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#SpliceExposed #SpliceCopyrightStrike #SpliceTakedown
00:00 Intro
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
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MISS KRYSTLE SOCIALS
THAT ORKO (SHOW PRODUCER AND MUSIC PRODUCER) SOCIALS
THEME / SHOW MUSIC BY:
In this episode of the Top Music Attorney Podcast, following our eye-opener on TuneCore, I'm now looking towards TuneCore Terms of Service. As an artist and legal expert, I'll decode the contract specifics, highlighting potential traps and key points like non-exclusive agreements, ISRC codes, and what those "I Agree" boxes really entail. This deep dive will unveil hidden clauses that could impact your royalties and rights, drawing from our TuneCore exposed series. Through practical insights, I aim to arm you with the knowledge needed to navigate these agreements confidently, ensuring your music and rights are safeguarded in this digital age. Let's dissect, discuss, and demand transparency and fairness in music distribution, making sure artists are fully informed and protected. Don't Sign Up Until You Watch This!
Introduction
🟡Ready to become your own record label? Get started now!:
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
🟡Get The Splice Highlighted Terms Of Service: https://www.topmusicattorney.com/splicetos
Introduction
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
🟡Ready to become your own record label? Get started now!:
Coming Up
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
🟡Ready to become your own record label? Get started now!:
The episode also covers using distribution services, becoming your own record label, effective ways to manage newsletters and email lists, timing and marketing of music releases on social media platforms, tips for maintaining productivity and avoiding burnout. Also, we compare different email management tools and discuss backup plans for content if social media platforms become unavailable and explore the differences between BMI and ASCAP for performance royalties and the benefits of registering as a music publisher with performance rights organizations.
Coming Up
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
🟡 Become Your Own Record Label:
The conversation further explores the intricacies of fair use, examining how AI-generated music impacts royalty pools and the potential financial damages these platforms could face. Learn about the arguments from both sides and what this means for music creators and the future of the music industry. Miss Krystle also touches on the broader implications of AI in music, including the challenges of maintaining artistic integrity and navigating the evolving legal landscape. Could this be the end of AI music. This lawyer reacts episode is essential for anyone interested in the intersection of technology and music law.
Udio Exposed: Massive Lawsuit Could End AI Music | Court Document Breakdown
Introduction
Udio's Terms of Service
Do You Own AI Generated Music?
Can You Copyright AI Generated Music?
Growth of Suno AI & Udio
Major Music Labels (Universal, Sony, Warner) Sue Udio & Suno For Copyright Infringement
How Do Generative AI Music Platforms Train Their AI?
Community Feedback On AI Generated Music
Imitation vs. Inspiration
Udio & Suno Claiming Fair Use
Complaint
Nature of The Action
How Will AI Music Affect Real Musicians?
Is AI Imitating Existing Music?
Udio's Terms of Service (Ownership of Content)
How Udio's Service Trained?
Public Domain vs. Publicly Available
Exhibit A (List of Copyright Infringements)
Exhibit B (List of Outputs Resembling Copyright Recordings)
Specific Prompts Resembling Existing Music
Udio Does Not Deny Allegations
How Music Labels Made Copyright Recording Discoveries
Generative AI Music Being Flagged By Content ID
Udio Cannot Claim Fair Use
Generative AI Imitating Your Music
Seeking Injunction
Udio Launch
How Udio Trains Its AI Models According To Plaintiff
Creators Able To Generate Copyright Music
Udio's Outputs Confirm Copying And Ingestion of Plaintiffs' Copyright Recordings
Lawsuit Discovery
Notes Similarities
Artist Resemblances
Udio Cannot Claim Fair Use
Derivative Works
Claims For Relief (Copyright Infringement)
How Does This Impact Musicians?
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
That Orko
Get started now!: https://www.topmusicattorney.com/becomeyourownrecordlabel
Introduction
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
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MISS KRYSTLE SOCIALS
THAT ORKO (SHOW PRODUCER AND MUSIC PRODUCER) SOCIALS
In this episode of the Top Music Attorney Podcast, following our eye-opener on TuneCore, I'm now looking towards TuneCore Terms of Service. As an artist and legal expert, I'll decode the contract specifics, highlighting potential traps and key points like non-exclusive agreements, ISRC codes, and what those "I Agree" boxes really entail. This deep dive will unveil hidden clauses that could impact your royalties and rights, drawing from our TuneCore exposed series. Through practical insights, I aim to arm you with the knowledge needed to navigate these agreements confidently, ensuring your music and rights are safeguarded in this digital age. Let's dissect, discuss, and demand transparency and fairness in music distribution, making sure artists are fully informed and protected. Don't Sign Up Until You Listen To This!
Introduction
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
Hire An Attorney: https://www.delgadoentertainmentlaw.com
Get My Newsletter: https://topmusicattorney.com/newsletter/
Want to work one-on-one with me? DM me "music" on IG and tell me what you're doing: https://instagram.com/topmusicattorney
Get My FREE 28 Music Business Secrets PDF https://topmusicattorney.com/28secrets/
TMA Merch: https://topmusicattorney.com/merch
Grow Your Music Business: https://topmusicattorney.com
Listen To My New Song: https://bio.to/misskrystle
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MISS KRYSTLE SOCIALS
THAT ORKO (SHOW PRODUCER AND MUSIC PRODUCER) SOCIALS
THEME / SHOW MUSIC BY:
On this segment of the Top Music Attorney Podcast, Entertainment Attorney, Miss Krystle and show/music producer That Orko discuss the complex world of leased and licensed beats, sharing insights from their extensive experience as music attorneys. They discuss common issues that arise, such as poorly drafted contracts, lack of legal advice, and verbal agreements that lead to disputes. The conversation focuses on a recent case involving UK rapper Ren and producer Kujo, who are embroiled in a public copyright battle and public social media battle over the song "Sick Boi." where the music video was hit with a copyright strike and removed from YouTube. The episode explores the legal nuances of this dispute, examining comments from both parties and offering expert advice on handling similar situations in the music industry.
Listeners will gain valuable knowledge about the importance of clear agreements and the potential pitfalls of using unlicensed samples. Miss Krystle and That Orko provide a detailed analysis of the Ren-Kujo case, highlighting the necessity of understanding the terms of a beat license and the implications of unauthorized sample use. They also emphasize the significance of proactive communication and the role of attorneys in resolving such disputes. This episode is a must-listen for artists, producers, and anyone interested in the legal aspects of music creation and distribution.
00:00 Intro
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
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MISS KRYSTLE SOCIALS
THAT ORKO (SHOW PRODUCER AND MUSIC PRODUCER) SOCIALS
THEME / SHOW MUSIC BY:
In this segment of the Top Music Attorney Podcast, entertainment attorney Miss Krystle and show/music producer That Orko answer your questions on making off-the-grid, direct to consumer music profitable for artists, diversifying revenue streams, effective merchandising strategies, building a strong online presence, "Dating" Your Music, and my Symphonic distribution rant. Drop your questions in the comments and tune in for the answers every Wed at 5pm pst.
How Do We Make “Off The Grid” Profitable?
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
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