In this episode, Dee Kei and Lu dive into the controversial 2025 remix of Three Cheers for Sweet Revenge by My Chemical Romance. While technically cleaner and more modern, the new mixes raise a big question: What happens when you remaster or remix a nostalgic album? Do you risk losing the magic that made it timeless?

This is more than just a critique of a remix — it's a deep conversation about emotion vs. clarity, client intent, nostalgia bias, and how sometimes, chasing perfection can kill the very thing people loved in the first place.

Whether you’re a die-hard fan, a professional engineer, or someone who’s been burned by a remix of your favorite record, this episode is for you.

🔑 Topics Include:

• The difference between remixing, remastering, and rereleasing
• Why modern clarity can strip away emotional weight
• Mixing for vibe vs. mixing for fidelity
• What mixers can learn from fan backlash
• The danger of overvaluing your own taste as an engineer
• Why nostalgic albums are hard to “improve”
• Parallels to ego, faith, and even parenting
• How your judgments of others often reflect your own insecurity

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⁠HIRE JAMES⁠

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The Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠

The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.

This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠[email protected]⁠.

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