Our relationship with our parents and, more widely, with our ancestors’ stories are some of the most formative & influential connections in many people’s lives, both for good and bad. The impact of this relationship can be felt in so many different ways, not least of which in artistic expression. 

With me today is Violaine Huisman, a French author based in New York who recently became the Director of Cultural Affairs at the Alliance Française. She’s the author of a trilogy of novels about her and her family. The first is called The Book of Mother published in 2018 and translated into English last year, the second is called Rose désert (translated maybe as “Desert Pink”) published in 2019 but not yet translated, and the third is Les monuments de Paris (“The Monuments of Paris”) which will be published this year. 

In this episode, Violaine and I cover a wide array of topics – the structure and linearity of her novels, the existential question of ‘Frenchness’ and being a ‘French author in New York’, and of course we speak of Marcel Proust, as well as some of the other major influences in her writing. It was a real pleasure to speak with Violaine about this powerful, family-driven trilogy which I absolutely recommend.

In today’s interview, we discussed Les Essais, by Michel de Montaigne (1580), a wide-ranging collection of essays, originally written in ‘Middle French’, Saxifrage, by Catherine Cremnitz (1993) – Violaine’s mother’s own autobiography, and 10:04, by Ben Lerner (2014), a modern book of auto-fiction about a Manhattan-based author recently diagnosed with a life-threatening heart-condition.

The best book Violaine has read in the last 12 months was Les Misérables, by Victor Hugo (1862), which tells the story of Jean Valjean and the other ‘miserable’ characters of the early 1800s Paris underworld.

The book she would take to a desert island was the Bible.

Finally, a book that changed her mind was In Search of Lost Time by Marcel Proust (first published in 1913), about its narrator’s life and childhood, and his reflections on the persistence of memory.

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