This Had Oscar Buzz

After a string of August (yes, early buzzed) hits, Meryl Streep collaborated with two Oscar-winning names that sent Oscar obsessives to get lost in their rock and roll: director Jonathan Demme and screenwriter Diablo Cody. 2015′s Ricki and the Flash didn’t set the box office on fire and a very competitive Best Actress year possibly … Continue reading "032 – Ricki and the Flash"

Coming off of two successive Oscar nominations, Winona Ryder led an immaculate female ensemble for Jocelyn Moorhouse’s How to Make an American Quilt. But instead of furthering Ryder’s mounting Oscar narrative, the film wound up as a surprise SAG Ensemble nominee – and, as Joe and Chris argue, a welcome one. This week, we take … Continue reading "031 – How to Make an American Quilt"

An episode an entire year in the making – we’re welcoming This Had Oscar Buzz’s Class of 2018 into the fold! As requested, we’re running down all of this past year’s films that had lofty Academy Award aspirations and were left with nothing come last week’s nomination morning. And not to confuse these new inductees … Continue reading "Class Of 2018"

Our episode this week is on a film that once dominated the earliest Oscar predictions for 2009: Jim Sheridan’s American remake of Brothers. Led by Tobey Maguire, Jake Gyllenhaal, and Natalie Portman, the film repurposed Susanne Bier’s film as another in a line of film’s to take on the war in Afghanistan – and like … Continue reading "030 – Brothers"

This week, we dive into our pfirst Pfeiffer and it’s also pforgotten Pfeiffer. To Gillian on Her 37th Birthday arrived in 1996, coasting on a triple threat of Oscar buzz: a popular stage play, adapted by the Picket Fences team of David E. Kelley and Michael Pressman, and starring the beloved Michelle Pfeiffer as its … Continue reading "029 – To Gillian on Her 37th Birthday (with Gavin Mevius)"

An episode that asks that oft-repeated eternal question: will the Academy ever be ready for a movie where Nicole Kidman pees on Zac Efron? In 2012, Lee Daniels followed up his Precious Oscar success with a film that scandalized Cannes and answered that question with a resounding “no”. McConaissance be damned! The Paperboy may be … Continue reading "028 – The Paperboy"

This week, we invited over Extra Hot Great co-host Tara Ariano to discuss our problematic Christmas fav, 2005′s The Family Stone. It may be one of several love-it-or-hate it holiday movies, but spoiler alert the three of us are super fans. Oscar and critics however, were a different story. Once thought a potential play for … Continue reading "027 – The Family Stone (with Tara Ariano)"

In many ways, 2011 was the year of Ryan Gosling. This was the peak “Hey Girl” era, and this year alone gave us the critical darling hotness of Drive and what we thought would suit the more traditional Academy tastes with The Ides of March. He was so omnipresent that a weak Best Actor field had us thinking for a moment that Oscar could make room for his most charming work in the trifecta, Crazy, Stupid, Love. Add him in to a cast of other beloved performers like Steve Carell, Julianne Moore, and Emma Stone, and you have a recipe for a real guilty pleasure.

Though Gosling did nab a Globe nomination for his ab-flashing work, this one might have been wishful thinking anyway with Oscar, but then again: there’s that pesky comedy bias. And while CSL has its champions (particularly programmers of cable television networks), the film also has all the trademark contrivances in screenwriter Dan Fogelman’s wheelhouse. This week we discuss Gosling’s ascent as a major leading man, the film’s creepy sexual politics, and how romantic comedies have failed Marisa Tomei.

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Grab some snakes and prep that Dionysus monologue, because this week we are taking it back to 2004′s Alexander. Starring Colin Farrell filling the historic shoes of Alexander the Great, this film was a passion project for Oliver Stone that defeated a rival biopic from Baz Luhrman and Leonardo DiCaprio – but lost the war to critics and audiences alike. And we’ve brought along another special guest to help us on the journey: staff writer for The Atlantic and co-host of the Blank Check podcast, David Sims.

Alexander was a notorious bomb that failed to walk the road that Gladiator had paved for it, but was initially thought of for Oscar almost on Oliver Stone’s name alone. But that hasn’t stopped the director for making several extended cuts of this already very long film. This episode will go into Stone’s diminishing Oscar returns after his heyday in the 80s and 90s, Colin Farrell’s Hollywood explosion, and take our first look at the Razzies.

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This week’s episode is a tale of two actresses at the opposite ends of their respective Oscar stories: 1999′s Anywhere But Here, with Natalie Portman’s kicking off her Oscar trajectory and Susan Surandon struggling to get the nomination that has eluded her since her win for Dead Man Walking. This is a mother-daughter film stooped in mid-90s adult contemporary songs and cozy cliches, so naturally we kind of loved it – even if Oscar forgot it.

This week we look at the career of director Wayne Wang, including showering some love on his other (also Oscar ignored) mother-daughter saga The Joy Luck Club. Also discussed: the much beloved film year that was 1999, what happens after Overdue Oscars, and a full dive into Fumbling Toward Ecstasy era Sarah McLachlan.

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@Had_Oscar_Buzz

Joe: @joereid

Chris: @chrisvfeil