When the tape started rolling in old analog recording studios, there was a feeling that musicians were about to capture a particular moment. On tape, there was no “undo.” They could try again, if they had the time and money, but they couldn’t move backwards. What’s done is done, for better and worse. Digital machines entered the mix in the 1980s, changing the way music was made — machines with a different sense of time. And the digital era has not just altered our tools for working with sound but also our relationship to time itself.

Ways of Hearing

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