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In this episode of The Writing Life, National Centre for Writing’s Head of Programmes & Creative Engagement Holly Ainley caught up with Victoria Mackenzie after her event in Norwich to discuss her debut novel For Thy Great Pain Have Mercy on My Little Pain, the joys and pitfalls of researching historical periods, and how you communicate this to contemporary readers.
Victoria is a fiction writer and poet. She is the winner of the Scottish Book Trust New Writer Award and the inaugural Emerging Writer Award from Moniack Mhor. She was shortlisted for the Lucy Cavendish Fiction Prize, as well as being awarded prestigious writing residencies in Scotland, Finland and Australia.
This insightful discussion covers the blurry lines between fact and fiction; the moral responsibility of authors when writing about real historical figures; and what the term historical fiction actually encompasses – how it is used by the publishing industry and what it really means to authors.
 By National Centre for Writing
By National Centre for Writing4.6
2323 ratings
In this episode of The Writing Life, National Centre for Writing’s Head of Programmes & Creative Engagement Holly Ainley caught up with Victoria Mackenzie after her event in Norwich to discuss her debut novel For Thy Great Pain Have Mercy on My Little Pain, the joys and pitfalls of researching historical periods, and how you communicate this to contemporary readers.
Victoria is a fiction writer and poet. She is the winner of the Scottish Book Trust New Writer Award and the inaugural Emerging Writer Award from Moniack Mhor. She was shortlisted for the Lucy Cavendish Fiction Prize, as well as being awarded prestigious writing residencies in Scotland, Finland and Australia.
This insightful discussion covers the blurry lines between fact and fiction; the moral responsibility of authors when writing about real historical figures; and what the term historical fiction actually encompasses – how it is used by the publishing industry and what it really means to authors.

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