Remember live theatre? Remember when the big story back in late February was the controversial Ivo Van Hove production of West Side Story on Broadway? Daniel Pollack-Pelzner, a professor of Shakespeare, English, and Gender Studies at Linfield College in Oregon, and a contributing writer to the New York Times and Atlantic magazine, wrote an article for the latter entitled, “Why West Side Story Abandoned Its Queer Narrative,” and, in this interview recorded on March 3, 2020, discusses the merits of the van Hove production and his insights into the original narrative. Featuring the peril of picking one’s prepositional poison; how a dorky 50s musical speaks to modern concerns about racism and police violence against communities of color; the struggle for Tony's body; the problems with "I Feel Pretty;" Jerome Robbins’ lost play; expressing Jewish identity in the 1950s through ethnic minstrelsy; how Arthur Laurents “improved” on Shakespeare in particularly troubling ways; the rightness of questioning problematic aesthetics; the casting controversy in the recent Broadway production; and, most importantly, the feeling that when you love something you want to know and discuss everything about it. (Length 34:51)