The WhatsOnStage Podcast

The WhatsOnStage Podcast

By Sarah Crompton & Alex WoodTV & FilmSociety & CultureArtsPerforming Arts
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The WhatsOnStage Podcast episodes

  • 56. (ATASTTC) Family sagas from Dear Octopus to The Simpsons
    As Dodie Smith's Dear Octopus is revived at the National Theatre, Sarah and Nancy talk about family sagas they have loved. Does Star Wars count? Is this why The Simpsons is endlessly compelling? And why are Britain's playwrights turning their attention once more to this simplest and most interesting way of telling a story. Plus: Nancy reveals what happens at an R & D workshop on Shakespeare. Is there a case for cutting to make Shakespeare speak more clearly to the modern age?

    Hosted on Acast. See acast.com/privacy for more information.

    39 min
  • 55. (ATASTTC) Hadestown, Matt Smith and the importance of speaking out

    This week Nancy and Sarah discuss criticism itself, inspired by a new, updated version of Ibsen's An Enemy of the People starring Matt Smith which encourages its audience to enter the debate - and by Sarah's review of the musical Hadestown which pitched her into an unexpected online controversy. Just how important is it to express strong opinions? Is it possible to disagree agreeably or does honest debate end up as a shouting match? And what did the Greeks know about it all? Sarah has been watching a new version of Aristophanes's The Frogs which is also food for thought - and the first example of theatre criticism.



    Hosted on Acast. See acast.com/privacy for more information.

    38 min
  • 54. (ATASTTC) One Day and the appeal of romcoms
    Nancy and Sarah are hooked on One Day, the Netflix adaptation of David Nicholls' best-selling novel. What is it that makes it so great and why are romcoms very much back in fashion? All of which leads to a conversation about the romcoms they have loved, past and present. Plus a bit of Shakespeare. Nancy's been to see The Midsummer NIght's Dream (perhaps the original romcom) at the RSC while Sarah has been to King Lear (definitely not a romcom) at the Almeida.

    Hosted on Acast. See acast.com/privacy for more information.

    29 min
  • 53. (ATASTTC) Is British theatre in crisis?
    As the Young Vic's Kwame Kwei-Armah becomes the latest in a list of artistic directors to announce they are leaving the theatres they have run with great enthusiasm and distinction, Nancy and Sarah discuss whether standstill funding and the effects of Covid are bringing British theatres to their knees. There are a lot of reasons to fear that Kwei-Armah is right when he warns that without government intervention, there's a danger of losing a generation of talent. But why are we so bad at valuing something that is not only an economic boon, but that also adds value to life? It's time to speak out. Plus, much praise for Beth Steele's brilliant new play Till the Stars Come Down.

    Hosted on Acast. See acast.com/privacy for more information.

    34 min
  • 52. (ATASTTC) Merrily We Roll Along on Broadway ft Jonathan Groff
    In this special episode from the US, Nancy and Sarah talk to the legendary Jonathan Groff, currently starring on Broadway in Stephen Sondheim's Merrily We Roll Along with Daniel Radcliffe and LIndsay Mendez. We talk about singing Sondheim, playing King George in Hamilton, the joys of a long Broadway run, and voicing Kristoff and Sven in Frozen. And yes we do talk about the spitting!

    Hosted on Acast. See acast.com/privacy for more information.

    53 min
  • 51. (ATASTTC) Oscar nominations - and the wonder of Jodie Foster
    As the Oscar nominations are announced, Sarah and Nancy ask whether 13 nominations for Oppenheimer, the treatment of Barbie and the omission of Greta Gerwig from the best director list reveals a reversion to type in Hollywood's attitudes to women. And they talk about Nyad, a film which has brought Oscar nominations for both Annette Bening and Jodie Foster - who is also on TV in True Detective. She is brilliant in both, which prompts a conversation about growing up with child stars. We've been watching Foster since she was nominated as best supporting actress for Taxi Driver 1976 - how does that knowledge of her on screen affect how we view her?

    Hosted on Acast. See acast.com/privacy for more information.

    33 min
  • 50. (ATASTTC) Putting up a fight ft Kombat Kate
    Nancy and Sarah talk to their special guest Kate Waters, aka Kombat Kate, one of a handful of female fight directors working in the UK today. She's worked on more than 300 productions on stage - and is the fight director for Coronation Street and Emmerdale. Her recent shows include Macbeth with Ralph Fiennes and Indira Varma and King Lear, which is about to open at the Almeida Theatre. In this fascinating interview she reveals the tricks of her trade, and how she began her career. And she explains how she staged one of the most famous fights on the London stage.

    Hosted on Acast. See acast.com/privacy for more information.

    1 hr 3 min
  • 49. (ATASTTC) The appeal of Father Brown
    In this special episode, to mark the return of the television series Father Brown in which Nancy has featured since 2012, she and Sarah talk about the appeal of period detective shows including Father Brown and Poirot and why they are both comforting and reflective of real social change. Plus, Nancy explains what it's been like to be part of such a long-running series, how she views the character of Lady Felicia and how it feels to return to her TV family

    Hosted on Acast. See acast.com/privacy for more information.

    27 min
  • 48. (ATASTTC) Looking ahead in 2024

    From radical musicals to fascinating revivals, from new plays to ongoing shows. As 2024 begins, Nancy and Sarah make their choices of the best theatre to see in the coming year - and discuss the way in which technology is beginning to transform experiences for audiences.


    Hosted on Acast. See acast.com/privacy for more information.

    32 min
  • 47. (ATASTTC) Six top feel-good films to watch at Christmas
    Nancy and Sarah each recommend three movies for Christmas viewing - and discuss what makes the perfect film to watch from the sofa. Their choices also include Paddington 2, Planes, Trains and Automobiles, and Die Hard with honourable mentions for The Great Escape and other festive favourites. There are some brilliant stories from behind the scenes but what is it that makes these movies into seasonal classics. Why do we watch them again and again? This episode was filmed on Zoom and will also be available on YouTube.

    Hosted on Acast. See acast.com/privacy for more information.

    50 min

About The WhatsOnStage Podcast

From the publisher's feed

WhatsOnStage managing editor Alex Wood and chief theatre critic Sarah Crompton host a weekly podcast on all things theatrical. News, views, frank exchanges and lists offer an unmissable guide to…

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