Ryan and Todd examine perhaps the founding text of modern Western philosophy--Rene Descartes' Discourse on the Method. They consider how Descartes articulates an egalitarian philosophy through his conception of radical doubt and examine the influence of this text of subsequent thinkers and on theory today.

Ryan and Todd discuss the structure of envy, its relationship to jealousy, and its political implications. They make reference to Othello and Seven as landmark explorations of envy, while also noting its relationship with the other deadly sins.

Ryan and Todd discuss the generic development of science fiction cinema while also addressing its philosophical implications. They include a deeper analysis of Metropolis, The Thing From Another World, Forbidden Planet, and 2001: A Space Odyssey.

See:

Voyage to the Moon: https://www.youtube.com/watch?v=xLVChRVfZ74

Metropolis: https://www.youtube.com/watch?v=W_4no842TX8

Phantom Empire: https://www.youtube.com/watch?v=7Qbf6KX8O98

Ryan and Todd present the philosophy of Leibniz as articulated in his late work the Monadology. They link this text to the breakthroughs of later thinkers such as Kant and Hegel, as well as discussing how Leibniz anticipates the contemporary situation.

Ryan and Todd analyze Machiavelli's The Prince by tracing its influence on later political thinkers, including Hegel, Gramsci, and Althusser. They discuss Machiavelli's novelty and his limitations as a thinker of the political act.

Ryan and Todd explore the idea of surplus enjoyment as the basis for a theory of capitalism. They consider the psychic hold that capitalism has in terms of the surplus enjoyment that it both promises and provides.

Ryan and Todd unpack Marx's concept of surplus value and explore its fundamental role in the interpretation of capitalist society. They discuss the relationship between surplus value and profit, while considering how we should think about the drive to amass surplus value.

Ryan and Todd offer their interpretation of Christopher Nolan's most recent film Oppenheimer. They focus on the relationship between the form of the film and its content, while considering the political implications of its depiction of the hero. They think about the film in relationship to the rest of Nolan's filmography.

Ryan and Todd interpret the film Barbie while responding to both leftist and rightist critiques of the film. They discuss the film's exploration of fantasy, its highlighting of contradiction, and its emphasis on the role of desire in politics.

Ryan and Todd analyze Freud's essay "Creative Writings and Daydreaming." They look first at the theory of fantasy that Freud develops in this essay and then turn to his conception of what generates the work of art, discussing it in terms of the current strike in Hollywood. In their concluding remarks, they deal with problems that Freud runs into in his theorizing here.