Collider Ladies Night & Collider Forces

Zoey Deutch Interview: The Positives of Method Acting, Her Producing Goals and Not Okay


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Zoey Deutch has been busy carving her own path in this industry for years now, and it’s something special. Not only has she racked up credits that highlight her greatest strengths while also showing off her range in front of the lens, but she’s also put a considerable about of time into building her behind-the-scenes resume as well. In fact, her third film serving as a producer is now available to stream on Hulu. It’s Not Okay.


Deutch also stars in the film as Danni Sanders. When the movie begins, Danni’s having a rough go of it in a number of respects. She’s an aspiring writer who isn’t really excelling at the craft, she’s got no social life, and she’s struggling to build a social media presence. Desperate to make some improvements online, Danni decides to pretend she’s been sent on a trip to Paris, Photoshopping photos from her Brooklyn apartment to gain Instagram followers. Perhaps it can be considered a somewhat harmless lie until Paris suffers an attack and Danni is labeled a hero when she “returns." Rather than fess up and admit the truth, Danni gets caught up in finally having an audience, and continues to present herself as an influencer, advocate, and survivor.


It’s a bold film that demands everyone involved, but especially Deutch, go full force in depicting this despicable spiral of lies. How exactly does one build the skillset, courage, and know-how to jump into such a project as a producer and a headliner? That’s exactly what we covered with Deutch on a brand new episode of Collider Ladies Night.


Check out this conversation to hear all about Deutch's experience overcoming Vampire Academy's disappointing reception, the very different but equally memorable experiences she had working with Mark Rylance on The Outfit and Jesse Eisenberg on Zombieland: Double Tap, what her primary goals are as a producer, and so much more!

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Collider Ladies Night & Collider ForcesBy Collider

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