Verbal Diorama

Perennial Christmas classic Lethal Weapon redefined the buddy cop genre with its festive setting, unique characters and the undisputed chemistry between Mel Gibson and Danny Glover. Shane Black's screenplay combined humour and action and made it a benchmark for future action films, and Richard Donner's direction brought a skilled touch to the film's pacing and storytelling.

Unlike other buddy cop or action movies of the 80s, it also explores deep themes of depression, grief, and trauma, particularly through Riggs's character. Lethal Weapon broke new ground by incorporating themes of emotional vulnerability in its portrayal of masculinity.

The cultural impact of Lethal Weapon is also prevalent, particularly how it addresses themes of race and the changing portrayal of law enforcement in cinema. The narrative resonates differently in today's context, especially regarding ongoing discussions about police conduct and racial dynamics in America.

Lethal Weapon isn't just as a successful action film, but as a poignant commentary on friendship, trauma, and societal issues, as well as the power of found family - even if the dinner's aren't all that great...

I would love to hear your thoughts on Lethal Weapon (1987) !

Verbal Diorama is now an award-winning podcast! I won the Best Movie Podcast in the inaugural Ear Worthy Independent Podcast Awards recently. I am beyond thrilled, and hugely grateful to the Ear Worthy team. It means so much to me to be recognised by a fellow indie outlet, and congratulations to all the other winners!

CONTACT....

• Twitter @verbaldiorama
• Instagram @verbaldiorama
• Facebook @verbaldiorama
• Letterboxd @verbaldiorama
• Email verbaldiorama [at] gmail [dot] com
• Website verbaldiorama.com

SUPPORT VERBAL DIORAMA....

Give this podcast a five-star Rate & Review

Join the Patreon | Send a Tip

ABOUT VERBAL DIORAMA

Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free.

Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique Studio

Patrons: Sade, Claudia, Simon, Laurel, Derek, Cat, Andy, Mike, Luke, Michael, Scott, Brendan, Lisa, Sam, Jack, Dave, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Stu, Brett, Philip M, Michele, Xenos, Sean, Ryno, Philip K, Adam, Elaine, Kyle and BRAND-NEW PATRON AARON!

Before I begin, I notice that Chancellor Jarnathan is not present...?

I'm back from an extended break, deciding to do an episode on Dungeons & Dragons, and its fifty-year history and legacy as the most popular TTRPG in the world.

Easing myself back into podcasting slowly, then, because it's safe to say nothing has impacted geek culture like Dungeons & Dragons, since its debut in 1974. It evolved from its early iterations to mainstream popularity, especially with the rise of its fifth edition. It wasn't without its controversies, though. Its associations with the 'Satanic Panic' significantly affected its public perception in the 1980s, and led to Evangelical Christian groups linking it with suicides.

This isn't the first time Dungeons & Dragons has been adapted to the screen either, with the popular 1983-1985 animated series, and the not-so-popular movie in 2000, Dungeons & Dragons: Honor Among Thieves started its earliest conception in 2013, and had plenty of delays along the way.

Despite ongoing rights issues and a global pandemic, Dungeons & Dragons: Honor Among Thieves remarkably manages to honour D&D's legacy and lore, while ensuring authenticity for fans, and accessibility for non-fans and casual moviegoers alike.

Despite its critical success, Dungeons & Dragons: Honor Among Thieves faced challenges at the box office, mostly due to some Italian plumbers, but also a fan backlash against owners Hasbro and Wizards of the Coast. This movie deserves to find an audience, and hopefully it will, once Jarnathan arrives...

Interested in finding out more about D&D or listening to others' campaigns? Here's some great indie D&D podcasts:

• Time to Die - https://timetodie.podbean.com/ 
• Join The Party - https://www.jointhepartypod.com/ 
• Dungeons & Dragons & Daughters - https://dungeonsdragonsdaughters.podbean.com/ 
• Do Dragons Dream of Scorched Sheep? - https://shows.acast.com/scorchedsheep

I would love to hear your thoughts on Dungeons & Dragons: Honor Among Thieves !

Verbal Diorama is now an award-winning podcast! I won the Best Movie Podcast in the inaugural Ear Worthy Independent Podcast Awards recently. I am beyond thrilled, and hugely grateful to the Ear Worthy team. It means so much to me to be recognised by a fellow indie outlet, and congratulations to all the other winners!

CONTACT....

• Twitter @verbaldiorama
• Instagram @verbaldiorama
• Facebook @verbaldiorama
• Letterboxd @verbaldiorama
• Email verbaldiorama [at] gmail [dot] com
• Website verbaldiorama.com

SUPPORT VERBAL DIORAMA....

Give this podcast a five-star Rate & Review

Join the Patreon | Send a Tip

ABOUT VERBAL DIORAMA

Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free.

Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique Studio

Patrons: Sade, Claudia, Simon, Laurel, Derek, Cat, Andy, Mike, Luke, Michael, Scott, Brendan, Lisa, Sam, Jack, Dave, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Stu, Brett, Philip M, Michele, Xenos, Sean, Ryno, Philip K, Adam, Elaine and Kyle

How can I write about Your Name? Is it possible to convey the jaw dropping beauty and breath-taking majesty of Your Name with words? I'm not really sure it is, but I take a stab at it in Episode 77 anyway, because Your Name is truly something magical and resplendent to witness. A simple boy meets girl love story, with an added element of celestial forces; Your Name takes a simple story and elevates it to a visual treat as well as an emotional powerhouse.

Put simply, if you don't believe in true love or soulmates, you'll walk away from Your Name believing that both are possible, that connections between strangers exist and that person you took a double-glance at in the street may have been someone you knew, but you just don't remember that you knew them.

Episode originally released 21st January 2021

Mentioned in this episode:

From the Archive

There's no new episode this week, so I thought you might be interested in revisiting this slightly older, but no less brilliant episode. Just bear in mind, this episode is several years old, it may not sound quite as polished as newer episodes, and new information may have come to light in recent years with regards to the making of this movie (please see above for the original date of release)

In 1943, Philip K. Wrigley (of chewing gum fame!) founded the All-American Girls Professional Baseball League (AAGPBL) in order to maintain sport and public morale during World War II, at a time when many eligible young men, including professional sportsmen, were drafted to fight overseas.

Whilst A League of Their Own is a mostly fictional account of the players and founders behind the AAGPBL, it still tells a story of the real-life resilience, spirit and tenacity of the young women involved, many of whom had husbands fighting in the war, coming together to provide entertainment and boost the morale of the nation through sport, despite the sexism and misogyny of the era.

Penny Marshall's 1992 movie remains my favourite, and dare I say it, the greatest sports movie of all time. A story of determination, sisterly love, sacrifice and friendship within the very real backdrop of World War II, when women could finally prove they were more than just potential housewives and mothers.

Geena Davis embodies the 40s starlet as the statuesque, seemingly perfect Dottie Hinson. Tom Hanks, playing against type as alcoholic ex-player-turned-manager Jimmy Dugan delivers most of the movie's iconic lines. Lori Petty as Kit Keller, just wants to step out of her older sister's perfect shadow and Madonna, in probably one of her most beloved screen roles, as "All The Way" Mae Mordabito, with a great on-screen comedic partnership with Rosie O'Donnell's brash Doris Murphy.

Even though the real AAGPBL was dismantled in 1954, its legacy lives on in this movie. It encapsulates a time in recent history that not many are still alive to tell the story of. Sadly, Mary Pratt, the last remaining member of that inaugural 1943 Rockford Peaches roster, passed away just before this episode was (originally) released. She lived to 101 and spent her life championing women's sport.

These women were inspirational, trail-blazing, legacy-creating and really were in a league of their own.

Episode originally released 14th May 2020

Mentioned in this episode:

From the Archive

There's no new episode this week, so I thought you might be interested in revisiting this slightly older, but no less brilliant episode. Just bear in mind, this episode is several years old, it may not sound quite as polished as newer episodes, and new information may have come to light in recent years with regards to the making of this movie (please see above for the original date of release)

Hello, I'm Em. And yes, I'm a podcast host. No, I said cappuccino. I'm here to talk to you about something very important. And no, it's not about me or my podcast. I'm here to talk about subliminal messages in rock and roll music. Or as it's simply known in some cultures, 'rock music'.

You see, for years the government has been wisely coercing teenagers to buy products they normally wouldn't want, just to get their money.

Fact! Kids don't have bills to pay. Fact! They don't pay taxes. But! They do babysit and hold minimum wage jobs that earn them wads of cash as substantial as, well, my body of work.

But kids today aren't dumb. They're not gonna buy just anything. That's why the government has been planting small subliminal advertising suggestions in today's rock music. The results? We can now get these kids to buy just about anything. We can have them chasing a new trend every week. And that is good for the economy. And what's good for the economy... is good for the country. So God bless the United States Of America - the most ass-kickin' country... in the world!

And god bless Josie and the Pussycats!

(Let's hope this episode isn't a "take the Chevy to the levy" situation. Du Jour means seat belts! Du Jour means crash positions!)

Ross Burlingame's IndieGoGo for Best Movie Ever: A Totally Jerkin' Book, an oral history of Josie and the Pussycats can be found here

Episode originally released 18th March 2021

Mentioned in this episode:

From the Archive

There's no new episode this week, so I thought you might be interested in revisiting this slightly older, but no less brilliant episode. Just bear in mind, this episode is several years old, it may not sound quite as polished as newer episodes, and new information may have come to light in recent years with regards to the making of this movie (please see above for the original date of release)

From a great well-known cast of faces, such as William Sadler, Jada Pinkett, Billy Zane, Dick Miller and Thomas Haden Church to some genuinely spooky great practical effects and world building, Demon Knight really delivers in a way most low-budget horror movies don't.

Not to mention, it's probably the only horror movie where a black woman is the final girl, and she saves the world!

I never thought I'd say that Billy Zane was the best part of anything.... he chews the scenery like never before or again as The Collector. Maybe he's entranced me into doing this episode? Maybe I'm possessed? What is this green goo?!

Episode originally released 31st October 2020

Mentioned in this episode:

From the Archive

There's no new episode this week, so I thought you might be interested in revisiting this slightly older, but no less brilliant episode. Just bear in mind, this episode is several years old, it may not sound quite as polished as newer episodes, and new information may have come to light in recent years with regards to the making of this movie (please see above for the original date of release)

Halloween has a complex and multifaceted legacy, intertwining themes of fear, adolescence, and societal commentary. The exploration of the concept of the 'Final Girl,' epitomized by Laurie Strode, played by Jamie Lee Curtis. Laurie’s character represents resilience and survival, challenging traditional gender roles often depicted in horror films, and her casting was just a simple publicity stunt really. Her mother was the original scream queen, Janet Leigh, and Psycho's DNA is woven throughout this movie in more ways than one...

John Carpenter and Debra Hill crafted a narrative for Halloween that goes beyond simple scares, incorporating deeper messages about innocence, morality, and the unpredictability of evil.

Carpenter's innovative filming techniques, such as the use of point-of-view shots that enhance the sense of being hunted, a tactic that has become a staple in horror storytelling, leading Michael Myers to becoming the granddaddy of slashers, and the villain to end all villains.

Halloween resonated with audiences, and the growing popularity of horror as a genre, and it remains not only a beloved classic but also a significant work that continues to inspire and provoke thought about the horror genre and society's fears.

And it all started with the idea of murdering babysitters...

I would love to hear your thoughts on Halloween (1978) !

Verbal Diorama is now an award-winning podcast! I won the Best Movie Podcast in the inaugural Ear Worthy Independent Podcast Awards recently. I am beyond thrilled, and hugely grateful to the Ear Worthy team. It means so much to me to be recognised by a fellow indie outlet, and congratulations to all the other winners!

CONTACT....

• Twitter @verbaldiorama
• Instagram @verbaldiorama
• Facebook @verbaldiorama
• Letterboxd @verbaldiorama
• Email verbaldiorama [at] gmail [dot] com
• Website verbaldiorama.com

SUPPORT VERBAL DIORAMA....

Give this podcast a five-star Rate & Review

Join the Patreon | Send a Tip

ABOUT VERBAL DIORAMA

Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free.

Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique Studio

Patrons: Sade, Claudia, Simon, Laurel, Derek, Cat, Andy, Mike, Luke, Michael, Scott, Brendan, Lisa, Sam, Jack, Dave, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Stu, Brett, Philip M, Michele, Xenos, Sean, Ryno, Philip K, Adam, Elaine and Kyle.

There's a curse at Camp Crystal Lake. It's going to be a Long Night at Camp Blood. Except that didn't turn out to be the title of this movie.

The original Friday the 13th cleverly subverts horror tropes by making the killer a middle-aged mother, capitalizing on the fears associated with the number 13, as well as the success of Halloween in 1978.

Betsy Palmer's portrayal of Pamela Voorhees, who only shows up in the final moments, makes her one of horror's most subversive, and yet misremembered villains. Remember that scene in Scream? The answer is not Jason Voorhees, but it is for the myriad sequels to follow...

With memorable effects by Tom Savini, the success of Friday the 13th led to a surge of slasher movies throughout the early 1980s, not all as successful as this one, and also led to the death of the slasher, until A Nightmare on Elm Street came along to revive it...

They all should have listened to Crazy Ralph!

I would love to hear your thoughts on Friday the 13th (1980) !

Verbal Diorama is now an award-winning podcast! I won the Best Movie Podcast in the inaugural Ear Worthy Independent Podcast Awards recently. I am beyond thrilled, and hugely grateful to the Ear Worthy team. It means so much to me to be recognised by a fellow indie outlet, and congratulations to all the other winners!

CONTACT....

• Twitter @verbaldiorama
• Instagram @verbaldiorama
• Facebook @verbaldiorama
• Letterboxd @verbaldiorama
• Email verbaldiorama [at] gmail [dot] com
• Website verbaldiorama.com

SUPPORT VERBAL DIORAMA....

Give this podcast a five-star Rate & Review

Join the Patreon | Send a Tip

ABOUT VERBAL DIORAMA

Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free.

Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique Studio

Patrons: Sade, Claudia, Simon, Laurel, Derek, Cat, Andy, Mike, Luke, Michael, Scott, Brendan, Lisa, Sam, Jack, Dave, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Stu, Brett, Philip M, Michele, Xenos, Sean, Ryno, Philip K, Adam, Elaine and Kyle.

40 years ago, slashers took a terrifying turn, when Wes Craven suggested that we could not only be haunted by our nightmares, but also die from the creatures within them.

Craven's creation of Freddy Krueger stemmed from a haunting childhood memory that inspired the character - called Fred Krueger in this movie only - and the true unexplained deaths of Cambodian immigrants who randomly died in their sleep. While cinema was becoming saturated with cheap, clichéd knock-offs after Halloween and Friday the 13th, A Nightmare on Elm Street would successfully reinvent the genre; blending supernatural slasher horror with innovative visual effects on a low budget.

Despite initial rejections from major studios, New Line Cinema took a chance on this unique horror concept, leading to huge success for the fledgling independent production company, and Robert Englund's portrayal of Freddy Krueger would become one of horror's most iconic villains, and make Englund synonymous with the character across the franchise.

But don't pour blood-coloured water on live electrics...

I would love to hear your thoughts on A Nightmare on Elm Street (1984) !

Verbal Diorama is now an award-winning podcast! I won the Best Movie Podcast in the inaugural Ear Worthy Independent Podcast Awards recently. I am beyond thrilled, and hugely grateful to the Ear Worthy team. It means so much to me to be recognised by a fellow indie outlet, and congratulations to all the other winners!

CONTACT....

• Twitter @verbaldiorama
• Instagram @verbaldiorama
• Facebook @verbaldiorama
• Letterboxd @verbaldiorama
• Email verbaldiorama [at] gmail [dot] com
• Website verbaldiorama.com

SUPPORT VERBAL DIORAMA....

Give this podcast a five-star Rate & Review

Join the Patreon | Send a Tip

ABOUT VERBAL DIORAMA

Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free.

Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique Studio

Patrons: Sade, Claudia, Simon, Laurel, Derek, Cat, Andy, Mike, Luke, Michael, Scott, Brendan, Lisa, Sam, Jack, Dave, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Stu, Brett, Philip M, Michele, Xenos, Sean, Ryno, Philip K, Adam and Elaine

Horror icon Chucky was originally created by UCLA student Don Mancini, evolving from a script originally titled 'Batteries Not Included' which then became 'Blood Buddy', where the character was named Buddy.

Potential lawsuit with Hasbro aside, Buddy would eventually become Chucky; the movie was eventually renamed Child's Play, and would become a ground-breaking horror film that successfully combined dark comedy with genuine suspense. The animatronics used for Chucky were state-of-the-art for the late 1980s, and the film's success spawned an entire franchise that includes sequels, merchandise, and a television series.

But it wasn't all fun and games behind the scenes. Significant changes to Child's Play were made after poor test screenings, leading to a more streamlined movie and the controversy surrounding the entire Child's Play franchise, especially regarding violence, had lasting implications for horror films here in the UK.

I would love to hear your thoughts on Child's Play (1988) !

Verbal Diorama is now an award-winning podcast! I won the Best Movie Podcast in the inaugural Ear Worthy Independent Podcast Awards recently. I am beyond thrilled, and hugely grateful to the Ear Worthy team. It means so much to me to be recognised by a fellow indie outlet, and congratulations to all the other winners!

CONTACT....

• Twitter @verbaldiorama
• Instagram @verbaldiorama
• Facebook @verbaldiorama
• Letterboxd @verbaldiorama
• Email verbaldiorama [at] gmail [dot] com
• Website verbaldiorama.com

SUPPORT VERBAL DIORAMA....

Give this podcast a five-star Rate & Review

Join the Patreon | Send a Tip

ABOUT VERBAL DIORAMA

Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free.

Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique Studio

Patrons: Sade, Claudia, Simon, Laurel, Derek, Cat, Andy, Mike, Luke, Michael, Scott, Brendan, Lisa, Sam, Jack, Dave, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Stu, Brett, Philip M, Michele, Xenos, Sean, Ryno, Philip K, Adam and Elaine