Mike tells the true story of a famous poet who wrote her best stuff while working as a waitress in a diner, many years ago. After that, another true story about the time Joan Rivers saved his career, followed by a rather remarkable catch-up with Paul Kelley, a true renaissance man who worked the overnights with Mike, back in the glory days of home shopping.  Yeah, it gets a little weird… and there is some adult language.

Ever wonder what The Daily Show would have looked like if Mike Rowe had been hired to host it? Well, guess what – he was! And then he wasn’t. And then, he was! And then…he wasn’t. The question is, does Jon Stewart really owe Mike Rowe $20?

Who ya gonna call when a lifesaver turns deadly? Who ya gonna call when the ghost in your house can’t be busted? If you’re Mike Rowe, you call your producer, and have a very normal chat, about all things paranormal. Boo!

A simple story of a simple homemaker turns in to a not-so-simple tale of the haunted home where Mike lived in 1992, followed by the spontaneous re-telling of the most terrifying night of Mike’s life. A ghost story that’s not really a ghost story, but nevertheless scared Chuck as bad as it did Mike…

While you will doubtless find this particular episode, chapter, or installment to be interesting, fascinating, or provocative, you will also learn something about the importance of choosing just the right word, term, or expression when attempting to write a memorable tale, story or yarn.  After that, Mike picks the enormous brain of Alex Abramovich, a ghost writer you’ve never heard of, who writes best-selling books for people you have.  

After sharing the story of a famous father and son who could never find the right words, Mike and his Dad prove that words are the least of their problems. Strap in for a completely unpredictable rumination on memory foam. broken windshields, intractable stumps, double-sided axes, ancient wood-stoves, big-ash trees, and transgender dogs. Peggy Rowe is there to supervise, but only makes things weirder, as usual.

In what appears to be an ongoing quest to get himself cancelled, Mike weighs in on the statue controversy much to the alarm of his producer, Chuck. Their conversation then pivots to the  situation in San Francisco, where the school board has recently voted to remove the names of Washington and Lincoln from the facades of public schools – a truly bizarre decision that left Mike to wonder how in the world so many powerful people have managed to get their heads so far up their own asses.

Mike tells the amazing story of a mostly forgotten explorer, whose epic journey helped pave the path to Mars. Then, he’s joined by everyone’s favorite astronomer, Dr. Michelle Thaller, to better understand what the hell is happening on the Red Planet, and why it’s so frickin' expensive to get there.

Mike ruminates on the splendid virtues of a certain “Full Figured Gal,” and tells the true story of the day his lawyer – The Irish Hammer – changed the trajectory of his career by challenging him to put a pig on a pedestal. He then invites The Irish Hammer herself – Mary Sullivan – to explain why she left a successful law firm to oversee the career of a man who crawled through sewers to make a living.

Mike begins with chapter 8 of his bestselling book which contains quite possibly the greatest audition story ever told about one of the most ubiquitous names in television. This is followed by a personal recollection of Mike’s thespian dad and concludes with a moderately inappropriate conversation between Mike and Chuck wherein they swap audition stories from the ‘90s.  It’s totally rad!