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Carlos Castaneda was a Peruvian author who settled in the United States and wrote 12 books chronicling his experiences with a pre-Columbian shaman who helped Castaneda access “non-ordinary reality” and develop his personal creativity, something the shaman called his “nagual.”
Casteneda’s books have sold millions of copies, and one of his readers was Toronto-based composer Michael Colgrass, whose Winds of Nagual was commissioned by the New England Conservatory Wind Ensemble and its conductor Frank Battisti, and premiered in Boston on today’s date in 1985.
“Sometimes when composing, I see music as if it is a film, but the listener need not have read Castaneda’s books to enjoy this work, and I do not expect anyone to follow any exact scenario,” said Colgrass.
And, speaking of cinematic scenarios, Colgrass said band directors in the Southwest told him that in the last years of his life Castaneda would show up at concerts when Winds of Nagual was being performed. “He would wait until just before the downbeat,” said Colgrass, “and then enter the auditorium wearing a white suit and sit in the middle of the audience. Apparently, he considered this music to be his Hail to the Chief.”
Michael Colgrass (1932-2019): Winds of Nagual; North Texas Wind Symphony; Eugene Migliaron Corporon, conductor; GIA 880
4.7
168168 ratings
Carlos Castaneda was a Peruvian author who settled in the United States and wrote 12 books chronicling his experiences with a pre-Columbian shaman who helped Castaneda access “non-ordinary reality” and develop his personal creativity, something the shaman called his “nagual.”
Casteneda’s books have sold millions of copies, and one of his readers was Toronto-based composer Michael Colgrass, whose Winds of Nagual was commissioned by the New England Conservatory Wind Ensemble and its conductor Frank Battisti, and premiered in Boston on today’s date in 1985.
“Sometimes when composing, I see music as if it is a film, but the listener need not have read Castaneda’s books to enjoy this work, and I do not expect anyone to follow any exact scenario,” said Colgrass.
And, speaking of cinematic scenarios, Colgrass said band directors in the Southwest told him that in the last years of his life Castaneda would show up at concerts when Winds of Nagual was being performed. “He would wait until just before the downbeat,” said Colgrass, “and then enter the auditorium wearing a white suit and sit in the middle of the audience. Apparently, he considered this music to be his Hail to the Chief.”
Michael Colgrass (1932-2019): Winds of Nagual; North Texas Wind Symphony; Eugene Migliaron Corporon, conductor; GIA 880
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