Ryan and Todd theorize the modernist novel as a specific literary form, defined not by its time period but by its structural exigencies. They relate this form to the importance of the ending that function as a cut in the narrative movement rather than as a summation of all that has happened, which contrasts it with previous iterations of the novel.

Ryan and Todd explore the problem of the ending, focusing on when and why the ending becomes important in film and television. They discuss the relationship between the ending of life and the ending of a work of art, especially in terms of psychoanalytic thinking.

Ryan and Todd analyze Slavoj Zizek's contribution in what may be his magnum opus--The Parallax View. They discuss how he builds on the concept of parallax as originally articulated by Kojin Karatani and its implication for Zizek's understanding of politics.

Ryan and Todd unpack Jacques Lacan's most well-known seminar--Seminar XI: The Four Fundamental Concepts of Psychoanalysis. In doing so, they focus on Lacan's own exclusion as a starting point and then delve into two concepts that Lacan does not list among the fundamental ones--subjectivity and the objet a.

Ryan and Todd analyze the complexity of Jacques Lacan's Seminar VII: The Ethics of Psychoanalysis. They discuss the various notions that appear there--from das Ding to sublimation to death drive to the ethics of desire.

Ryan and Todd continue their exploration of Immanuel Kant's Critique of Pure Reason with the Introduction. They discuss the importance of his critique of dogmatic metaphysics and the incredible discovery of the synthetic a priori judgment.

Ryan's sports article: https://link.springer.com/journal/41282/online-first

Ryan and Todd interpret David Lynch's Blue Velvet by paying special attention to the Kantian dimension of the film. They consider the film in terms of the thing-in-itself and the sublime.

Ryan and Todd begin their analysis of Immanuel Kant's Critique of Pure Reason by working through the prefaces to the first and second edition of the work. They focus on the radicality of Kant's breakthrough and the role that the limit plays in his philosophy.

Ryan and Todd consider the concept of symbolic castration as it develops in psychoanalysis and as it bears on both politics and culture. They relate symbolic castration to some of the key concepts in psychoanalytic theory, including fetishistic disavowal and the phallus.

Ryan and Todd explore the working of the dialectical reversal, how weaknesses can turn into strengths, how successes can turn into failures. They look at this through a variety of everyday examples and a few choice filmic ones.