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The film, television, and theater industries were represented by some of the largest unions in the United States, and in the late 1940s, with the full cooperation of Screen Actors Guild President Ronald Reagan, organizations like the Motion Picture Alliance for the Preservation of American Values sought to root out what they deemed the communist threat in entertainment. Unions from other industries were also targeted, and a narrative that communist infiltration was the true root cause of contemporary labor conflicts was embraced by a number of American politicians. Narrated by Rebecca Naomi Jones and featuring Thomas Doherty, author of Show Trial: Hollywood, HUAC, and the Birth of the Blacklist.
Image: Strikers on the picket line at Warner Bros., in the early morning hours before violence broke out, October 5, 1945. Photo by Keystone-France/Gamma-Keystone via Getty Images
The Wreckage is made possible by funding from the Ford Foundation. Additional funding is provided through the American Jewish Education Program, generously supported by Sid and Ruth Lapidus.
By American Jewish Historical Society5
4848 ratings
The film, television, and theater industries were represented by some of the largest unions in the United States, and in the late 1940s, with the full cooperation of Screen Actors Guild President Ronald Reagan, organizations like the Motion Picture Alliance for the Preservation of American Values sought to root out what they deemed the communist threat in entertainment. Unions from other industries were also targeted, and a narrative that communist infiltration was the true root cause of contemporary labor conflicts was embraced by a number of American politicians. Narrated by Rebecca Naomi Jones and featuring Thomas Doherty, author of Show Trial: Hollywood, HUAC, and the Birth of the Blacklist.
Image: Strikers on the picket line at Warner Bros., in the early morning hours before violence broke out, October 5, 1945. Photo by Keystone-France/Gamma-Keystone via Getty Images
The Wreckage is made possible by funding from the Ford Foundation. Additional funding is provided through the American Jewish Education Program, generously supported by Sid and Ruth Lapidus.

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