Verbal Diorama

I hate the way you talk to me, and the way you cut your hair.

I hate the way you drive my car, I hate it when you stare.

I hate your big dumb combat boots and the way you read my mind;

I hate you so much it makes me sick, it even makes me rhyme.

I hate the way you're always right, I hate it when you lie,

I hate it when you make me laugh, even worse when you make me cry.

I hate it when you're not around, and the fact that you didn't call,

But mostly I hate the way I don't hate you, not even close, not even a little bit, not even at all.

The truth is, there's not even 1 Thing I Hate About 10 Things I Hate About You. Not even close, not even a little bit, not even at all.

It's got pitch perfect Julia Stiles, as rebellious, headstrong Kat Stratford and a breakthrough performance by Heath Ledger. Together, they're dynamite.

There's honestly more than 10 Things I Love About 10 Things I Hate About You (and there's a difference between like and love, because I like my Skechers, but I love my Prada backpack!). It's just too good to be true, and defies expectations of '90s teen movies, while simultaneously ignoring and respecting its Shakespearean heritage. The Taming of the Shrew is notoriously problematic and seen as an impossible text to adapt, but when you have Kirsten Smith and Karen McCullah writing the script, you'll naturally be in good hands.

Who needs affection when I have blind hatred?

(I can confirm, you can indeed be whelmed in Europe.)

I would love to hear your thoughts on 10 Things I Hate About You!

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Thank you to all the patrons Simon E, Sade, Jardiel, Claudia, Simon B, Laurel, Derek, Jason, Kristin, Cat, Andy, Mike and Griff!

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Theme Music: Verbal Diorama Theme Song

Music by Chloe Enticott - Compositions by Chloe Facebook

Lyrics by Chloe Enticott (and me!)

Production by Ellis Powell-Bevan of Ewenique Studios.

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It's got awe-inspiring practical puppets, flawless CGI, fantastic performances, awesome cinematography and Unix systems (I know this!). Welcome to Jurassic Park!

27 years later, it's still the T-Rex of action, adventure, horror and sci-fi, as billionaire John Hammond and his team of scientists spend so much time thinking they could, they don't stop to think if they should.

Directed by Steven Spielberg, it remains one of his most enduring and appealing classics, and shades of his earlier classic Jaws are apparent throughout. The primary cast; Sam Neill, Laura Dern and Jeff Goldblum are returning for next year's Jurassic World: Dominion but as fun as those 'World' movies are (and I enjoy the first one very much), the pure Adrenalin, fear, sardonic wit and exquisite framing of Jurassic Park simply can never be topped by other dinosaur movies.

Many have questioned why they thought it would be a good idea to resurrect man-eating dinosaurs for a theme park, and surely humans aren't that dumb and selfish. There are humans out there that won't even wear a goddamn face mask to protect others though, so....

The truth is.... women really did inherit the Earth in Jurassic Park.

I would love to hear your thoughts on Jurassic Park!

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Theme Music: Verbal Diorama Theme Song

Music by Chloe Enticott - Compositions by Chloe Facebook

Lyrics by Chloe Enticott (and me!)

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Mutation: it is the key to our evolution. It has enabled us to evolve from a single-celled organism into the dominant species on the planet. This process is slow, and normally taking thousands and thousands of years. But every few hundred millennia, evolution leaps forward. 

X-Men, based on the comic books created in 1963 by Stan Lee and Jack Kirby, like many projects in Hollywood, moved around from studio to studio until it landed at Fox and in the lap of producer Lauren Schuler Donner. It turned out that her young assistant would make waves on this production, and end up becoming the most powerful name in superhero cinema.... but more on him another time.

We have a lot to thank X-Men for. Despite being a team of super-powered mutants, X-Men's grounded style, deep roots in real life civil rights history and a real historical setting mean it remains relatable and focused on real marginalised groups, discrimination, ostracization and the fear of the unknown, unlike other superhero movies. It remains surprisingly relevant twenty years after release, which calls to the strength of Stan Lee's creations.

Other better X-Men movies came and went (and arguably some worse ones!) and then other better Marvel movies arrived and took the X-Men's crown, and while X-Men will forever be tarnished due to the serious allegations made towards its director, its legacy in not just superhero cinema, but arguable modern cinema, remains unrivalled. 

Simply put.... X-Men was a game-changer and in that regard it's x-ceptional.

I would love to hear your thoughts on X-Men!

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Theme Music: Verbal Diorama Theme Song

Music by Chloe Enticott - Compositions by Chloe Facebook

Lyrics by Chloe Enticott (and me!)

Production by Ellis Powell-Bevan of Ewenique Studios.

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Make way, make way for Disney's first computer generated animated foray into the Polynesian islands, mythology and culture (although not the first animated foray - that goes to Lilo and Stitch!) to the island of Motonui, and its future chief Moana; a young woman who feels a call to the ocean (not surprising as her name literally means 'ocean') and is tasked with finding the demigod Maui, restoring the stolen heart of Te Fiti, and in doing so re-establish the natural ecological harmony, rediscover her voyaging heritage and save her people.

Just an average mission for any sixteen-year-old girl, am I right?

Directed by Disney stalwarts John Musker and Ron Clements, Moana is gorgeous, vibrant and dazzling; the characters are interesting and relatable, the almost entirely Polynesian cast are fantastic and the music.... you do not need to get me started on the music! The soundtrack is a delight from start to finish. Lin-Manuel Miranda really is a shiny treasure fit for the shell of Tamatoa. Moana is a Disney Princess for all to aspire to be like. Auli'i Cravalho is such a revelation in this movie. Her voice belies her young years (lest we forget, she was just 14-years-old when cast, and 15 when performing!)

Sure, Moana has issues and I'd be remiss not to mention Disney's attempts to be inclusive and culturally sensitive, despite having an Oceanic Story Trust to advise on cultural sensitivity, have backfired for some Pacific Islanders on the depictions of Maui and the Kakamora, but on the whole Moana is a JOY. It's the best movie Disney have released in the last 20 years, despite it being trounced by its Disney stable-mate Zootopia at awards season.... (Zootopia is great, but I prefer Moana, personally)

I am a girl who loves my island. I am the girl who loves the sea. Moana calls me.

Here's the link to Lindsay Ellis' YouTube video essay on Pocahontas, where she compares it to Moana.

I would love to hear your thoughts on Moana!

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Theme Music: Verbal Diorama Theme Song

Music by Chloe Enticott - Compositions by Chloe Facebook

Lyrics by Chloe Enticott (and me!)

Production by Ellis Powell-Bevan of Ewenique Studios.

See acast.com/privacy for privacy and opt-out information.

Computer, what topic is episode 54 on?

"Galaxy Quest"

Episode 54 is on Galaxy Quest!

Pedal to the metal, and get ready for some vertical Thermian handclaps for the crew of the NSEA Protector with returning special guest Crewman #6..... aka Andy from Geek Salad! You may remember him from Episode 23 on Mystery Men. He's the plucky comic relief in this episode, and unlike Guy Fleegman's Crewman #6 on the show, he lives to the end of episode 54!

Galaxy Quest's historical documents have been off-air for 18 years but the illustrious crew are still making appearances at conventions near you!

We have Jason Nesmith, as the handsome, brave Commander Peter Quincy Taggart; Gwen (just how does she fit her boobs into her suit, though?) DeMarco as Lt. Tawny Madison; By Grabthar's Hammer, it's Alexander Dane as Dr. Lazarus; Tommy Webber, who's grown up so fast, as Lt. Laredo and Fred Kwan as the sardonic, sarcastic Tech Sgt Chen.

It might have been off-air, but the fans still love the historical documents. Especially the Thermian people, who take cosplay to a whole new level and recreate the ship, from scratch, and even include an authentic "bad guy". These really are fans from another world!

And if there's any movie that celebrates fan culture and appreciates fandom, it's Galaxy Quest.

Never Give Up! Never Surrender!

I would love to hear your thoughts on Galaxy Quest!

SPECIAL THANKS.... to the out-of-this-world brilliant podcaster and all-round excellent human being, Andy for joining me to chat about Galaxy Quest. Give him a hand, he's (not) British.

You can find his podcast Geek Salad on all good podcast apps, their website https://geeksalad.podbean.com/ and make sure you check out Episode 197 - We Can Remember It For You Wholesale (ft. me!), and the other 196 quality episodes on movies, video games, music, tv.... basically a veritable smorgasbord of great content!

You can follow Andy on Twitter @geeksaladradio, check out Geek Salad on Facebook or watch Geek Salad's Retro Reviews on the Geek Salad YouTube channel!

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Theme Music: Verbal Diorama Theme Song

Music by Chloe Enticott - Compositions by Chloe Facebook

Lyrics by Chloe Enticott (and me!)

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Serenity, the continuation and culmination of Joss Whedon's one-season space western TV show Firefly, had the full backing of Universal after acquiring the rights of Firefly from Fox, who really didn't have a clue what Firefly was, or even the common decency to air all the episodes in order.... this is not the first time Fox have been world-class a-holes on something I've featured on this podcast.

Although arguably Serenity exists because of Universal's desire for the project, Joss Whedon's skills as a writer/director and the returning cast for bringing these beloved characters back to life, it actually exists because of one reason:

The Browncoats.

Fandom is power, passion, strength and unity. Fandom grew Firefly and made Serenity happen. Without the Browncoats, we would never have had Serenity. They don't just aim to misbehave, they aim to transform this miscarriage of justice.

Although fandom wasn't enough to resurrect Firefly for a second season or create a sequel to Serenity, the fact we got Serenity at all is miraculous. This cancelled TV show, this ragtag crew of underdogs ended up with a feature length movie that introduced new characters, tied up arcs, looked and sounded beautiful and was a worthy end to the stories of Mal Reynolds and his crew. It was also loved by fans and critically acclaimed. That just doesn't happen for one-season TV shows, let alone TV shows that were unduly cancelled.

Firefly and Serenity are the rare and precious jewels in Joss Whedon's crown. Or should that be his pretty floral bonnet.....?

I would love to hear your thoughts on Serenity or Firefly!

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Natalie

Theme Music: Verbal Diorama Theme Song

Music by Chloe Enticott - Compositions by Chloe Facebook

Lyrics by Chloe Enticott (and me!)

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The Nice Guys, upon its release in May 2016, found itself facing off against a comedy sequel, an animated movie of a million-selling mobile game and two separate superhero franchise sequels. It's really no wonder it suffered at the U.S. box office. An original idea, from the always brilliant mind of Shane Black, needed room to breathe and find its feet. Sadly, it never got to do that. Had it been released in June, like it was supposed to, it might have made the $217 million that the other comedy buddy movie it swapped release dates with did. Can you tell I'm bitter about that? 

The Nice Guys had two big name stars (Russell Crowe and Ryan Gosling), several up-and-comers (Margaret Qualley and the terrific Angourie Rice) and a Hollywood icon (Kim Basinger) in its cast. It followed Shane Black's other directorial efforts; his debut Kiss Kiss Bang Bang and the 20th highest grossing movie of all time, Iron Man 3. It's really quite brilliant, actually. 

For the titular (and ironic) "nice guys who aren't actually nice guys"; as Private Investigator Holland March, Ryan Gosling excels at physical comedy, with Russell Crowe's Jackson Healy as the grumpy tough-guy straight man. As casting decisions for a comedy go, you'd never suspect they'd be this perfect together, but they are.

The script is witty, dark and hilarious. The setting, 1977 Los Angeles, centred around the adult movie industry, feels seedy yet exuberant.

Seriously - this movie should have made buckets of cash!!

Although The Nice Guys failed commercially, critically it passed with flying colours. The few who did see it raved about it and arguably it's well on its way to cult classic status. It deserves to be talked about on a podcast, and most importantly it deserves to be watched and enjoyed. I really do think it's one of Shane Black's best.

I would love to hear your thoughts on The Nice Guys!

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Theme Music: Verbal Diorama Theme Song

Music by Chloe Enticott - Compositions by Chloe Facebook

Lyrics by Chloe Enticott (and me!)

Production by Ellis Powell-Bevan of Ewenique Studios.

See acast.com/privacy for privacy and opt-out information.

Paying tribute to the classic no-sex sex comedies from the late '50s and early '60s, Down With Love is a wonderful, bright, kitschy romcom classic that seems to be well regarded, if not completely well remembered.

Renee Zellweger (fresh from Chicago) and Ewan McGregor (fresh from Moulin Rouge) tackle roles similar to those made famous by girl-next-door-turned-sex-symbol Doris Day and serious-actor-turned-romantic-lead Rock Hudson, in a genuinely wonderful pastiche to their movies Pillow Talk (1959), Lover Come Back (1961) and Send Me No Flowers (1964). (I watched Pillow Talk as part of my prep for this episode, and I have to say it's a truly delightful movie and Doris Day is incredible in it! Please watch it if you can!)

Down With Love is so impressive in its desire to not only be set in the sixties, but also to be filmed like it were filmed in the Sixties. It's meant to look like it was filmed in Technicolor. The thought that went into it is insane, from authentic props and vintage fabrics for costuming, to wanting the sets to actually look just like sets. Down With Love is not a film steeped in realistic depictions of 1962 New York. It's meant to look wonky. It relishes, and adores, the world its set in. The entire cast look like they're having the best time ever.

Did I mention how hot Ewan McGregor is? I'm not sure I did....

And if, like me, you start the movie as a Down With Love girl (or guy, or person), you'll end it stating "Here's To Love".

I would love to hear your thoughts on Down With Love!

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Theme Music: Verbal Diorama Theme Song

Music by Chloe Enticott - Compositions by Chloe Facebook

Lyrics by Chloe Enticott (and me!)

Production by Ellis Powell-Bevan of Ewenique Studios.

See acast.com/privacy for privacy and opt-out information.

Here we are.... 50 episodes later! It's been a genuine delight to produce fifty episodes of this podcast and I wanted to do something special for #50.

There's no animated movie so ingrained in modern culture, so beloved by everyone and such a pioneer in modern animation than Pixar's Toy Story. But I didn't just want to tell the story of Toy Story, because the story of Pixar is integral to the story of Toy Story.

Pixar knew they wanted to make the first feature-length fully computer animated film. They knew they could do it. They just had to figure out how....

The whole creation of Toy Story was fraught with issues. It's remarkable it ever made it to the screen at all.

But it did, and look what it did.....

The early test animation for Toy Story, featuring a completely different character of Woody, can be found here

The Toy Story full length live-action remake can be found here

Whether this is your first episode listening or your 50th episode.... thanks for being here. I've really appreciated your support. Here's to the next 50 episodes (or infinity!) and beyond....!

I would love to hear your thoughts on Toy Story!

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Theme Music: Verbal Diorama Theme Song

Music by Chloe Enticott - Compositions by Chloe Facebook

Lyrics by Chloe Enticott (and me!)

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It’s time to play the music, it’s time to light the lights, it’s time to meet The Muppets on Verbal Diorama tonight... today...

In this special Patron-chosen episode, I go behind the curtain on 2011's The Muppets. The Muppets have been in everyone's lives, whether through The Muppet Show, the eight big screen offerings, or just through general media. Kermit, Miss Piggy, Fozzie Bear, Gonzo, Animal et al. are some of the most famous faces and names in Hollywood.

This episode is a little different to most episodes of Verbal Diorama. I wanted to pay tribute to The Muppets, to this movie and to the people behind the scenes, but without losing any of the magic that make The Muppets such a unique and wonderful part of all our lives. It's important to have those warm, safe feelings of nostalgia and also to introduce the things we love to the next generation.

The Muppets teach us to always be kind, to love others and yourself and to embrace your weirdness. We could all do with more of The Muppets in our lives.

Whether you're a man or a muppet, or just having a me party, life's a happy song when you look at the pictures in your head. So join the lovers, the dreamers and me in finding the rainbow connection. 

I would love to hear your thoughts on The Muppets!

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Thank you to all the patrons Simon E, Sade, Jardiel, Claudia, Simon B, Laurel, Derek, Jason, Kristin, Cat, Andy and Mike

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Theme Music: Verbal Diorama Theme Song

Music by Chloe Enticott - Compositions by Chloe Facebook

Lyrics by Chloe Enticott (and me!)

Production by Ellis Powell-Bevan of Ewenique Studios.

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