“Magic, shining songs.” Reaching back to the ancestors. How do we survive when the worst happens? Transcendence and code: “Steal Away,” “Swing Low, Sweet Chariot.” Music as a secret door. The roots of gospel, jazz, hip-hop, the blues.

An exuberant experience of conversation and singing. There are nearly 5,000 spirituals in existence. Their organizing concept is not the melody of Europe, but the rhythm of Africa. They were composed by slaves, bards whose names we will never know, and yet gave rise to gospel, jazz, blues, and hip-hop. Joe Carter lived and breathed the universal appeal and hidden stories, meanings, and hope in what were originally called “sorrow songs.” This was one of our first weekly shows, and it’s still one of our most beloved.

Joe Carter was a singer, performer, teacher, and traveling humanitarian. He performed for more than 25 years in opera and musical theater, portrayed Paul Robeson in a one-man musical, and introduced people around the world to the spiritual. He died of leukemia at age 57, on June 26, 2006.

Find the transcript for this show at onbeing.org.

An exuberant experience of conversation and singing. There are nearly 5,000 spirituals in existence. Their organizing concept is not the melody of Europe, but the rhythm of Africa. They were composed by slaves, bards whose names we will never know, and yet gave rise to gospel, jazz, blues, and hip-hop. Joe Carter lived and breathed the universal appeal and hidden stories, meanings, and hope in what were originally called “sorrow songs.” This was one of our first weekly shows, and it’s still one of our most beloved. This interview is edited and produced with music and other features in the On Being episode “Joe Carter — The Spirituals.” Find more at onbeing.org.

How can we embrace vulnerability in ourselves and in our culture?

Krista reflects on how vulnerability can bring us closer to ourselves and each other. The fourth installment of “Living the Questions” this summer. We’ll be back to answer more of your questions in the fall.

What if the first question we asked on a date were, “How are you crazy? I’m crazy like this”? Philosopher and writer Alain de Botton’s essay “Why You Will Marry the Wrong Person” was one of the most-read articles in The New York Times in recent years. As people and as a culture, he says, we would be much saner and happier if we reexamined our very view of love. Nowhere do we realistically teach ourselves and our children how love deepens and stumbles, survives and evolves over time, and how that process has much more to do with ourselves than with what is right or wrong about our partner. The real work of love is not in the falling, but in what comes after. This interview is edited and produced with music and other features in the On Being episode “Alain de Botton — The True Hard Work of Love and Relationships.” Find more at onbeing.org.