Our first Pick Five episode in a while is a bit of a tricky one. We're each nominating tracks which break from traditional pop song structure, with the caveat that they be from artists who normally work within it (no death industrial). Join us as we nearly go blind trying to distinguish pre-choruses from The Real McCoy.

We're happy to be joined this week by renaissance man Antoni Maiovvi to talk about the recent trilogy of records from his Ye Gods project. We touch upon what distinguishes this project from his other work in post-punk and italo disco, its strange but true origin story, and the considered intentions and hermetic study underpinning the Equilibrium Trilogy.

In a "we had to get to it sooner or later" topic-driven episode of the podcast, we're discussing our reactions to how AI generated visuals and music have appeared in Our Thing…thus far. We're doing our level best to limit discussion to the ways use of various forms of audio and image generation have been deployed in goth and industrial circles, but you can be the judge of how well we partitioned off that talk.

This month's commentary podcast features a special returning guest, as Real Cardinal joins us to talk us track by track through Comaduster's heady new LP Memory Echoes. We chatted with Real about the album's reality warping concept, the range of genres beyond Comaduster's usual remit woven into the album, and his experiences regarding artistic intent and complexity.

The latest score from Trent Reznor and Atticus Ross isn't being released under their names, but under the Nine Inch Nails handle, which raises the stakes and expectations for the Tron: Ares soundtrack, and has us discussing its range of styles as well as how it compares to previous missives in the uneven Tron franchise with regards to integrating electronics into "traditional" film scoring.

We're testing the limits of Sweden's sonics as well as our own self-imposed genre limitations with our two records up for discussion this week. First, the soft and contemplative neo-classical compositions of Arcana's As Bright As A Thousand Suns is on the docket, followed by the growling muscularity of Agent Side Grinder's Irish Recording Tape, the rough and tumble post-punk record preceding the group's departure for smoother synth pastures.

For the minor occasion of our 575th episode we're taking a somewhat personal and sociological detour and talking about the city we live in and from whence grew so much of the music we discuss on the podcast: Vancouver. What conditions allowed for "Vancouver school" industrial music to emerge in the first place, what shaped its sound and aesthetic, and how we and the rest of the city have weathered social and economic changes in the area ever since are all up for discussion.

The two album format draws up records of vastly different style and intensity as the final LP from German electro act The Dust Of Basement and a definitive live statement from Dive are on the docket. We're also discussing a recent live set from Vancouver's percussive industrial group Norillag.

The debut album from Rosetta Stone and one of the landmark achievements in the second wave of goth rock is the subject of this month's commentary episode. The ways in which An Eye For The Main Chance bends Rosetta Stone's influences to suit their own stormy and driving read on anthemic goth rock, the style and quality of Porl King's songwriting, and so much more are all delved into.

Your latest hotly anticipated, or at least blithely accepted pick five formatted episode of We Have A Technical is here. We're zeroing in on our recurring fascination with the role of soundtracks in forming our tastes in Our Thing by each selecting tracks which stand out for good or bad in various film soundtracks. Are there a number of chalk choices by well-established bands? Sure, but that's with an eye to digging into the lesser known moments and aspects of those giants' discographies, we promise. There's also some New Order ephemeral trivia off the top!