The horrifying devastation of Hiroshima and Nagasaki proved the destructive capabilities of nuclear power. But, in the aftermath of World War II, we started to experiment with how we could use atomic energy for good. It was the dawn of a new era in science, and, in that spirit, thousands of men arrived in Idaho, including the men whose deaths would later signify the difficulty of achieving this atomic America.

*Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more!

*Season 3 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lincoln. Music and mixing by Louis Weeks.

*Find us on social media - @wildthingpod - and on our website https://wildthingpodcast.com/

How did we figure out that such a tiny particle—an atom—held all that power? For that matter, what is an atom? A primer on the basics of atomic energy—including its destructive capabilities—to help us better understand the events that unfolded roughly 20 years later at SL-1. We’ll get a (basic!) lesson in nuclear physics from scientists, and explore some of the history that brought atomic power to the Idaho desert.

*Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more!

*Season 3 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lincoln. Music and mixing by Louis Weeks.

*Find us on social media - @wildthingpod - and on our website https://wildthingpodcast.com/

Two dead men. One man missing. A hole blown in the side of the reactor. A cloud of radioactive gas so hot, it was off the charts. What happened with the SL-1 reactor feeds into our deep fear about the dangers of nuclear energy. But we remain intrigued by the possibilities of an atomic future, especially at a time when we need clean energy more than ever. Are the risks worth the rewards? And have we learned from past mistakes?

*Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more!

*Season 3 of Wild Thing is generously sponsored by First Light Capital Group and produced by Laura Krantz and Scott Carney. Editing by Alicia Lincoln. Music and mixing by Louis Weeks.

*Find us on social media - @wildthingpod - and on our website https://wildthingpodcast.com/

'Oumuamua is long gone—out of sight and almost impossible to reach. The excitement over it generated endless fascination about what (and who) might be out there. Ultimately, that’s what this search for extraterrestrial life represents—a series of questions that don’t have good answers and may never have them, not now, not in another millennia. So why search? What does it matter? What are we hoping to find? And what does it mean if we don’t find anything at all?

*Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more!

*Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lipinski. Music and mixing by Louis Weeks.

Our views on aliens can often be uplifting, offering a glimpse of a better, technologically-bright future, or a glimmer of hope about our ability to survive. In some cases, our thoughts about them are almost spiritual, as though aliens are divine beings. To understand why, we make a trip to Colorado’s UFO Watchtower, which has become something of a shrine for the alien faithful, and talk to author Sarah Scoles about why people place their faith in aliens and UFOs.

*Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more!

*Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lipinski. Music and mixing by Louis Weeks.

American culture is saturated with extraterrestrial and UFO references—and we still can’t get enough. Hollywood has raked in billions on alien-themed programming and it comes in every flavor you can imagine—from horror to camp to science fiction to documentary. What’s the cultural appeal? Why aliens as opposed to any other topic? How have these imagined aliens evolved as we have?

*Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more!

*Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lipinski. Music and mixing by Louis Weeks.

We’ve been broadcasting our presence for about 85 years now, with radio, television, and radar, essentially spamming space with all kinds of messages. What would we do if someone answers back? What if our message reaches someone, or something, hostile? Others argue that we should be trying to communicate with whoever might be out there. But who should do the talking? And what would we say?

*Wild Thing premium members get access to all of season 2, ad free, plus exclusive bonus episodes. Sign up now to listen and support the show. https://wildthing.supportingcast.fm/

*Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lipinski. Music and mixing by Louis Weeks.

To really look for intelligent extraterrestrial life, say scientists, we have to look way far out into space. A new set of initiatives—the Breakthrough Initiatives—are experimenting with cutting-edge technology to do just that. These new ideas, funded by private industry instead of the government, are the future of the search for extraterrestrial intelligence—and we hear from the scientists who are leading the charge.

*Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more!

*Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lipinski. Music and mixing by Louis Weeks.

In 2017, the nation’s prominent newspapers published outlandish-sounding stories about a secret UFO program run by the Pentagon. We talk to retired Navy pilot Ryan Graves who recalls seeing some weird objects and speak with Luis Elizondo, who supposedly ran this Pentagon program. What was the military looking for? What did they find? And what are they hiding?

*Become a premium subscriber to Wild Thing! Premium subscribers get each new episode early, and exclusive access to all bonus episodes, not to mention the warm fuzzy feeling that comes from supporting the show. Go to https://wildthing.supportingcast.fm/ to find out more!

*Season 2 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lipinski. Music and mixing by Louis Weeks.