Jerry Saltz is one of the last real critics, the kind of critic that matters, whose voice is held in high esteem both by the art world and by the artists who make the world go round. He’s been the senior art critic for New York Magazine since 2006. He also happens to be one of, if not the most, widely read critics in the world—possibly outranked by his wife. He is a former long-haul truck driver, a failed artist, and a Pulitzer Prize winner, and he is my guest today. We had a far reaching discussion about what makes good art, the democratization of critique, and whether he really is just a professional hater.

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