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Animation Season returns... with one of Pixar's most important movies, and one with a prescient message.
Andrew Stanton had pitched an idea about the last robot on earth back in 1994. It would take eight years for the project to materialise properly, and was originally conceived as Robinson Crusoe and The Last Man on Earth, becoming a Planet of the Apes-style humans-as-aliens reveal, before its robotic love story blossomed, and along with it, a stark warning for the future of humanity, our reliance on AI, and a suggestion that following your "directive" might not be the ideal choice to make.
He never intended to make any political statements about environmental issues or climate change. And he never intended for WALL-E's design to look like Johnny 5.
He did, however, fully intend to use the songs of Hello, Dolly!
I would love to hear your thoughts on WALL-E !
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ABOUT VERBAL DIORAMA
Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free.
Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique Studio
Patrons: Simon E, Sade, Claudia, Simon B, Laurel, Derek, Vern, Cat, Andy, Mike, Griff, Luke, Michael, Scott, Brendan, Lisa, Sam, Will, Jack, Dave, Chris, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Stu, Brett, Philip, Michele and brand-new patron Xenos!
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This episode contains a paid Patron promotion for Middle Class Film Class, hosted by patron Pete.
John Hughes' pair of 1989 comedies Uncle Buck and National Lampoon's Christmas Vacation would become integral to the production of his next screenplay, Home Alone, based on the simple idea of "what would it be like if I left one of my young children home alone while I went on vacation?"
It really was a case of lightning in a bottle, with the perfect John Hughes screenplay, a young and willing director in Chris Columbus, the perfect cast, led by the-then eight-year-old Macaulay Culkin, in a performance showing abilities far beyond his years, and Warner Bros willing to finance and distribute the movie.
Everything was ready to go... and then Warner Bros pulled the plug, but clandestine meetings between John Hughes and 20th Century Fox ended up saving the movie, and it led to one of the most beloved and wince-inducing family holiday classics...
Merry Christmas, and Happy Holidays to you all!
I would love to hear your thoughts on Home Alone !
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Give this podcast a five-star Rate & Review
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ABOUT VERBAL DIORAMA
Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free.
Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique Studio
Patrons: Simon E, Sade, Claudia, Simon B, Laurel, Derek, Vern, Cat, Andy, Mike, Griff, Luke, Michael, Scott, Brendan, Lisa, Sam, Will, Jack, Dave, Chris, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Tyler, Stu, Brett, Philip and Michele!
The story of Die Hard starts in the mid-sixties, and the film adaptation of a dark film noir detective drama novel, The Detective, starring Frank Sinatra. That film warranted a sequel, but the sequel novel Nothing Lasts Forever would take eleven years to be written, and its film adaptation would take a further nine years to make it to the big screen, with some major changes.
Gone was Frank Sinatra reprising his role, and the death of the character's on-screen daughter. The dark, depressing story was revitalised, with a new lead character, on-screen marital issues, explosive action, and one of the most charismatic and interesting villains ever put to screen.
And it all started with a carboard box in the middle of the freeway...
I would love to hear your thoughts on Die Hard !
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SUPPORT VERBAL DIORAMA....
Give this podcast a five-star Rate & Review
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ABOUT VERBAL DIORAMA
Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free.
Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique Studio
Patrons: Simon E, Sade, Claudia, Simon B, Laurel, Derek, Vern, Cat, Andy, Mike, Griff, Luke, Michael, Scott, Brendan, Lisa, Sam, Will, Jack, Dave, Chris, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Tyler, Stu, Brett, Philip and Michele!
A fairy-tale English cottage set in a tranquil country garden. Snuggle up by an old stone fireplace and enjoy a cup of cocoa. An enchanting oasis of tranquillity in a quiet English hamlet, just forty minutes from exciting London.
No, it's not Verbal Diorama HQ, but the description of Iris Simpkins' traditional English country cottage in The Holiday, the quintessential Christmas romantic comedy that only seems to get better and more appreciated with age. You could say it has gumption.
Derided by critics in 2006, it's since become a Christmas holiday classic, invoking cosy nights snuggling by a roaring fire, and toasting to love, both romantic and platonic.
With an all-star cast, and under the always steady hand of writer/director Nancy Meyers, The Holiday is your excuse to believe in the festive romantic spirit, despite the fact that Iris' charming cottage doesn't actually exist in real life...
I would love to hear your thoughts on The Holiday !
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SUPPORT VERBAL DIORAMA....
Give this podcast a five-star Rate & Review
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ABOUT VERBAL DIORAMA
Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free.
Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique Studio
Patrons: Simon E, Sade, Claudia, Simon B, Laurel, Derek, Vern, Cat, Andy, Mike, Griff, Luke, Michael, Scott, Brendan, Lisa, Sam, Will, Jack, Dave, Chris, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Tyler, Stu, Brett, Philip and Michele!
Street Fighter is one of those movies that does feel lacking, incomplete, and cut to shreds, and then you realise it is indeed all of those things because of the various issues on set. Capcom’s constant demands, Raúl Julia's illness and recovery from surgery, Jean-Claude Van Damme's regular absences from set, and a constantly changing filming schedule, not to mention the MPAA requesting constant cuts to give it the all important PG-13 rating. Under different circumstances, Street Fighter could actually have ended up so different.
It's a movie based on a video game, that bucked the trend of video game movies not making any money, but that did not buck the trend of video game movies not being all that great, that had nothing to do with the actual video game, and everything to do with selling toys, appeasing Capcom and enabling Jean-Claude Van Damme's bad behaviour...
Game Over!
I would love to hear your thoughts on Street Fighter (1994) !
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SUPPORT VERBAL DIORAMA....
Give this podcast a five-star Rate & Review
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ABOUT VERBAL DIORAMA
Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free.
Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique Studio
Patrons: Simon E, Sade, Claudia, Simon B, Laurel, Derek, Vern, Cat, Andy, Mike, Griff, Luke, Michael, Scott, Brendan, Lisa, Sam, Will, Jack, Dave, Chris, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Tyler, Stu, Brett, Philip and Michele!
A first time writer-director, in the right place at the right time, developed a story about a troubled young man, in the wrong place at the right time, as Donnie Darko became a dark twisted tale of cultural significance against a mind-bending plot, and resulting controversy surrounding its use of gun wielding after Columbine, and imagery of a plane crash just after 9/11.
These factors would mean it would flop when it did eventually reach US cinemas in October 2001, however Donnie Darko would find new life revelling in its cult status, and achieve the ultimate honour - being the favourite at college campuses across the US, and becoming THE movie you needed to see.
Not that you'd ever understand it, of course...
I would love to hear your thoughts on Donnie Darko !
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SUPPORT VERBAL DIORAMA....
Give this podcast a five-star Rate & Review
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ABOUT VERBAL DIORAMA
Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free.
Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique Studio
Patrons: Simon E, Sade, Claudia, Simon B, Laurel, Derek, Vern, Cat, Andy, Mike, Griff, Luke, Michael, Scott, Brendan, Lisa, Sam, Will, Jack, Dave, Chris, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Tyler, Stu, Brett, Philip and Michele!
Technically the first ever quadruple-bill episode (if you also count the Richard Donner cut of Superman II, which we do), as voted for by Patrons of this podcast for, on the history and legacy of Superman II, Superman II: The Richard Donner Cut, Superman III & Superman IV: The Quest for Peace ! The sequels to the previous episode on Superman
SUPERMAN II was inevitable after Richard Donner completed 75% of the movie, filmed at the same time as Superman (1978). His work on the sequel was halted during Superman's production, but as Superman flew into the box office and became a critical and financial success, the sequel was fired up again... and Donner himself was unceremoniously fired from the movie by the Salkinds, and replaced with Richard Lester; a move that didn't go down well with the cast and crew...
SUPERMAN II: THE RICHARD DONNER CUT came about due to the open secret of Richard Donner's material existing in a vault somewhere. After a few legal issues, notably with the estate of Marlon Brando for the production of Superman Returns, a new 2001 DVD version of Superman also led to the discovery of 6 tonnes of unused, previously lost material shot by Richard Donner for Superman II. In an unprecedented (at the time) fan campaign to see Donner's cut, it was finally released to acclaim in 2006...
SUPERMAN III is less of a Superman movie, and more of a comedy vehicle for the late, great Richard Pryor, but that didn't mean it was easy to get made. A lot of people were still annoyed at the Salkinds for their treatment of Richard Donner, including Christopher Reeve himself. Reeve almost didn't return as the iconic character, but changed his mind and relished playing Superman vs Superman (which was also almost the title of the movie), but in retrospect it would be a movie he wouldn't have too much fun with, despite the slapstick tone...
SUPERMAN IV: THE QUEST FOR PEACE would only be made after the Salkinds sold the rights to The Cannon Group; a production company known for making low quality movies en masse to make as much profit as possible. Cannon's plan though was big franchises: they bought Superman with the intent of spending $36 million on Superman IV. They were also making Masters of the Universe, the first big screen adventure for He-Man. But Masters of the Universe's financial woes would drastically affect Superman IV, with disastrous consequences for the Superman franchise, and leading to a 19-year wait for Superman to return...
I would love to hear your thoughts on Superman II, Superman II: The Richard Donner Cut, Superman III & Superman IV: The Quest for Peace !
CONTACT....
SUPPORT VERBAL DIORAMA....
Give this podcast a five-star Rate & Review
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ABOUT VERBAL DIORAMA
Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free.
Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique Studio
Patrons: Simon E, Sade, Claudia, Simon B, Laurel, Derek, Vern, Cat, Andy, Mike, Griff, Luke, Michael, Scott, Brendan, Lisa, Sam, Will, Jack, Dave, Chris, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Tyler, Stu, Brett, Philip and Michele!
Before Barbenheimer, there was The Dark Mamma. Two polar opposite movies going head-to-head at the box office, and both ending up huge successes in very different ways.
The film adaptation of Mamma Mia! was never planned to be Universal's big summer 2008 hit, in fact it wasn't until test screenings that they realised what a gem they had on their hands.
Mamma Mia! would not beat The Dark Knight at the box office, but it would blaze its own trail, for a jukebox musical based on a running stage production, showing that stories by women, about women and for women could also do big business.
But first, they had to persuade the producers of the stage musical to sell the film rights, and that took two things - Tom Hanks & Rita Wilson and the musical Chicago...
And then... they got Meryl!
I would love to hear your thoughts on Mamma Mia! !
CONTACT....
SUPPORT VERBAL DIORAMA....
Give this podcast a five-star Rate & Review
Join the Patreon | Send a Tip | Buy Merch
ABOUT VERBAL DIORAMA
Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free.
Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique Studio
Patrons: Simon E, Sade, Claudia, Simon B, Laurel, Derek, Vern, Cat, Andy, Mike, Griff, Luke, Michael, Scott, Brendan, Lisa, Sam, Will, Jack, Dave, Chris, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Tyler, Stu, Brett, Philip and Michele!
Mentioned in this episode:
Paid promotions in this episode
This episode contains a paid Patron promotion for Middle Class Film Class, hosted by patron Pete.
It's got Tarantino's trademark dialogue, Rodriguez's trademark visuals and Salma Hayek dancing seductively in a bikini... what more could you want in a crime thriller slash vampire movie?
Originating as a story by future Wishmaster director and KNG EFX visual effects master Robert Kurtzman, which he planned to direct as a low budget horror film, that all changed when he enlisted a then-unknown Quentin Tarantino to write the screenplay.
This was well before Reservoir Dogs would put Tarantino on the map, and while Reservoir Dogs would cement his name as a director, just as El Mariachi did for Robert Rodriguez, the key to getting From Dusk till Dawn made, would be the film many believe to be his magnum opus: Pulp Fiction...
With the power of Pulp Fiction behind him, Tarantino would enlist his friend Robert Rodriguez to direct, Tarantino himself to star, and arrange a deal with Miramax to pump up a $2 million budget to $17 million, as long as they could get the movie made in six months from start to finish...
I would love to hear your thoughts on From Dusk till Dawn !
CONTACT....
SUPPORT VERBAL DIORAMA....
Give this podcast a five-star Rate & Review
Join the Patreon | Send a Tip | Buy Merch
ABOUT VERBAL DIORAMA
Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free.
Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique Studio
Patrons: Simon E, Sade, Claudia, Simon B, Laurel, Derek, Vern, Cat, Andy, Mike, Griff, Luke, Michael, Scott, Brendan, Lisa, Sam, Will, Jack, Dave, Chris, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Tyler, Stu, Brett, Philip and Michele.
We'll tear your soul apart....
From the depths of hell comes body horror, an exploration of sexual desire, lust and gratification, and the pleasure pain theory, as hedonistic Frank Cotton solves the Lament Configuration and receives a gruesome demise, only to be accidentally resurrected.
Hellraiser is unlike any other horror movie of its time, not just for its content, but for the risk New World took on a first-time writer-director, based on his own novella rooted in sadomasochism, with no major stars involved in the production.
It was planned for a direct to video release, until executives realised how special and different this movie was... they invested more money, and it birthed not only a new resurrection scene for Frank Cotton, but also a horror icon in Pinhead.
And who knew so much lube and condoms were necessary for horror movie making in the 1980s...
Jesus wept
I would love to hear your thoughts on Hellraiser (1987) !
CONTACT....
SUPPORT VERBAL DIORAMA....
Give this podcast a five-star Rate & Review
Join the Patreon | Send a Tip | Buy Merch
ABOUT VERBAL DIORAMA
Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free.
Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique Studio
Patrons: Simon E, Sade, Claudia, Simon B, Laurel, Derek, Vern, Cat, Andy, Mike, Griff, Luke, Michael, Scott, Brendan, Lisa, Sam, Will, Jack, Dave, Chris, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Tyler, Stu, Brett, Philip and Michele!
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