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In this episode of The Writing Life, Holly is joined by Colchester-based playwright and HighTide/Peggy Ramsay Foundation writer in residence Nicola Werenowska and Norwich-based folk musician Georgia Shackleton to discuss writing for performance.
Nicola and Georgia were central to the development of Suffolk-based theatre company HighTide’s touring show Ghost Stories by Candlelight, which we were lucky enough to host at Dragon Hall last autumn. Ghost Stories by Candlelight was a brand new commission that brought together stories, music and song to tell a set of chilling, contemporary ghost stories that celebrate the people, landscape and fragile natural world of East Anglia… And we are very excited to announce that HighTide will return to Dragon Hall as part of a new tour in autumn 2024.
Together, Holly, Nicola and Georgia discuss the process of writing collectively, and the particular characteristics of ghost stories. They also touch on the representation of different voices and identities in the performance world, and the importance of place in their writing.
By National Centre for Writing4.6
2424 ratings
In this episode of The Writing Life, Holly is joined by Colchester-based playwright and HighTide/Peggy Ramsay Foundation writer in residence Nicola Werenowska and Norwich-based folk musician Georgia Shackleton to discuss writing for performance.
Nicola and Georgia were central to the development of Suffolk-based theatre company HighTide’s touring show Ghost Stories by Candlelight, which we were lucky enough to host at Dragon Hall last autumn. Ghost Stories by Candlelight was a brand new commission that brought together stories, music and song to tell a set of chilling, contemporary ghost stories that celebrate the people, landscape and fragile natural world of East Anglia… And we are very excited to announce that HighTide will return to Dragon Hall as part of a new tour in autumn 2024.
Together, Holly, Nicola and Georgia discuss the process of writing collectively, and the particular characteristics of ghost stories. They also touch on the representation of different voices and identities in the performance world, and the importance of place in their writing.

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