This American Life

Sometimes, life’s biggest mysteries require one very specific person to answer them.

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• Prologue: 7-year-old Miles has lots of questions. More specifically, he has questions about the famous car chase from “The Blues Brothers” movie. We arrange for him to talk to stunt coordinator Gary Powell so he can get the answers he so desperately wants. (9 minutes)
• Act One: Producer Aviva DeKornfeld looks into why comedian Daniel Sloss’s comedy special has been responsible for so many couples breaking up. (17 minutes)
• Act Two: We hear from Kwaneta Harris, a former nurse incarcerated in Texas, who is constantly asked for medical advice by her neighbors. (17 minutes)
• Act Three: Producer Diane Wu talks to Juna, a young woman who is getting advice from someone uniquely equipped to guide her to the love life she wants. (12 minutes)

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Little-known and surprising stories of how all sorts of institutions began.

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• Prologue: Host Ira Glass talks to business professor Pino Audia and Fast Company magazine columnist Dan Heath about corporate creation myths and why so many of them involve garages. (7 minutes)
• Act One: Sarah Koenig tells the story of her father, Julian Koenig, the legendary advertising copywriter whose work includes the slogan "Timex takes a licking and keeps on ticking" and Volkswagen's "Think Small" ads. For years, Sarah has heard her dad accuse a former partner of stealing some of his best ideas, but until recently, she never paid much attention. Then she started asking her dad for details of this fight for his legacy, and what she learned surprised her. (20 minutes)
• Act Two: Producer Sean Cole visits Chad's Trading Post in Southampton, Massachusetts. One person who works there wears a shirt that says "Chad's Brother;" other shirts say "Chad's Best Friend," "Chad's Cousin," and "Chad's Father." Pictures of Chad are everywhere. Chad's dead. The family explains. (14 minutes)
• Act Three: Peter Sagal, host of NPR's Wait Wait...Don't Tell Me, tells Ira the origin story of one of the worst movie sequels ever made. (5 minutes)
• Act Four: Reporter Mary Wiltenburg tells the story of a little boy stymied by the question "Where do you come from?" (8 minutes)

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Unnecessary and outrageous lies that make you wonder — why lie about that in the first place?

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• Prologue: Kasey, a woman who prides herself on her truthfulness, tries to help host Ira Glass figure out how to stop lying about one specific thing. (10 minutes)
• Act One: Producer Dana Chivvis talks to reporter Liz Flock about a strange experience she had in 2011. (21 minutes)
• Act Two: Host Ira Glass talks with M. Gessen about a lie they've been seeing out in the world a lot recently — the “bully lie.” (15 minutes)
• Act Three: We find someone brave enough to stand up and make a case FOR lying. That person is producer Ike Sriskandarajah. (8 minutes)

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Zach Mack and his dad try to mend a rift between them in a very unusual way. 

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• Prologue: Ira Glass introduces Zach Mack’s story. (1 minute)
• Part One: Zach and his father enter into an agreement that could change their entire relationship. (9 minutes)
• Part Two: Zach’s mother and sister weigh in on the agreement. (28 minutes)
• Part Three: With the year coming to an end, someone is going to have to say, “You were right, and I was wrong.” Will it change anything? (16 minutes)

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President Trump is eradicating DEI from the federal government, and private companies are following his example. We return to a show we did two years ago about the turning point that led to this moment. Our Executive Producer Emanuele Berry guest-hosts and shares stories about Black people who found themselves caught in the middle of this cultural fight when the country shifted decisively away from diversity, equity, inclusion, critical race theory, and affirmative action.

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• Prologue: As a new high school principal, Dr. Whitfield felt moved by the national renouncement of racism he saw all around him in the wake of George Floyd’s murder. It prompted him to write a thoughtful email to parents and teachers in his district. He got lots of praise for it. Less than a year later, that same email would threaten his job. (12 minutes)
• Act One: During her sophomore year in high school, Nevaeh was targeted in a secret text message chain by a handful of her peers. She’d come to learn the text chat was a mock slave trade where her photo and photos of other Black classmates were uploaded, talked about as property, and bid on. Emanuele Berry talks to Nevaeh about what these messages mean to her now as well as how she’s navigated her town’s reaction and her close friendships with kids who mostly aren’t Black. (20 minutes)
• Act Two: After the murder of George Floyd, sales of books by Black authors skyrocketed. Now, there are efforts to ban many of the same books. Producer Chana Joffe-Walt talks to author Jerry Craft, who is caught up in this backlash with his graphic novel New Kid. (21 minutes)

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For Valentine's Day, stories from the heart of heartbreak.

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• Prologue: Host Ira Glass talks with Lauren Waterman, who's in the middle of a break-up right now and grappling with totally contradictory feelings. (5 minutes)
• Act One: In the wake of a break-up, writer Starlee Kine finds so much comfort in break-up songs that she decides to try and write one herself—even though she has no musical ability whatsoever. For some help, she goes to a rather surprising expert on the subject: Phil Collins. (29 minutes)
• Act Two: Eight-year-old Betsy Walter goes on a campaign to understand her parents' divorce — a campaign that takes her to school guidance counselors, children's book authors, and the mayor of New York City. (10 minutes)
• Act Three: Ira talks with divorce mediator Barry Berkman about why it's bad when the justice system gets involved in a break-up. (8 minutes)
• Act Four: What divorce looks like from the dog's point of view. (5 minutes)

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People stuck in a loop, trying to find their way out.

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• Prologue: Host Ira Glass talks to B.A. Parker about her birthday tradition. (6 minutes)
• Act One: Producer Aviva DeKornfeld speaks with a father and daughter who have been playing the same game for 25 years. (9 minutes)
• Act Two: Talia Augustidis asks a single question over and over. (5 minutes)
• Act Three: Editor David Kestenbaum speaks with Jeff Permar, who is trapped in a Groundhog Day situation — with an actual groundhog! (9 minutes)
• Act Four: Parking in a big city can be a real pain. Producer Valerie Kipnis speaks with a man who has taken it upon himself to try to mitigate the weekly hassle. (14 minutes)
• Act Five: Short fiction from Bess Kalb about a groundhog named Susan, who has her own opinions about the holiday named after her species. (7 minutes)

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An investigation of when and why people ask loaded questions that are a proxy for something else.

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• Prologue: Host Ira Glass talks with producer Tobin Low about the question he got asked after he and his husband moved in together, and what he thinks people were really asking. (4 minutes)
• Act One: “What do you think about Beyoncé?” and other questions raised by people on first dates. (12 minutes)
• Act Two: When a common, seemingly innocuous question goes wildly off the rails. (13 minutes)
• Act Three: Why are people asking me if my mother recognizes me, when it’s totally beside the point? (14 minutes)
• Act Four: Schools ask their students the strangest essay questions sometimes. The experience of tutoring anxious teenagers through how to answer them requires a balladier, singing their lived experience to a crowd as though it were the Middle Ages. (10 minutes)

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People living in that in-between moment before everything changes.

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• Prologue: Kirk Johnson tells Ira about a strange choice he made during his family’s evacuation from the Sunset Fire in Los Angeles. (5 minutes)
• Act One: Editor Nancy Updike tries to make sense of this current moment by talking to a master of dark comedy, Armando Ianucci. (19 minutes)
• Act Two: As President Trump prepares to return to the Oval Office, producer Valerie Kipnis talks to Ukrainian soldiers on the front line who wonder about what his administration could mean for them. (14 minutes)
• Act Three: Editor Susan Burton reflects on the ramp-up to an era that comes for so many of us. (9 minutes)
• Act Four: In the wake of the Eaton Fire in Altadena, California, producer Miki Meek talks to a woman on a very particular mission. (6 minutes)

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People climbing to be number one. How do they do it? What is the fundamental difference between us and them?

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• Prologue: Ira Glass talks with Paul Feig, who, as a sixth-grader, read the Dale Carnegie classic How to Win Friends and Influence People at the urging of his father. He found that afterward, he had a bleaker understanding of human nature—and even fewer friends than when he started. (9 minutes)
• Act One: David Sedaris has this instructive tale of how, as a boy, with the help of his dad, he tried to bridge the chasm that divides the popular kid from the unpopular — with the sorts of results that perhaps you might anticipate. (14 minutes)
• Act Two: After the September 11th attacks on the World Trade Center and the Pentagon, U.S. diplomats had to start working the phones to assemble a coalition of nations to combat this new threat. Some of the calls, you get the feeling, were not the easiest to make. Writer and performer Tami Sagher imagines what those calls were like. (6 minutes)
• Act Three: To prove this simple point—a familiar one to readers of any women's magazines—we have this true story of moral instruction, told by Luke Burbank in Seattle, about a guy he met on a plane dressed in a hand-sewn Superman costume. (13 minutes)
• Act Four: Jonathan Goldstein with a story about what it's like to date Lois Lane when she's on the rebound from Superman. (13 minutes)

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