This week Katie and Lane discuss what it's like to have nothing to talk about in therapy, and how sometimes those are the most productive sessions.

This week Katie and Lane discuss the new Netflix comedy special Bo Burnham: Inside.

Katie and Lane are back after a long break. They discuss performing for the first time since the pandemic and over committing yourself as the world starts to re-open.

As theaters start to reopen, Katie and Lane discuss the anxiety surrounding performing for the first time post pandemic. *Editor's note: There were technical difficulties affecting the audio during the first 15 minutes. The quality improves after.

Katie and Lane discuss 4/20, George Floyd and their own experiences with ADHD.

In this episode Katie and Lane discuss their hesitance about all of the socializing that vaccinations shall bring. They explore the pros and cons of seeing people at work, at comedy theaters, and even in their own homes. Join us for a fun episode and if you need to Irish Goodbye... no hard feelings. We get it.

Amber Quick, voted best actress by the Austin Critics' Association, Austin Chronicle readers, and more, joins us to talk about the way her personal trauma and her career choices have impacted her relationship to her body. An incredibly vulnerable episode, we recommend sticking around til the end, and checking our Facebook for resources provided by Amber!

Fan favorite Devon Coleman reunites with Katie in an ongoing series on body image.

Comedian and Fallout Theater owner Virgil Shelby joins Katie to talk about what it was like growing up in a gray area of the assumed gender binary, of racial expectations, of sexuality, and all sorts of stuff. Our pudding vessels are complex, as we discuss in this episode.

Continuing our series on body image, comedian and friend of the show Chael Haywood (@haywoodunot on Instagram) joins us to discuss her experience coming to terms with her own trans identity while in lockdown. We discuss the difference between gender dysphoria and body dysmorphia, the emotions of coming out, and spend way too much time discussing the film The King of Staten Island