venue
• iBeam Music Brooklyn - performance space

• Dig into this episode's complete show notes at podcast.thetonearm.com

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• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.

• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.

• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.

• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com

Hosted on Acast. See acast.com/privacy for more information.

Today, we're putting The Tonearm's needle on pianist Marcus Roberts.

Roberts plays jazz piano like he's lived through its entire history. His style pulls from Jelly Roll Morton and Fats Waller as much as it does from bebop. He spent years in Wynton Marsalis's band, has performed piano concertos with Seiji Ozawa, and today leads The Modern Jazz Generation, a 12-piece ensemble encompassing three decades of musicians.

Roberts is here today to talk about something beyond performance. He's one of twenty artists awarded a grant from the Doris Duke Foundation's Performing Arts Technologies Lab. His project tackles a technical problem that's plagued remote music collaboration: latency. He's working to get the delay below 40 milliseconds so musicians in different cities can actually play together in real time.

Roberts has been blind since age five, and he's used technology his whole life to access music and create it. From Braille music notation to AI-powered tools, he shows us how tech can serve artists rather than replace them. And that’s just a hint of where this conversation goes.

(The first two musical excerpts heard in the interview are from a Marcus Roberts live performance, Jazz in Marciac 2024)

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Dig Deeper

• Visit Marcus Roberts at marcusroberts.com

• Check out Marcus Roberts' music on Qobuz

• Marcus Roberts on Wikipedia • Marcus Roberts - 60 Minutes Profile "The Virtuoso" (2014)

• Jason Marsalis - drummer in Marcus Roberts Trio and The Modern Jazz Generation

• Rodney Jordan - bassist in Marcus Roberts Trio

• The Modern Jazz Generation - Roberts' 12-piece ensemble founded in 2012

• Dig into this episode's complete show notes at podcast.thetonearm.com

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• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.

• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.

• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.

• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com

Hosted on Acast. See acast.com/privacy for more information.

Ned Rothenberg just released his first solo album in thirteen years, Looms & Legends, and it shows why he's been called America's most intimate composer and improviser. Ned’s improvisations and compositions display his use of extended techniques like circular breathing and multiphonics, while others tell stories through melody. He calls it music for an imaginary culture - sounds that feel indigenous to a place that doesn't exist yet.

Ned shared his views on the nature of experimental music, discussions about the role of art in society, the importance of personal artistic expression, and Ned's interest in exploring what goes on between jazz musicians during the act of creation. And this summary barely scratches the surface.

(The musical excerpts heard in the interview are from Ned Rothenberg's album Looms & Legends)

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• Visit Ned Rothenberg at nedrothenberg.com and follow him on Instagram, Facebook, and Bandcamp
• Purchase Ned Rothenberg's Looms & Legends from Pyroclastic Records, Bandcamp, or Qobuz and listen on your streaming platform of choice
• Ned Rothenberg - Extended Biography
• Dig into this episode's complete show notes at podcast.thetonearm.com

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• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.

• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.

• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.

• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com

Hosted on Acast. See acast.com/privacy for more information.

Today, we're putting The Tonearm's needle on saxophonist and composer Miguel Zenón.

A MacArthur Fellow, Guggenheim recipient, and Grammy winner, Miguel has spent over two decades creating music that connects jazz tradition with Puerto Rican rhythms and modern composition.

He's here to talk about his latest release, Vanguardia Subterránea - his quartet's first live album, captured at the Village Vanguard with musicians he's played with for twenty years. Miguel and I first spoke in 2011 about his role as both an artist and an educator. Now, fourteen years later, we pick up that conversation as he reflects on what it means to document this long-running musical partnership in one of jazz's most sacred spaces.

(The musical excerpts heard in the interview are from Miguel Zenón’s album Vanguardia Subterránea)

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Dig Deeper

• Visit Miguel Zenón at miguelzenon.com and follow him on Instagram, Facebook, YouTube, and Bandcamp
• Purchase Miguel Zenón Quartet's Vanguardia Subterránea: Live at The Village Vanguard from Bandcamp or Qobuz and listen on your streaming platform of choice

• Luis Perdomo (piano) - Visit luisperdomojazz.com
• Hans Glawischnig (bass) - Visit hansglawischnig.com
• Henry Cole (drums) - Visit henry-cole.com

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• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.

• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.

• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.

• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com

Hosted on Acast. See acast.com/privacy for more information.

Today we're putting The Tonearm's needle on bassist and composer Linda May Han Oh.

Linda's a Grammy winner who's recorded with Pat Metheny, Kenny Barron, and Joe Lovano. She was even the model for the bassist character in Pixar's 'Soul.' But it's her own work that brings us together.

Her latest album, Strange Heaven, explores why we choose familiar hells over strange heavens—why we stick with what we know even when change might save us. It's a question that cuts through everything from personal relationships to political choices.

Linda approaches her albums like journals, each one capturing where she is as an artist and a person. Since becoming a mother, she says her music has become more direct, more distilled—less about ego and more about emotional truth.

She's here to discuss creative honesty, her work promoting women composers in jazz through the New Standards project, and why making music with emotional directness matters more than ever.

(The musical excerpts heard in the interview are from Linda May Han Oh’s album Strange Heaven)

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Dig Deeper

• Visit Linda May Han Oh at lindamayhanoh.com and follow her on Instagram, Facebook, and Bandcamp
• Purchase Linda May Han Oh's Strange Heavens from Biophilia Recordings, Bandcamp, or Qobuz and listen on your streaming platform of choice
• Linda May Han Oh: Tiny Desk Concert
• Dig into this episode's complete show notes at podcast.thetonearm.com

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• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.

• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.

• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.

• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com

Hosted on Acast. See acast.com/privacy for more information.

Today on The Tonearm, we're celebrating the inaugural Jazz Forward Award winners from All About Jazz. Since 1995, All About Jazz has been a driving force for jazz discovery. Now they're recognizing industry trailblazers who actively promote jazz awareness and culture.

We'll hear from four organizations reshaping how jazz connects with audiences worldwide. Ed Trefzger from JazzWeek tracks radio airplay across North America, giving artists and their teams vital exposure data. Jesus Perezagua's Oh! Jazz streams live performances from clubs globally, bringing the world's jazz rooms to your screen of choice. Thomas Marriott's Seattle Jazz Fellowship revives local jazz culture through community-focused programming. And Eddie Lee's Sligo Jazz Project transforms an Irish town into Europe's most inclusive jazz education festival each summer.

Each organization tackles different challenges, from measuring impact to building community to educating the next generation. Together, they show how jazz thrives through innovation and dedication.

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• Jazz Forward Award Program - All About Jazz recognition of industry trailblazers promoting jazz awareness and culture
• JazzWeek - jazzweek.com - Radio airplay tracking for jazz recordings across North America
• Oh! Jazz - ohjazz.com - Live and on-demand streaming platform featuring jazz clubs worldwide
• Seattle Jazz Fellowship - seattlejazzfellowship.org - Nonprofit venue presenting live jazz in Seattle's Pioneer Square
• Sligo Jazz Project - sligojazz.ie - Annual summer school and festival in Sligo, Ireland
• Sligo Jazz YouTube Channel - YouTube - Concert footage and festival highlights
• Dig into this episode's complete show notes at podcast.thetonearm.com

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• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.

• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.

• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.

• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com

Hosted on Acast. See acast.com/privacy for more information.

Hi, this is Lawrence Peryer with a quick update about some exciting changes coming to our show. Spotlight On is now The Tonearm—same name as our online magazine at thetonearm.com. Same conversations with the people and ideas moving culture forward, just a new name and a fresh look. The timing works out: this week marks one year since we launched The Tonearm online.

We're also shifting from Thursday to Sunday episode releases. Why Sundays? Thursdays have gotten crowded—it seems like everyone drops new episodes that day. Sundays give us room to breathe, and we like letting our conversations really develop. Sunday feels right for that, when you can actually sit with our guests and let these talks unspool at their own pace.

Our first episode as The Tonearm drops this Sunday. After nearly 300 episodes, we're not changing what we do—we're just refining as we go. We've got another surprise in store too. That one you'll hear on Sunday.

There's nothing you need to do. New episodes will continue showing up however you're listening now. See you Sunday at The Tonearm, or wherever you like to listen. And as always, thanks for listening. Be safe and stay in touch.

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• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.

• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.

• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com

Hosted on Acast. See acast.com/privacy for more information.