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What crisis?! UK Music’s CEO on our £8 billion industry
How can the UK music industry be both in crisis and booming? In 2024, the sector was worth a record £8 billion to the UK economy but at the same time, grassroots venues are closing, artists are struggling to tour, and AI threatens to steal musicians’ work for the profit of broligarchs.
In this week’s episode, Sean Adams speaks with Tom Kiehl, CEO of UK Music, about the findings in the organisation’s brand new annual report This Is Music 2025. Together they unpack the contradictions of a sector growing on paper but straining at its foundations from slowing post-pandemic growth and the fight for fair AI regulation, to the obstacles making it harder for new artists breaking through.
With reflections on Brexit’s lasting damage, AI’s issues with consent, and a new £1 grassroots levy, it’s a revealing look at an industry at a crossroads.
Chapters
00:00 – The £8 Billion Paradox: Growth vs Crisis
03:30 – Who UK Music Represents and What It Does
07:30 – File-Sharing to AI: The Evolution of Rights Battles
13:30 – “Pro-Innovation” or Anti-Artist? AI and Copyright in 2025
18:30 – Levies, Inequality, and the Grassroots Squeeze
24:30 – Breaking Artists in a Post-Pandemic Landscape
29:30 – Rehearsal Spaces, Mentorship, and Missing Infrastructure
35:30 – Why Britain Needs a Music Export Office
41:30 – Ticketing Chaos, Regulation, and the Fan Experience
47:30 – What Fans Can Do: From Campaigns to Collective Power
52:30 – The Future of British Music: Soft Power and Survival
Continue the Conversation:
Head to the Drowned in Sound community to chat about the topics in this episode.
Subscribe:
Get weekly essays, interviews, and insights from the Drowned in Sound newsletter - exploring music, culture, and resistance.
Links & Resources:
View all episodes
By Drowned in Sound
4.5
44 ratings
How can the UK music industry be both in crisis and booming? In 2024, the sector was worth a record £8 billion to the UK economy but at the same time, grassroots venues are closing, artists are struggling to tour, and AI threatens to steal musicians’ work for the profit of broligarchs.
In this week’s episode, Sean Adams speaks with Tom Kiehl, CEO of UK Music, about the findings in the organisation’s brand new annual report This Is Music 2025. Together they unpack the contradictions of a sector growing on paper but straining at its foundations from slowing post-pandemic growth and the fight for fair AI regulation, to the obstacles making it harder for new artists breaking through.
With reflections on Brexit’s lasting damage, AI’s issues with consent, and a new £1 grassroots levy, it’s a revealing look at an industry at a crossroads.
Chapters
00:00 – The £8 Billion Paradox: Growth vs Crisis
03:30 – Who UK Music Represents and What It Does
07:30 – File-Sharing to AI: The Evolution of Rights Battles
13:30 – “Pro-Innovation” or Anti-Artist? AI and Copyright in 2025
18:30 – Levies, Inequality, and the Grassroots Squeeze
24:30 – Breaking Artists in a Post-Pandemic Landscape
29:30 – Rehearsal Spaces, Mentorship, and Missing Infrastructure
35:30 – Why Britain Needs a Music Export Office
41:30 – Ticketing Chaos, Regulation, and the Fan Experience
47:30 – What Fans Can Do: From Campaigns to Collective Power
52:30 – The Future of British Music: Soft Power and Survival
Continue the Conversation:
Head to the Drowned in Sound community to chat about the topics in this episode.
Subscribe:
Get weekly essays, interviews, and insights from the Drowned in Sound newsletter - exploring music, culture, and resistance.
Links & Resources:
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