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We revisit the topic of writers conferences, and offer advice on how to choose a good one. Also: do writers need to be well-versed in the literary canon (however that might be defined), or is it ok to mostly read contemporary work? And how can you add conflict and tension to a book without much plot?
By Mike Ingram and Tom McAllister4.4
267267 ratings
We revisit the topic of writers conferences, and offer advice on how to choose a good one. Also: do writers need to be well-versed in the literary canon (however that might be defined), or is it ok to mostly read contemporary work? And how can you add conflict and tension to a book without much plot?

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