
Sign up to save your podcasts
Or


Business!
Our SECOND EVER Open Epilogue!
Monday, March 23, at 1pm PST / 4pm EST.
All paid supporters will get an email invite with a link.
Be one of them!
Episode highlights:
Mal watched 2001: A Space Odyssey for the first time, and talked about it every day for three weeks
Stanley Kubrick’s astonishing team and the mind blowing scale of the project
He tried to purchase preserved human embryos from a Chicago biological supply company for research
He applied for insurance from Lloyd’s of London against the discovery of extraterrestrial beings before the film’s release
The movie came out in 1968, a year before the moon landing, with basically two pictures of Earth from space to work from
Shots that still hold up 60 years later
What makes this movie transcendent
Why Kubrick told actors not to emote
The book and the movie were written simultaneously by Kubrick and Arthur C. Clarke, then diverged at the end
Clarke was a techno-optimist atheist who envisioned transcendence through technology; Kubrick saw something darker
The bad news monolith
Also: the phone in your pocket
Is evolution terrifying? Is it good?
Kubrick collapses linear time
Moon landing was…probably real
97% of people can’t identify human-made vs ai-gen music
A friend who spent 20 years making about 500 songs — AI makes a thousand in an afternoon
The communal difference between art and AI slop
Provenance is the point
The porn-pocalypse — news, politics, food, music, everything is porn now
When we dehumanize art we don’t experience anything
Why the viola is out of tune on purpose
The Great Man theory of history is stupid
The idea that you can’t make art because you don’t meet criteria for profitability is “the worst way to treat yourself”
Idolatry is worshipping the thing you make
The two basic human needs
Speaking of which… another Open Epilogue on March 23rd!
And in the epilogue…
Grand Theft Auto cheat codes
How to achieve the bliss of absolute focus
A fierce and exhausting debate about patriarchy
We picked out three moments we all loved and tied them up with a little copy/paste-able bow.
“Everything is porn now” (46:18) — Jordan defines porn: taking something real, subtracting everything except one sensation, and reproducing it at scale for profit — and applies it to news, politics, food, movies, music…everything. We’re living in a porn-pocalypse.
“The viola is slightly out of tune” (49:39) — Tom explains that orchestras sound beautiful precisely because they’re not perfectly in tune, in a gorgeous defense of imperfection as the actual source of beauty.
“Is the terror because it’s bad, or because everything has to die?” (~28:00–27:20) — Mal wonders if maybe the dissonant horror the monolith inspires isn’t a warning, it’s just what evolution feels like from the inside.
Or just open up The Sharing Kit
***
SpectreVision Radio is a bespoke podcast network at the intersection between the arts and the uncanny, featuring a tapestry of shows exploring creativity, the esoteric, and the unknown. We’re a community for creators and fans vibrating around common curiosities, shared interests and persistent passions.
spectrevisionradio.com
linktr.ee/spectrevisionsocial
Learn more about your ad choices. Visit megaphone.fm/adchoices
By SpectreVision Radio5
8383 ratings
Business!
Our SECOND EVER Open Epilogue!
Monday, March 23, at 1pm PST / 4pm EST.
All paid supporters will get an email invite with a link.
Be one of them!
Episode highlights:
Mal watched 2001: A Space Odyssey for the first time, and talked about it every day for three weeks
Stanley Kubrick’s astonishing team and the mind blowing scale of the project
He tried to purchase preserved human embryos from a Chicago biological supply company for research
He applied for insurance from Lloyd’s of London against the discovery of extraterrestrial beings before the film’s release
The movie came out in 1968, a year before the moon landing, with basically two pictures of Earth from space to work from
Shots that still hold up 60 years later
What makes this movie transcendent
Why Kubrick told actors not to emote
The book and the movie were written simultaneously by Kubrick and Arthur C. Clarke, then diverged at the end
Clarke was a techno-optimist atheist who envisioned transcendence through technology; Kubrick saw something darker
The bad news monolith
Also: the phone in your pocket
Is evolution terrifying? Is it good?
Kubrick collapses linear time
Moon landing was…probably real
97% of people can’t identify human-made vs ai-gen music
A friend who spent 20 years making about 500 songs — AI makes a thousand in an afternoon
The communal difference between art and AI slop
Provenance is the point
The porn-pocalypse — news, politics, food, music, everything is porn now
When we dehumanize art we don’t experience anything
Why the viola is out of tune on purpose
The Great Man theory of history is stupid
The idea that you can’t make art because you don’t meet criteria for profitability is “the worst way to treat yourself”
Idolatry is worshipping the thing you make
The two basic human needs
Speaking of which… another Open Epilogue on March 23rd!
And in the epilogue…
Grand Theft Auto cheat codes
How to achieve the bliss of absolute focus
A fierce and exhausting debate about patriarchy
We picked out three moments we all loved and tied them up with a little copy/paste-able bow.
“Everything is porn now” (46:18) — Jordan defines porn: taking something real, subtracting everything except one sensation, and reproducing it at scale for profit — and applies it to news, politics, food, movies, music…everything. We’re living in a porn-pocalypse.
“The viola is slightly out of tune” (49:39) — Tom explains that orchestras sound beautiful precisely because they’re not perfectly in tune, in a gorgeous defense of imperfection as the actual source of beauty.
“Is the terror because it’s bad, or because everything has to die?” (~28:00–27:20) — Mal wonders if maybe the dissonant horror the monolith inspires isn’t a warning, it’s just what evolution feels like from the inside.
Or just open up The Sharing Kit
***
SpectreVision Radio is a bespoke podcast network at the intersection between the arts and the uncanny, featuring a tapestry of shows exploring creativity, the esoteric, and the unknown. We’re a community for creators and fans vibrating around common curiosities, shared interests and persistent passions.
spectrevisionradio.com
linktr.ee/spectrevisionsocial
Learn more about your ad choices. Visit megaphone.fm/adchoices

1,216 Listeners

5,593 Listeners

529 Listeners

1,293 Listeners

1,412 Listeners

454 Listeners

854 Listeners

615 Listeners

1,013 Listeners

452 Listeners

315 Listeners

1,440 Listeners

263 Listeners

425 Listeners

229 Listeners