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Why does tightening a draft so often feel slow, frustrating, and weirdly inconclusive? Usually because writers start at the sentence level instead of the structural one.
In this episode, Stuart shares a faster, smarter way to revise by function rather than fussing. You’ll learn the three tightening passes he uses to diagnose saggy scenes (purpose, pressure, and payoff) along with a one-hour tightening sprint you can use on your own manuscript today. He also delivers a six-part kill list of common flab patterns, including throat-clearing openings, duplicated beats, over-explained emotion, and weak transitions.
This is a practical, voice-friendly approach to revision that helps you cut what’s dragging without flattening what makes your work yours.
By Stuart Wakefield4.6
2121 ratings
Why does tightening a draft so often feel slow, frustrating, and weirdly inconclusive? Usually because writers start at the sentence level instead of the structural one.
In this episode, Stuart shares a faster, smarter way to revise by function rather than fussing. You’ll learn the three tightening passes he uses to diagnose saggy scenes (purpose, pressure, and payoff) along with a one-hour tightening sprint you can use on your own manuscript today. He also delivers a six-part kill list of common flab patterns, including throat-clearing openings, duplicated beats, over-explained emotion, and weak transitions.
This is a practical, voice-friendly approach to revision that helps you cut what’s dragging without flattening what makes your work yours.

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