Puss in Boots: The Last Wish released in December 2022 as an unexpected masterpiece that caught audiences and critics completely off guard. What could have been just another disposable animated sequel instead became a profound meditation on mortality, anxiety, and finding meaning in our finite lives.

Legendary swashbuckler Puss in Boots confronts his own death, quite literally, in the form of a terrifying wolf, after losing eight of his nine lives to reckless overconfidence. What makes this DreamWorks sequel so remarkable is its willingness to tackle genuinely heavy themes with sophistication while delivering breathtaking Spider-Verse-inspired animation that redefined what the studio could achieve visually, and is a love letter to fairy tales, making every frame a piece of art, showcasing how creativity can transform storytelling in animation.

Puss's journey in this film isn't just about chasing wishes; it's about confronting fears and embracing life, showing that even legends can feel vulnerable.

The legacy of Puss in Boots: The Last Wish extends far beyond its box office success and critical acclaim. It proved that animated films could explore existential dread and panic attacks without talking down to audiences of any age, and it demonstrated that a mid-budget sequel could outshine its predecessors through sheer artistic ambition and emotional honesty, as an animated movie about a fairy tale cat became one of the most unexpectedly powerful animated features of the 2020s, and its antagonist; the personification of Death itself, became one of animation's most memorable villains in years.

Loved this episode? Here's how you can help:

⭐ Leave a 5-star review on your podcast app

💰 Join the Patreon for bonus content and early access

☕ Send a tip to support the show

📱 Share this episode with fellow film lovers

I would love to hear your thoughts on Puss in Boots: The Last Wish

1. Twitter: @verbaldiorama
2. Instagram: @verbaldiorama
3. Facebook: @verbaldiorama
4. Letterboxd: @verbaldiorama
5. Email: verbaldiorama [at] gmail [dot] com
6. Website: verbaldiorama.com

Ear Worthy 2024 Best Movie Podcast Winner | Golden Lobes 2025 Earworm Award Nominee | Ear Worthy 2025 Best Movie Podcast Nominee

Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em.

Theme Music: Verbal Diorama Theme Song

Music by Chloe Enticott - Compositions by Chloe

Lyrics by Chloe Enticott (and me!)

Production by Ellis Powell-Bevan of Ewenique Studio

Current Patrons: Simon, Laurel, Derek, Cat, Andy, Mike, Luke, Michael, Scott, Brendan, Ian, Lisa, Sam, Jack, Stuart, Nicholas, Zo, Kev, Danny, Stu, Brett, Philip M, Xenos, Sean, Ryno, Philip K, Adam, Elaine, Kyle, Aaron and Steve

Thank you for supporting Verbal Diorama.

Mentioned in this episode:

Patreon

Even naughty dogs can have a huge impact on animation.

In 1989, animator Don Bluth dared to go it alone, without the might of George Lucas and/or Steven Spielberg, and pushed the boundaries of what animated movies could explore in All Dogs Go To Heaven; the third and final movie to celebrate this podcast's seventh birthday.

Released on the exact same day as Disney's The Little Mermaid, this darker, grittier tale of redemption featured a con-artist dog literally escaping heaven to seek revenge on his murderer, complete with a terrifying nightmare sequence that traumatized a generation of kids.

But the real horror wasn't just on screen. All Dogs Go To Heaven became a haunting memorial to ten-year-old Judith Barsi, whose voice brought orphan Anne-Marie to life just over a year after she and her mother were killed by her father, with the movie released posthumously, and its end credits song dedicated in her honour.

Despite being overshadowed at the box office by Disney's juggernaut, All Dogs Go to Heaven has endured as a cult classic that represents both the peak of Don Bluth's artistic ambition and the beginning of his studio's commercial decline.

Bluth's rebellious approach to animation, rejecting Disney's formula in favour of raw emotion and moral complexity, created a film that dared to ask whether dogs have souls, whether redemption is possible, and whether animated movies need happy endings. From its chaotic production with multiple story contributors to its lasting impact on viewers who still remember that nightmarish boat ride to hell, this is the story of an animated film that refused to play it safe.

Loved this episode? Here's how you can help:

⭐ Leave a 5-star review on your podcast app

💰 Join the Patreon for bonus content and early access

☕ Send a tip to support the show

📱 Share this episode with fellow film lovers

I would love to hear your thoughts on All Dogs Go To Heaven

1. Twitter: @verbaldiorama
2. Instagram: @verbaldiorama
3. Facebook: @verbaldiorama
4. Letterboxd: @verbaldiorama
5. Email: verbaldiorama [at] gmail [dot] com
6. Website: verbaldiorama.com

Ear Worthy 2024 Best Movie Podcast Winner | Golden Lobes 2025 Earworm Award Nominee | Ear Worthy 2025 Best Movie Podcast Nominee

Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em.

Theme Music: Verbal Diorama Theme Song

Music by Chloe Enticott - Compositions by Chloe

Lyrics by Chloe Enticott (and me!)

Production by Ellis Powell-Bevan of Ewenique Studio

Current Patrons: Simon, Laurel, Derek, Cat, Andy, Mike, Luke, Michael, Scott, Brendan, Ian, Lisa, Sam, Jack, Stuart, Nicholas, Zo, Kev, Danny, Stu, Brett, Philip M, Xenos, Sean, Ryno, Philip K, Adam, Elaine, Kyle, Aaron and Steve.

Thank you for supporting Verbal Diorama.

Mentioned in this episode:

Patreon

Even baby dinosaurs can have a huge impact on animation.

In 1988, three Hollywood titans, Steven Spielberg, George Lucas, and Don Bluth, came together to create what would become one of the most emotionally devastating animated films ever made, and it is the second movie to celebrate this podcast's seventh birthday.

The Land Before Time wasn't just another dinosaur movie: it was an ambitious attempt to recapture the magic of Bambi for a new generation, complete with a mother's death scene that traumatized millions of kids and made it a cultural touchstone. Despite the cutting of over ten minutes of footage deemed too scary, the film still pulled no punches in its portrayal of loss, survival, and the harsh realities of a prehistoric world.

What makes The Land Before Time so enduring isn't just nostalgia, it's the film's willingness to treat young audiences with respect, addressing grief and fear head on.

Working with both Spielberg and Lucas wasn't exactly the dream scenario Bluth expected it to be, though, and the partnership between Amblin & Sullivan Bluth would, like the dinosaurs they depicted, quickly become extinct. Despite this, The Land Before Time remains a masterclass in emotional storytelling that still resonates nearly four decades later.

Loved this episode? Here's how you can help:

⭐ Leave a 5-star review on your podcast app

💰 Join the Patreon for bonus content and early access

☕ Send a tip to support the show

📱 Share this episode with fellow film lovers

I would love to hear your thoughts on The Land Before Time

1. Twitter: @verbaldiorama
2. Instagram: @verbaldiorama
3. Facebook: @verbaldiorama
4. Letterboxd: @verbaldiorama
5. Email: verbaldiorama [at] gmail [dot] com
6. Website: verbaldiorama.com

Ear Worthy 2024 Best Movie Podcast Winner | Golden Lobes 2025 Earworm Award Nominee | Ear Worthy 2025 Best Movie Podcast Nominee

Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em.

Theme Music: Verbal Diorama Theme Song

Music by Chloe Enticott - Compositions by Chloe

Lyrics by Chloe Enticott (and me!)

Production by Ellis Powell-Bevan of Ewenique Studio

Current Patrons: Simon, Laurel, Derek, Cat, Andy, Mike, Luke, Michael, Scott, Brendan, Ian, Lisa, Sam, Jack, Stuart, Nicholas, Zo, Kev, Danny, Stu, Brett, Philip M, Xenos, Sean, Ryno, Philip K, Adam, Elaine, Kyle, Aaron and Steve.

Thank you for supporting Verbal Diorama.

Mentioned in this episode:

Patreon

Even a little Jewish mouse can have a huge impact on animation.

The 1986 Don Bluth animated classic An American Tail, a film that became the highest-grossing non-Disney animated feature of its time and helped reshape the animation industry, is the first movie to celebrate this podcast's seventh birthday.

The project began with a concept by David Kirschner that was first pitched to Jeffrey Katzenberg at Disney, but when it reached Steven Spielberg's Amblin Entertainment, the legendary director saw its potential as a feature film. Spielberg, making his first foray into animation, brought aboard Don Bluth, a former Disney animator whose 1982 film The Secret of NIMH had impressed him with its return to the lush, detailed style of classic Disney animation.

The film's story held deep personal significance for Steven Spielberg. Fievel was named after Spielberg's grandfather's Yiddish name, and the narrative of Jewish immigration and escape from persecution in 1885 Russia drew directly from stories Spielberg had heard about his own family history.

An American Tail doesn't shy away from the harsh realities of immigrant life in 1880s New York, either. The film portrays sweatshops, tenement poverty, political corruption, and exploitation, though it wraps these difficult themes in the accessible framework of a mouse family's journey to find each other in a new land.

Don Bluth's unique animation style revolutionized the industry, proving that animation is a powerful medium for all ages, and should not be pigeonholed as just movies for children. An American Tail tackles serious themes like immigration, anti-Semitism and child slavery, making it relevant for audiences of all ages.

An American Tail was a wake-up call for Disney, and the fact it beat (Basil) The Great Mouse Detective's box office takings, meant battle lines were drawn, and round one went to Bluth and Spielberg...

Loved this episode? Here's how you can help:

⭐ Leave a 5-star review on your podcast app

💰 Join the Patreon for bonus content and early access

☕ Send a tip to support the show

📱 Share this episode with fellow film lovers

I would love to hear your thoughts on An American Tail

1. Twitter: @verbaldiorama
2. Instagram: @verbaldiorama
3. Facebook: @verbaldiorama
4. Letterboxd: @verbaldiorama
5. Email: verbaldiorama [at] gmail [dot] com
6. Website: verbaldiorama.com

Ear Worthy 2024 Best Movie Podcast Winner | Golden Lobes 2025 Earworm Award Nominee | Ear Worthy 2025 Best Movie Podcast Nominee

Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em.

Theme Music: Verbal Diorama Theme Song

Music by Chloe Enticott - Compositions by Chloe

Lyrics by Chloe Enticott (and me!)

Production by Ellis Powell-Bevan of Ewenique Studio

Current Patrons: Simon, Laurel, Derek, Cat, Andy, Mike, Luke, Michael, Scott, Brendan, Ian, Lisa, Sam, Jack, Stuart, Nicholas, Zo, Kev, Danny, Stu, Brett, Philip M, Xenos, Sean, Ryno, Philip K, Adam, Elaine, Kyle, Aaron and Steve.

Thank you for supporting Verbal Diorama.

Mentioned in this episode:

Patreon

In 2009, Disney released The Princess and the Frog, introducing Tiana as their first African-American Disney princess, paving the way for more diverse representation in animation.

The CGI animation boom and the disappointing box office returns of the early 2000s had left a scar at Disney, and behind the scenes, there was huge change in the animation department. By 2004, then-CEO Michael Eisner had closed Disney's traditional 2D animation department, convinced that hand-drawn animation was dead.

What followed was a corporate coup, with Roy E. Disney leading a campaign to oust Eisner, which worked spectacularly. When Pixar's John Lasseter took over Disney Animation in 2006, his first act was to bring back the very art form Eisner had killed.

Lasseter immediately re-hired legendary directors Ron Clements and John Musker, who had left Disney just months earlier after years with projects in development hell following Treasure Planet's failure.

Despite the numerous controversies around representing Disney's first Black princess—from changing her name from "Maddy" and her job to avoid slavery connotations, to criticism that she spends only 17 minutes of the film in human form, they ended up with Tiana, one of Disney's most accomplished, hard-working and important princesses, and what was being developed as The Frog Princess became The Princess and the Frog.

The film's stunning animation style, represents a heartfelt return to traditional hand-drawn techniques, combined with modern digital artistry to create a visually captivating experience, but as we all know, it didn't last, and The Princess and the Frog became both a creative triumph and a bittersweet swan song for an art form that defined Disney's legacy.

Mentioned in this episode: How Disney's Princess and the Frog Has A Problem With Black Males by JoJo Boy Wonder on YouTube

Loved this episode? Here's how you can help:

⭐ Leave a 5-star review on your podcast app

💰 Join the Patreon for bonus content and early access

☕ Send a tip to support the show

📱 Share this episode with fellow film lovers

I would love to hear your thoughts on The Princess and the Frog

1. Twitter: @verbaldiorama
2. Instagram: @verbaldiorama
3. Facebook: @verbaldiorama
4. Letterboxd: @verbaldiorama
5. Email: verbaldiorama [at] gmail [dot] com
6. Website: verbaldiorama.com

Ear Worthy 2024 Best Movie Podcast Winner | Golden Lobes 2025 Earworm Award Nominee | Ear Worthy 2025 Best Movie Podcast Nominee

Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em.

Theme Music: Verbal Diorama Theme Song

Music by Chloe Enticott - Compositions by Chloe

Lyrics by Chloe Enticott (and me!)

Production by Ellis Powell-Bevan of Ewenique Studio

Current Patrons: Simon, Laurel, Derek, Cat, Andy, Mike, Luke, Michael, Scott, Brendan, Ian, Lisa, Sam, Jack, Stuart, Nicholas, Zo, Kev, Danny, Stu, Brett, Philip M, Xenos, Sean, Ryno, Philip K, Adam, Elaine, Kyle, Aaron and BRAND-NEW patron Steve!

Thank you for supporting Verbal Diorama.

Mentioned in this episode:

Patreon

From Peter Laird and Kevin Eastman's creation of mutated turtles wielding nunchucks, the history of the Teenage Mutant Ninja Turtles starts with humble, and slightly dark origins, but they would evolve from comic book characters to beloved animated icons and become their own pop culture phenomenon.

The Teenage Mutant Ninja Turtles movie franchise in total has accumulated $1.15 billion across six movies from three studios since 1990, and so when Paramount were looking to reboot existing IP, it made total sense to go for the heroes in a half shell, and to get permanent teenager Seth Rogen aboard.

Teenage Mutant Ninja Turtles: Mutant Mayhem blends 2D and 3D elements to create a fresh visual experience that sets it apart from previous Turtles adaptations, and for the first time uses actual teenagers to voice the Turtles, capturing their essence and making their teenage struggles relatable and authentic. It addresses themes of family and acceptance, resonating with audiences through the Turtles' journey to find their place in the world, as well as finding mutants just like themselves along the way.

While the visuals are iconic, the film's soundtrack might be even more so, which features classic East Coast hip hop tracks, and a bit of Vanilla Ice's iconic 'Ninja Rap' from Teenage Mutant Ninja Turtles II: The Secret of the Ooze. You had to be there.

Go Ninja, Go Ninja, Go!

Loved this episode? Here's how you can help:

⭐ Leave a 5-star review on your podcast app

💰 Join the Patreon for bonus content and early access

☕ Send a tip to support the show

📱 Share this episode with fellow film lovers

I would love to hear your thoughts on Teenage Mutant Ninja Turtles: Mutant Mayhem

1. Twitter: @verbaldiorama
2. Instagram: @verbaldiorama
3. Facebook: @verbaldiorama
4. Letterboxd: @verbaldiorama
5. Email: verbaldiorama [at] gmail [dot] com
6. Website: verbaldiorama.com

Ear Worthy 2024 Best Movie Podcast Winner | Golden Lobes 2025 Earworm Award Nominee | Ear Worthy 2025 Best Movie Podcast Nominee

Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em.

Theme Music: Verbal Diorama Theme Song

Music by Chloe Enticott - Compositions by Chloe

Lyrics by Chloe Enticott (and me!)

Production by Ellis Powell-Bevan of Ewenique Studio

Current Patrons: Simon, Laurel, Derek, Cat, Andy, Mike, Luke, Michael, Scott, Brendan, Ian, Lisa, Sam, Jack, Stuart, Nicholas, Zo, Kev, Heather, Danny, Stu, Brett, Philip M, Xenos, Sean, Ryno, Philip K, Adam, Elaine, Kyle and Aaron

Thank you for supporting Verbal Diorama.

Mentioned in this episode:

Patreon

Animation is often dismissed as children's entertainment, but Paprika proves it's a sophisticated art form, capable of exploring complex adult themes with stunning visuals. It represents the culmination of Satoshi Kon's obsession with the boundaries between reality and illusion.

Throughout his short career, Kon consistently explored how modern life makes it increasingly difficult to distinguish the real from the imagined. Paprika takes this to its logical extreme, literalizing the collapse of these boundaries through its dream-sharing technology.

Paprika, Kon's final film, asks profound questions about authenticity, whether our dream selves might be more genuine than our waking personas, and what happens when technology erodes the walls between inner and outer worlds. It's a dreamlike journey into the blurred line between reality and imagination, showcasing the power of animation, and its vivid and surreal imagery delves into deep themes of identity, sexuality, and the subconscious, making it a thought-provoking experience.

Its lasting influence on cinema and its place in Kon's legacy makes Paprika both a triumphant artistic achievement and a bittersweet farewell from one of animation's most remarkable and passionate talents.

Loved this episode? Here's how you can help:

⭐ Leave a 5-star review on your podcast app

💰 Join the Patreon for bonus content and early access

☕ Send a tip to support the show

📱 Share this episode with fellow film lovers

I would love to hear your thoughts on Paprika

1. Twitter: @verbaldiorama
2. Instagram: @verbaldiorama
3. Facebook: @verbaldiorama
4. Letterboxd: @verbaldiorama
5. Email: verbaldiorama [at] gmail [dot] com
6. Website: verbaldiorama.com

Ear Worthy 2024 Best Movie Podcast Winner | Golden Lobes 2025 Earworm Award Nominee | Ear Worthy 2025 Best Movie Podcast Nominee

Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em.

Theme Music: Verbal Diorama Theme Song

Music by Chloe Enticott - Compositions by Chloe

Lyrics by Chloe Enticott (and me!)

Production by Ellis Powell-Bevan of Ewenique Studio

Current Patrons: Simon, Laurel, Derek, Cat, Andy, Mike, Luke, Michael, Scott, Brendan, Ian, Lisa, Sam, Jack, Stuart, Nicholas, Zo, Kev, Heather, Danny, Stu, Brett, Philip M, Xenos, Sean, Ryno, Philip K, Adam, Elaine, Kyle, Aaron and Sebastian

Thank you for supporting Verbal Diorama.

Mentioned in this episode:

Patreon

Verbal Diorama is a podcast all about How It's Done. It being movies, and to be honest, this one is as Golden as they come. I'm Free to Takedown the history and legacy of KPop Demon Hunters, with the outcome of me becoming Your Idol. This is What It Sounds Like... my little Soda Pop.

When director Maggie Kang set out to create an animated musical combining K-pop, Korean mythology, and a demon-slaying girl group, she had a clear vision: to make a film authentically rooted in Korean culture. After more than a decade working on major animated projects, Kang pitched what she called her "love letter to K-pop" and her Korean heritage to Sony Pictures Animation. The result was KPop Demon Hunters, a film that would go on to become a global phenomenon that no-one saw coming.

The film's success exceeded all expectations. KPop Demon Hunters became Netflix's most-watched film ever with over 500 million views, surpassing even Squid Game. The soundtrack made history as the first film soundtrack to place four songs in the Billboard Hot 100's top ten simultaneously, with lead single "Golden" holding the number one spot for eight weeks. The song earned five Grammy nominations, and songwriter EJAE became the first Korean American woman nominated for Song of the Year.

KPop Demon Hunters represents a significant evolution in the Korean Wave. Created by a largely non-Korean production team in America, the film nonetheless maintained deep cultural authenticity, from its references to Korean girl groups of the past, and to Korean shamanism, to the small details like how characters use their chopsticks. It combines vibrant animation with KPop culture, creating a unique visual and audible feast. The soundtrack is not just catchy; it's Golden.

Play me on repeat 끝없이 in your head.

Loved this episode? Here's how you can help:

⭐ Leave a 5-star review on your podcast app

💰 Join the Patreon for bonus content and early access

☕ Send a tip to support the show

📱 Share this episode with fellow film lovers

I would love to hear your thoughts on KPop Demon Hunters

1. Twitter: @verbaldiorama
2. Instagram: @verbaldiorama
3. Facebook: @verbaldiorama
4. Letterboxd: @verbaldiorama
5. Email: verbaldiorama [at] gmail [dot] com
6. Website: verbaldiorama.com

Ear Worthy 2024 Best Movie Podcast Winner | Golden Lobes 2025 Earworm Award Nominee | Ear Worthy 2025 Best Movie Podcast Nominee

Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em.

Theme Music: Verbal Diorama Theme Song

Music by Chloe Enticott - Compositions by Chloe

Lyrics by Chloe Enticott (and me!)

Production by Ellis Powell-Bevan of Ewenique Studio

Current Patrons: Simon, Laurel, Derek, Cat, Andy, Mike, Luke, Michael, Scott, Brendan, Ian, Lisa, Sam, Jack, Stuart, Nicholas, Zo, Kev, Heather, Danny, Stu, Brett, Philip M, Xenos, Sean, Ryno, Philip K, Adam, Elaine, Kyle, Aaron and Sebastian

Thank you for supporting Verbal Diorama.

Mentioned in this episode:

Patreon

They scare, because they care. But do they? Do they really?

Animation Season 2026 kicks off with Pixar's fourth feature, turning 25 years old this year, the incomparable Monsters, Inc.

In the world of Monsters, Inc., fear is a power source, and children's screams fuel the world of Monstropolis, which is both clever and a bit dark. This is a bright colourful movie, that cleverly hides its darkness from kids, but adults will see it everywhere.

James P. Sullivan, as Monsters Incorporated's number one scarer, has no idea that his world is literally about to be changed by a three-year-old human girl, who finds herself in Monstropolis. His best friend Mike Wazowski is an eyeball with arms and legs who just wants to put that thing back where it came from, or so help me!

Originally titled Monsters, Monsters, Inc transformed from the story of an accountant in their 30s reliving childhood fears of monsters, to a story about scaring just being the monsters' day jobs. Neither Sulley nor Mike were in the original pitch, both characters evolved massively over time.

The production of Monsters, Inc. involved significant technological advancements for Pixar - only six years after Toy Story - especially in fur animation, making Sulley's character feel more lifelike and relatable. And bizarrely, also tentacles.

Animation isn't just for kids; it’s a versatile art form that can tell deep stories, as seen in the exploration of themes like fear and love in Monsters, Inc. It cleverly critiques societal fears and misconceptions, showing how characters are shaped by the narratives they believe—like the monsters thinking children are toxic.

I'm pretty sure kids aren't toxic, though, right? RIGHT?

Loved this episode? Here's how you can help:

⭐ Leave a 5-star review on your podcast app

💰 Join the Patreon for bonus content and early access

☕ Send a tip to support the show

📱 Share this episode with fellow film lovers

I would love to hear your thoughts on Monsters, Inc.

1. Twitter: @verbaldiorama
2. Instagram: @verbaldiorama
3. Facebook: @verbaldiorama
4. Letterboxd: @verbaldiorama
5. Email: verbaldiorama [at] gmail [dot] com
6. Website: verbaldiorama.com

Ear Worthy 2024 Best Movie Podcast Winner | Golden Lobes 2025 Earworm Award Nominee | Ear Worthy 2025 Best Movie Podcast Nominee

Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em.

Theme Music: Verbal Diorama Theme Song

Music by Chloe Enticott - Compositions by Chloe

Lyrics by Chloe Enticott (and me!)

Production by Ellis Powell-Bevan of Ewenique Studio

Current Patrons: Simon, Laurel, Derek, Cat, Andy, Mike, Luke, Michael, Scott, Brendan, Ian, Lisa, Sam, Jack, Stuart, Nicholas, Zo, Kev, Heather, Danny, Stu, Brett, Philip M, Xenos, Sean, Ryno, Philip K, Adam, Elaine, Kyle, Aaron and brand-new patron Sebastian!

Thank you for supporting Verbal Diorama.

Mentioned in this episode:

Patreon

The Emperor's New Groove, unfortunately lumbered as part of the blame for the beginning of the end of Disney's Renaissance period, is actually three movies in one:

1. The original movie that was never made, Kingdom of the Sun
2. The movie we got
3. And the documentary that Disney does not want you to see, The Sweatbox

In this episode, I'm going to be telling you about all three; plus the alleged DreamWorks plan by ex-Disney chief Jeffrey Katzenberg to beat Disney to release with The Road to El Dorado, the fact The Emperor's New Groove didn't have a script until two weeks after it was released, and how The Emperor's New Groove accurately predicted the tonal change to Hollywood animation in the 2000s.

If anyone asks you how did Disney managed to make The Emperor’s New Groove, you could just refer them to this episode, or you could simply say “well, ya got me, by all accounts, it doesn’t make sense”.

Mentioned in this episode:

From the Archive

There's no new episode this week, so I thought you might be interested in revisiting this slightly older, but no less brilliant episode. Just bear in mind, this episode is several years old, it may not sound quite as polished as newer episodes, and new information may have come to light in recent years with regards to the making of this movie (please see above for the original date of release)