It's a new King's speech with writer Tom King We open with breaking ground on the big screen. Tom King talks about the upcoming Supergirl movie and how his Eisner-winning comic Supergirl: Woman of Tomorrow became the creative DNA for the film. 

In Trinity, Tom breaks down the core idea behind the series—using time travel not as a gimmick, but as a way to finally let Wonder Woman’s daughter Lizzie truly know her father. Through fractured timelines and lived-in moments, Lizzie comes to understand Steve Trevor not as a legend or a memory, but as a man. It’s personal, it’s intfilm, imate, and it reframes the Trinity legacy in a way that sticks. We also widen the lens and talk Wonder Woman herself—what she represents now, what she’s always represented, and why writing her requires a different emotional frequency than almost any other character in comics. 

And yes—we go there. Tom is candid about his lingering regret in the Bat-corner of the DC Universe: Alfred Pennyworth is still gone, and Tom reflects on the weight of that decision, the permanence of death in superhero storytelling, and how it continues to haunt his run on Batman. This is a thoughtful, honest, and creative deep dive—less about plot mechanics, more about legacy, consequence, and emotion.