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This podcast is now four year old, so to celebrate, here's the fifth of five very special episodes on Wallace and Gromit, on the final of their short films, A Matter of Loaf and Death
Thank you for your support over the last four years!
This podcast is now four year old, so to celebrate, here's the fourth of five very special episodes on Wallace and Gromit, on their only feature-length theatrical adventure Wallace and Gromit: The Curse of the Were-Rabbit
Thank you for your support over the last four years!
This podcast is now four year old, so to celebrate, here's the third of five very special episodes on Wallace and Gromit, on the third of their short films, A Close Shave.
Thank you for your support over the last four years!
This podcast is now four year old, so to celebrate, here's the second of five very special episodes on Wallace and Gromit, on the second of their short films, The Wrong Trousers.
Thank you for your support over the last four years!
This podcast is now four year old, so to celebrate, here's the first of five very special episodes on Wallace and Gromit, on the first of their short films, A Grand Day Out.
Thank you for your support over the last four years!
One doesn't know why. Perhaps it's his luxuriant beard, or his gleaming teeth, or the way he smells faintly of coconuts, but we have taken a shine to this pirate.
With different names depending on where you are in the English-speaking world, The Pirates! In an Adventure with Scientists! (or The Pirates! Band of Misfits) already feels like an anomaly in Aardman's stellar back catalogue.
Based on the best-selling books by Gideon Defoe, who also writes the screenplay, The Pirates feels similar, yet also vastly (or should that be avastly?) different to the rest of its Aardman cousins. It's not set in the UK, for a start, and it was a wildly ambitious project; the biggest thing the team at Aardman had ever achieved.
It was a movie of many firsts for the company, including the first (and only) Aardman movie to offend the leprosy community.
I would love to hear your thoughts on The Pirates! In an Adventure with Scientists! / The Pirates! Band of Misfits !
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Thank you to all the patrons Simon E, Sade, Claudia, Simon B, Laurel, Derek, Vern, Cat, Andy, Mike, Griff, Luke, Michael, Scott, Brendan, Ian, Lisa, Sam, Will, Jack, Dave, Chris, Stuart, Sunni, Drew, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Tyler, Stu and Brett!
BRAND-NEW Merch STORE!!
T-shirts inspired by The Mummy (1999) with more collections to come!
EPISODE THANKS TO....
Most excellent patrons:
Andy for his patron thoughts. You can find him @geeksaladradio on Twitter and his podcast Geek Salad on all your podcast apps.
Brett for his patron thoughts. You can find him @dissectthatfilm on Twitter and his podcast Dissect That Film on all your podcast apps.
Scott for his patron thoughts. You can find him @MSMRpod on Twitter and his podcast Monkey See Monkey Review on all your podcast apps.
Twitter peeps
Instagram folk
Facebook chums
Theme Music: Verbal Diorama Theme Song
Music by Chloe Enticott - Compositions by Chloe
Lyrics by Chloe Enticott (and me!)
Production by Ellis Powell-Bevan of Ewenique Studio
This podcast is hosted by Captivate, try it yourself for free.
Satoshi Kon's debut feature-length animated movie is often cited as not just as masterpiece of animation, but a masterpiece of cinema full stop.
Darren Aronofsky, in particular, has not only credited Perfect Blue as inspiration for a scene in Requiem for a Dream, there are also striking similarities between Perfect Blue and his Oscar-winning psychological horror Black Swan. Mima and Nina, anyone?
Controversies aside, Perfect Blue was made on the cusp of the home internet revolution, and horrifically depicts a young woman being judged, stalked and harassed online. Kon wanted to highlight concerns over otaku, the groups of fans becoming obsessed with certain media, but as genius as Satoshi Kon was, even he couldn't have predicted how serious online toxic fan culture would become.
I would love to hear your thoughts on Perfect Blue !
GET IN TOUCH....
SUPPORT VERBAL DIORAMA....
Give this podcast a five-star Rate & Review
Join the Patreon
Thank you to all the patrons Simon E, Sade, Claudia, Simon B, Laurel, Derek, Vern, Cat, Andy, Mike, Griff, Luke, Michael, Scott, Brendan, Ian, Lisa, Sam, Will, Jack, Dave, Chris, Stuart, Sunni, Drew, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Tyler, Stu and Brett!
BRAND-NEW Merch STORE!!
T-shirts inspired by The Mummy (1999) with more collections to come!
EPISODE THANKS TO....
Most excellent patrons:
Pete for his patron thoughts. You can find him @PodcastMCFC on Twitter and his podcast Middle Class Film Class on all your podcast apps.
Andy for his patron thoughts. You can find him @geeksaladradio on Twitter and his podcast Geek Salad on all your podcast apps.
and Brendan for his patron thoughts, too!
Twitter peeps
Instagram folk
Facebook chums
Theme Music: Verbal Diorama Theme Song
Music by Chloe Enticott - Compositions by Chloe
Lyrics by Chloe Enticott (and me!)
Production by Ellis Powell-Bevan of Ewenique Studio
This podcast is hosted by Captivate, try it yourself for free.
Mentioned in this episode:
Paid promotions in this episode
This episode contains a paid Patron promotion for Middle Class Film Class, hosted by patron Pete.
The Emperor's New Groove, unfortunately lumbered as part of the blame for the beginning of the end of Disney's Renaissance period, is actually three movies in one:
In this episode, I'm going to be telling you about all three; plus the alleged DreamWorks plan by ex-Disney chief Jeffrey Katzenberg to beat Disney to release with The Road to El Dorado, the fact The Emperor's New Groove didn't have a script until two weeks after it was released, and how The Emperor's New Groove accurately predicted the tonal change to Hollywood animation in the 2000s.
If anyone asks you how did Disney managed to make The Emperor’s New Groove, you could just refer them to this episode, or you could simply say “well, ya got me, by all accounts, it doesn’t make sense”.
I would love to hear your thoughts on The Emperor's New Groove !
GET IN TOUCH....
SUPPORT VERBAL DIORAMA....
Give this podcast a five-star Rate & Review
Join the Patreon
Thank you to all the patrons Simon E, Sade, Claudia, Simon B, Laurel, Derek, Vern, Cat, Andy, Mike, Griff, Luke, Michael, Scott, Brendan, Ian, Lisa, Sam, Will, Jack, Dave, Chris, Stuart, Sunni, Drew, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Tyler, Stu and Brett!
BRAND-NEW Merch STORE!!
T-shirts inspired by The Mummy (1999) with more collections to come!
EPISODE THANKS TO....
Most excellent patrons:
Sunni for her patron thoughts. You can find her @Bookofliespod on Twitter and her podcast Book of Lies on all your podcast apps.
Brett for his patron thoughts. You can find him @dissectthatfilm on Twitter and his podcast Dissect That Film on all your podcast apps.
Andy for his patron thoughts. You can find him @geeksaladradio on Twitter and his podcast Geek Salad on all your podcast apps.
Pete for his patron thoughts. You can find him @PodcastMCFC on Twitter and his podcast Middle Class Film Class on all your podcast apps.
Twitter peeps
Instagram folk
Facebook chums
Theme Music: Verbal Diorama Theme Song
Music by Chloe Enticott - Compositions by Chloe
Lyrics by Chloe Enticott (and me!)
Production by Ellis Powell-Bevan of Ewenique Studio
This podcast is hosted by Captivate, try it yourself for free.
South Park: Bigger, Longer & Uncut is a movie with a Guinness World Record, an Oscar nomination and, miraculously, an R-rating. That R-rating contributed to it being the highest grossing R-rated animated film for seventeen years, too.
If the Motion Picture Association of America had their way, South Park: Bigger, Longer & Uncut would have been rated NC-17, but the irony doesn't stop there. The kids of South Park; Stan, Kyle, Cartman and Kenny sneak into an R-rated movie, discover all the swears and their parents condemn the movie for being a terrible influence; and this is exactly what happened in real life, not just with the movie, but with the hit TV show that preceded it.
South Park set out to offend everyone. The fact that this movie's main antagonists are Saddam Hussein and censorship goes someway to show how South Park: Bigger, Longer & Uncut prided itself on tackling current affairs, as well as its own form of social justice. It's a righteous warning against overbearing parenting, quick to blame popular culture for social issues, and the notion that cursing is bad on its own.
It's also a terrific musical, still holds up remarkably well 23 years later, and proves that, should we need reminding, animation is very much not just for children.
BARBRA STREISAND!
I would love to hear your thoughts on South Park: Bigger, Longer & Uncut !
GET IN TOUCH....
SUPPORT VERBAL DIORAMA....
Give this podcast a five-star Rate & Review
Join the Patreon
Thank you to all the patrons Simon E, Sade, Claudia, Simon B, Laurel, Derek, Vern, Cat, Andy, Mike, Griff, Luke, Michael, Scott, Brendan, Ian, Lisa, Sam, Will, Jack, Dave, Chris, Stuart, Sunni, Drew, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Tyler, Stu and Brett!
BRAND-NEW Merch STORE!!
T-shirts inspired by The Mummy (1999) with more collections to come!
EPISODE THANKS TO....
Most excellent patrons:
Andy for his patron thoughts. You can find him @geeksaladradio on Twitter and his podcast Geek Salad on all your podcast apps.
Brett for his patron thoughts. You can find him @DissectThatFilm on Twitter and his podcast Dissect That Film on all your podcast apps.
and Nicholas for his Patron thoughts, too!
Twitter peeps
Instagram folk
Facebook chums
Theme Music: Verbal Diorama Theme Song
Music by Chloe Enticott - Compositions by Chloe
Lyrics by Chloe Enticott (and me!)
Production by Ellis Powell-Bevan of Ewenique Studio
This podcast is hosted by Captivate, try it yourself for free.
Who's your friend who likes to play? BING BONG BING BONG!
Inside Out captures the science of emotions, memory and personality remarkably accurately for an animated feature. In fact, getting the science right was paramount to the team at Pixar. It’s as accurate as the science in a Pixar movie can be, because it still needs to be entertaining, but it’s more accurate than it needs to be.
Director Pete Docter, already a steady hand at Pixar after directing Monsters Inc. and Up, had an idea based on the changing personality of his then pre-teen daughter. What was going on inside her head? Why was she becoming introverted and withdrawn at eleven years of age?
John Lasseter loved the idea, and Inside Out moved forward, but the questions about the human mind continued. How is the stream of consciousness influenced by emotions? How do feelings affect the way we remember the past? And how would you describe an 11-year-old girl's emotional life?
Take her to the moon for me.
I would love to hear your thoughts on Inside Out (2015) !
GET IN TOUCH....
SUPPORT VERBAL DIORAMA....
Give this podcast a five-star Rate & Review
Join the Patreon
Thank you to all the patrons Simon E, Sade, Claudia, Simon B, Laurel, Derek, Vern, Cat, Andy, Mike, Griff, Luke, Michael, Scott, Brendan, Ian, Lisa, Sam, Will, Jack, Dave, Chris, Stuart, Sunni, Drew, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Tyler, Stu and Brett!
BRAND-NEW Merch STORE!!
T-shirts inspired by The Mummy (1999) with more collections to come!
EPISODE THANKS TO....
Most excellent patrons:
Andy and Mike for their patron thoughts. You can find them @geeksaladradio @gundam_guyver on Twitter and their podcast Geek Salad on all your podcast apps.
Brett for his patron thoughts. You can find him @dissectthatfilm on Twitter and his podcast Dissect That Film on all your podcast apps.
and Brendan for his Patron thoughts, too!
Twitter peeps
Instagram folk
Facebook chums
Theme Music: Verbal Diorama Theme Song
Music by Chloe Enticott - Compositions by Chloe
Lyrics by Chloe Enticott (and me!)
Production by Ellis Powell-Bevan of Ewenique Studio
This podcast is hosted by Captivate, try it yourself for free.
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