with Wendy M. K. Shaw hosted by Zeinab Azarbadegan | What is an image in Islam? Is its permissibility the main preoccupation of Islamic discourses? In this episode, Wendy M.K. Shaw revisits the foundations of art history and considers their colonial and Eurocentric roots. She discusses the stories of art and artists that circulated in the Islamic world, not all of which were accompanied with images, in order to understand what the role of art and the artist were conceived of the pre-modern Islamic world. Redefining concepts such as the image, perspective, art, and history, she sketches the alternative Islamic perceptual culture in which seeing with the ear and seeing with the heart are central to understanding this world as the manifestation of the divine. « Click for More »

What is Islamic Art?

Interviews with historians about the history of the Ottoman Empire and beyond. Visit https://www.ottomanhistorypodcast.com/ for hundreds more archived episodes.

with Ali Kulez hosted by Sam Dolbee | In 1866, a series of unexpected events led to an Ottoman imam by the name of Abd al-Rahman al-Baghdadi ending up in Rio de Janeiro. In this episode, Ali Kulez explains how he got there, and what happened when al-Baghdadi became close with enslaved and free Afro-Brazilian Muslims, and attempted to teach them his vision of Islamic orthodoxy. In addition to exploring themes of Islam and race in Brazil, Kulez also traces how the translation of al-Baghdadi's travel narrative can offer a window onto the history of South-South relations into the present. In closing, he discusses the challenge of evaluating past solidarities and differentiating them from those we might want to see.    « Click for More »

An Ottoman Imam in Brazil

with Andrew Simon, Alia Mossallam, and Ziad Fahmy hosted by Chris Gratien | The Egyptian revolution of 2011 is one of the most spectacular examples of how social media has played a pivotal role in political movements of the 21st century. However, in this final installment of our four-part series on "The Sound of Revolution in Modern Egypt," we argue that the true beginning of Egypt's media revolution arrived with the cassette tape, which for the first time, made it possible for every Egyptian to be a producer rather than a passive consumer of popular culture. As our guest Andrew Simon explains, this veritable "media of the masses" was not only a means of disseminating commercial music. Western pop music and classics of the Nasserist era mingled with new underground music, religious content, home recordings, and personal voice messages on Egyptian cassettes, which circumvented and subverted state censorship. Artists like Sheikh Imam and the poet Ahmed Fouad Negm produced celebrated political satire that defined the sound of the Infitah era, much to the chagrin of state authorities and the commercial recording industry. In 2011, when Egyptians took to the streets to protest the Mubarak regime, Imam's songs along with a century of sound stretching back to the First World War filled Tahrir Square in Cairo, as a new generation produced new sounds of revolution. We conclude our series with reflections from Alia Mossallam and Ziad Fahmy on the sounds of the square in 2011 and what they reveal about change and continuity in Egyptian politics.    « Click for More »

Media of the Masses in Modern Egypt

with Leena Dallasheh hosted by Chris Gratien | As an Arab city inside the 1948 borders of Israel, Nazareth defies many of the general narratives of both Israeli and Palestinian histories. But as our guest Leena Dallasheh explains, that does not mean that Nazareth is necessarily an exception. In fact, its paradoxical survival is key to understanding the history of modern Palestinian politics. In this conversation, we chart the history of Nazareth's rise from provincial town to Palestinian cultural capital. We consider the reasons why Nazareth survived the Nakba, and we explore the important role of Palestinian communities in the years before and decades after the foundation of Israel.    « Click for More »

Nazareth, the Nakba, and the Remaking of Palestinian Politics

Şeyma Afacan Sunucu: Can Gümüş | Bu bölümde, Dr. Şeyma Afacan ile geç Osmanlı’da biyolojik materyalizm, psikolojinin gelişimi ve Afacan’ın bir “ezber bozma alanı” olarak nitelediği duygular tarihi üzerine sohbet ediyoruz. Osmanlı’da materyalizm tartışmalarının eksikliklerine işaret eden Afacan, beden, duygu ve üretkenlik arasındaki ilişkiye odaklanmanın bu çalışmalara sunabileceği olası katkılara dikkati çekiyor ve biyolojik materyalizm tartışmasının her şeyden evvel “psikolojik bir tartışma” olduğunu öne sürüyor. Afacan tarih yazımında duyguları analitik bir kategori olarak kullanmanın imkânlarını ve kısıtlarını da detaylandırıyor. Afacan’ın bu söyleşide çizdiği genel çerçevenin bir izleğini Toplumsal Tarih’in Ocak 2024 sayısı için derlediği dosyadaki çalışmalarda görmek de mümkün. « Click for More »

Geç Osmanlı’da Materyalizm, Psikoloji ve Duygular Tarihi

with Ümit Kurt hosted by Sam Dolbee | What were the economic forces that drove the violence of the Armenian genocide? In this episode, historian Ümit Kurt speaks about his research on the role of property in the history of the dispossession and deportation of Aintab’s Armenian community. Despite archival silences, he reveals the central role of legal mechanisms and local propertied elites in these processes. In closing, he discusses the legacies of the “economics of genocide” into the present day, and how his research has been received.    « Click for More »

What is Islamic Art?

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