THE FLIGHT OF THE ARROW

Many writing books have tried to explain the nature of plot. Some talk about story arc. Some talk about beginnings, middles, and ends. Some talk about conflicts and character growth. Right now, I’m going to talk about arrows. You shoot them, they travel swiftly to the destination you intend – if you are skilled enough, if you are strong enough, and if you actually have a destination in mind. Some writers say they just sit down and start writing and let the story develop as they write. Some don’t like that kind of “seat of your pants” writing because the writer has to do so much revision. But whether you plan the plot-arrow’s flight ahead of time, or revise until it’s flying straight and true, the plot still needs to fly. It needs to cover the ground from beginning to end in a strong, forward motion.

Do you have questions about how the children's publishing industry works?

Tell us and we'll answer your writing questions on the podcast. Go to this link and leave your question: http://www.writingforchildren.com/speak.

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Submit your manuscript to our critique service and one of our instructors will give you a full critique to make your story the best it can be before you send it to that perfect agent or publisher. Go to https://www.instituteforwriters.com/critique-service/

Picturing Picture Book Summit

My guest today is fellow Picture Book Summit Co-Founder Julie Hedlund. This episode is a rebroadcast from my previous podcast Brain Burps About Books. In this interview, we talk about how Picture Book Summit came to be and what you, as a picture book writer, can learn from an online conference.

If you're curious how an online writing conference works, you're in luck! We are hosting a FREE Mini Summit on August 22, 2017. In "Don't Write Your Grandma's Picture Books," the Picture Book Summit Team will reveal how music, movies, and media have changed the ways kids read picture books, how kids today are in search of more sophisticated humor and shorter pacing, and how nonfiction has drastically changed in the last decade. 

You can see all the details at

http://bit.ly/PBMini2017

Do you have questions about how the children's publishing industry works?

Tell us and we'll answer your writing questions on the podcast. Go to this link and leave your question: http://www.writingforchildren.com/speak.

Is your manuscript submission-ready?
Submit your manuscript to our critique service and one of our instructors will give you a full critique to make your story the best it can be before you send it to that perfect agent or publisher. Go to https://www.instituteforwriters.com/critique-service/

WRAPPING UP YOUR STORY

Author John Green likes to collect famous last words. The last things we speak can say a lot about us, or they can be vague and anti-climactic. That’s because real life isn’t as tidy as a story. In a story, the last lines usually do say a lot (even if only symbolically) about the story.

For the last word on this topic and an ending checklist, listen to the full episode.

Do you have questions about how the children's publishing industry works?

Tell us and we'll answer your writing questions on the podcast. Go to this link and leave your question: http://www.writingforchildren.com/speak.

Is your manuscript submission-ready?
Submit your manuscript to our critique service and one of our instructors will give you a full critique to make your story the best it can be before you send it to that perfect agent or publisher. Go to https://www.instituteforwriters.com/critique-service/

HOW TO TIME YOUR ENDING

In a way, every story is a story of transformation. Circumstances change. Characters experience revelations. Challenges are met and overcome. The longer the work you’re writing, the more transformations are likely to occur. In board books and many picture books, for instance, the transformation is often simply circumstance. In the very famous Good Night Moon by Margaret Wise Brown, the little rabbit experiences the changes that come with bedtime. The little rabbit undergoes no change in personality or beliefs, and nothing is really overcome. The transformation is simple because board books are often more about the sound of the language and the images than they are about any deep story. But board books can accomplish a bit more. Lift-the-Flap board books are often a type of mystery. In another famous board book, Where’s Spot? by Eric Hill, the reader joins Spot’s mother on a search for her pup. Finding the ending in these books is quite simple. Good Night Moon ends after we’ve bid everyone and everything possible a “good night.” Where’s Spot? ends with the finding of Spot.

But what about a more complicated book? How do you find the right ending for the picture book you’re presently tooling with? Again, transformation can be the key to finding the ending. How many things transform in your book? Have you revealed all of them?

Listen to the full episode for advice on ramping up to your ending.

Do you have questions about how the children's publishing industry works?

Tell us and we'll answer your writing questions on the podcast. Go to this link and leave your question: http://www.writingforchildren.com/speak.

Before you hit send...
Submit your manuscript to our critique service and one of our instructors will give you a full critique to make your story the best it can be before you send it to that perfect agent or publisher. Go to https://www.instituteforwriters.com/critique-service/

WHY SUBMISSION GUIDELINES MATTER

Many times, editors finally find time to dig into the slush pile or they open their email and check out submissions and get a disappointing surprise. People send poetry for children to publishers who list “no poetry” right in their guidelines. People send fiction for children to publishers who only publish nonfiction. People send parenting essays to magazines that only publish material for children. Why would anyone send things like this when it cannot possibly result in a sale?

They do it because they never read the magazine or checked out the publisher’s list. They didn’t read the submissions guidelines. They didn’t get our incredible annual guides that give you all the information you could possibly need in order to get published, and/or they didn’t do a search online for information about the publisher from third party sources.
 
They simply didn’t bother.

To find what editors do with these submissions and how you can avoid being one of them, listen to the full episode.

Do you have questions about how the children's publishing industry works?

Tell us and we'll answer your writing questions on the podcast. Go to this link and leave your question: http://www.writingforchildren.com/speak.

Before you hit send...
Submit your manuscript to our critique service and one of our instructors will give you a full critique to make your story the best it can be before you send it to that perfect agent or publisher. Go to https://www.instituteforwriters.com/critique-service/

MAKE A LIST AND CHECK IT TWICE

As you work through your revision and polish up your work, don’t forget dialogue. Few things can do more for your story than good dialogue, so it’s worthwhile to get it right.

___Check that all spoken dialogue is enclosed in quotation marks and that punctuation occurs inside the quotation marks. [Enclosing all punctuation within the quotes is standard style of most American publishers.]

___Only spoken words go in quotes, thoughts do not need to be set off with quotation marks. Some writers use italics to set off thoughts.

___The best verb for tagging your dialogue is “said.” Use other verbs when they truly add to the moment. And do not use verbs as speech tags unless they actually describe speech -- “sneered” or “snorted” and the like are not speech tags.

For the rest of the checklist, listen to the full episode.

Do you have questions about how the children's publishing industry works?

Tell us and we'll answer your writing questions on the podcast. Go to this link and leave your question: http://www.writingforchildren.com/speak.

Before you hit send...
Submit your manuscript to our critique service and one of our instructors will give you a full critique to make your story the best it can be before you send it to that perfect agent or publisher. Go to https://www.instituteforwriters.com/critique-service/

DON'T KILL THE QUERY

Among cover and query letters for children’s fiction, there exists one absolutely killer mistake that is frequently made by new writers. They forget why children read fiction. Most fiction that you write and will sell will not be assigned as homework, so none of the children who read it will be forced to read it. They must want to read it. Editors know this, so the number one thing they want to know about your manuscript is: will children want to read this?

That’s the number one thing you must prove with your query letter.

To learn how to create a query that conveys the fun of your story, listen to the full episode.

Do you have questions about how the children's publishing industry works?

Tell us and we'll answer your writing questions on the podcast. Go to this link and leave your question: http://www.writingforchildren.com/speak.

Before you hit send...
Submit your manuscript to our critique service and one of our instructors will give you a full critique to make your story the best it can be before you send it to that perfect agent or publisher. Go to https://www.instituteforwriters.com/critique-service/

CREATING CONFLICT

Every story needs conflict. The tension of resolving that conflict is what compels the audience to read all the way to the end of your book. Today we look at 7 tips for creating conflict.

1. Be certain your main character has a worthy, noble goal. No one likes a shallow greedy protagonist. Be sure it’s a realistic goal as well or your young reader won’t relate to it. So the young child who wants to make his mom a specific gift is relatable. The young child who wants to sell all his toys so he can give his big brother the bike he wants is a tad harder to believe.

2. Consider the tension of a ticking clock. Time limits for reaching a goal will create an urgency that readers find compelling.

For all seven tips, listen to the full episode.

Do you have questions about how the children's publishing industry works?

Tell us and we'll answer your writing questions on the podcast. Go to this link and leave your question: http://www.writingforchildren.com/speak.

Before you hit send...
Submit your manuscript to our critique service and one of our instructors will give you a full critique to make your story the best it can be before you send it to that perfect agent or publisher. Go to https://www.instituteforwriters.com/critique-service/

WHAT MAGAZINE EDITORS WANT

1. Magazines are often picky about their nonfiction magazine sources. Although few prohibit using Internet sources, they should never be your only–or even your main sources. And never, ever use Wikipedia as a source.

2. One good thing websites are good for is pointing you toward primary sources that you can contact by email for specific information pertaining to your subject. Often you can find the email addresses of professors at major universities, curators at museums, and other experts from the websites to which they contribute.

For all eight must-know facts, listen to the full episode.

Do you have questions about how the children's publishing industry works?

Tell us and we'll answer your writing questions on the podcast. Go to this link and leave your question: http://www.writingforchildren.com/speak.

Before you hit send...
Submit your manuscript to our critique service and one of our instructors will give you a full critique to make your story the best it can be before you send it to that perfect agent or publisher. Go to https://www.instituteforwriters.com/critique-service/

LITTLE THINGS CAN MAKE A BIG DIFFERENCE

Have you hit a roadblock with your writing? You got the story down, but something seems to be missing? Or you just know it can be better, but you don't know where to start? Today we touch on 7 things you can do to bump up your story.

1. Make your story stink! Consider the sensory detail in your work. Studies have shown that the sense of smell is one our most emotionally evocative senses. As a writer, are you just a sightseer or do your stories stink as well? Stink in an evocative way!

2. Consider your motivations. Don’t overlook the motives of minor characters. You may not ever reveal why your villain acts so villainous, but you should know. The better you have thought out the motivations of each character, the more naturally well rounded they will become.

For all seven tips, listen to the full episode.

Do you have questions about how the children's publishing industry works?

Tell us and we'll answer your writing questions on the podcast. Go to this link and leave your question: http://www.writingforchildren.com/speak.

Before you hit send...
Submit your manuscript to our critique service and one of our instructors will give you a full critique to make your story the best it can be before you send it to that perfect agent or publisher. Go to https://www.instituteforwriters.com/critique-service/