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In this episode of 1001 Songs That Make You Want To Die, the boys take flight—literally and metaphorically—as they dive headfirst into R. Kelly’s delusional gospel-ballad-turned-Olympic-theme, “I Believe I Can Fly.”

From Space Jam nostalgia to the harsh reality of sex crimes, Chibbs, Bevo, and Dan Southern unravel the bizarre lyrics, ridiculous metaphors, and the twisted irony of a convicted criminal writing about purity, freedom, and everlasting arms.

Expect chaotic tangents about flapping mechanics, bird burglaries, and which Matrix movie Neo actually flies in—all while trying to separate one of the world’s most infamous “sex perpetrators” from one of the most overplayed anthems of the ’90s.

It’s one part pop-culture therapy session, one part roast, and entirely unhinged.

🔥 Highlights:

• The Matrix flying debate no one asked for
• NASA deleting R. Kelly from training videos
• “I Believe I Can Die” – the remix nobody wanted
• Space Jam, Sylvester the Cat, and the horny rabbit problem
• R. Kelly’s rise, fall, and long-awaited prison tour

⚖️ Featuring:

Chibbs, Bevo, and Dan Southern

🎧 Listen wherever you get your podcasts.
 💀 New episodes weekly.
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Hey team — it’s Bevo here (yep, that Bevo). We’re cooking up a Q&A episode, and we want you to be part of it.
Ask us anything: Why do they call him Mad Dog? Which songs have we rated the worst so far? Did Chibbs ever pay Dan that eight grand? (You already know the answer.)

Send your questions to https://www.1001songsthatmakeyouwanttodie.com/contact,
and you could score yourself a free 1001 Songs t-shirt if we pick yours as our favourite.

Fire away — we can’t wait to roast your questions on the show.

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Taylor Swift’s new song “Wood” has arrived — and the boys are asking the big questions:
Is it about love? Superstition? Or… Travis Kelce’s actual wood? 🌲😳

Join Chibbs, Bevo, Gav, and Mad Dog as they unpack every ridiculous lyric, dissect the erection metaphors, and debate whether Taylor’s officially gone full Katy Perry. From Daisy mutilation to redwood comparisons, this one spirals faster than Donald Duck in a fistfight.

It’s pop culture chaos, unfiltered banter, and just enough Swiftie outrage fuel to get us cancelled again.

🎧 Listen now wherever you get your podcasts.
 #TaylorSwift #Wood #1001SongsPodcast #ComedyPodcast #MusicPodcast #SongBreakdown #Swifties #FunnyPodcast #PopCulture

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Was It Must Have Been Love by Roxette really a heartbreaking ballad… or the world’s most elegant song about farts? 💨

In this episode of 1001 Songs That Make You Want To Die, the boys dive into Roxette’s biggest hit, famous from Pretty Woman. We uncover:

The lost Christmas version of the song 🎄

Why it might secretly be about prostitutes & noxious gas

How the lyrics are mistranslated into unintentional comedy 🤯

Richard Gere, Julia Roberts, and the 1990s cocaine-fuelled movie machine 🎥

Plus the wildest YouTube comments, pink eye theories, and fart funnels you’ll ever hear.

If you love bad songs, unhinged tangents, and ruthless roasts of classic hits — this episode is for you.

👉 Subscribe for more songs so bad they make you want to die.

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Let Her Cry was one of the biggest hits of the 90s — but does it actually hold up, or is it just a sloppy, tear-soaked mess? In this episode, we rip into Hootie & the Blowfish’s overblown ballad, from the melodramatic lyrics to the vocal delivery that made Darius Rucker a household name.

Is this song a heartfelt classic, or the definition of cringe? Listen in as we tear it apart and decide whether Let Her Cry deserves its place among the worst songs of all time.

👉 Subscribe for weekly breakdowns of songs you love to hate, and drop your thoughts in the comments — are we too harsh, or not harsh enough?

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Alex Warren tried to pour his heart into Ordinary — but did he just give us a beige anthem for the TikTok era instead? We pull apart the lyrics, the delivery, and the over-produced vibe to see why this song feels less “relatable” and more… painfully average.

Join us as we debate whether Ordinary is a harmless pop track or an earworm that should’ve stayed on mute.

👉 New episodes every week. Don’t forget to rate, follow, and share if you love watching sacred cows get roasted.

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Naughty By Nature’s O.P.P was a 90s hip hop anthem — catchy, controversial, and confusing as hell. But what does O.P.P even mean, and does the song actually hold up? In this episode of 1001 Songs That Make You Want To Die, we break down the lyrics, the innuendo, and why this track had parents panicking while kids sang along without a clue.

Expect comedy, wild tangents, and more shade than a bucket hat in 1991.

👉 Follow us on socials: @1001songsthatmakeyouwanttodie
 👉 Hear the full back catalogue on Spotify, Apple, or wherever you get your podcasts.

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Bob Dylan’s Mr. Tambourine Man is called a masterpiece of folk music — but does it really deserve the hype? In this episode of 1001 Songs That Make You Want To Die, we tear apart the lyrics, debate the meaning, and ask if Dylan was a genius poet or just mumbling nonsense with a guitar.

Expect comedy, hot takes, and a lot of shade thrown at one of the most “important” songs in music history.

👉 Follow us on socials: @1001songsthatmakeyouwanttodie
 👉 Listen to the full back catalogue on Spotify, Apple, or wherever you get your podcasts.

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Score: 7.4

Huntr/x’s Golden arrives like a motivational poster you’d find hanging in a gym bathroom, but set to a synth line that sounds vaguely like it was borrowed from a video game character’s redemption arc. It’s a song that insists on optimism with the ferocity of a Labrador that’s just discovered a tennis ball.

Musically, Golden shuffles between indie-pop earnestness and Spotify algorithm-friendly polish. There’s enough reverb to make you think the band recorded it inside an abandoned cathedral, and a beat that wouldn’t feel out of place on a Peloton playlist called “Empowerment Vibes Vol. 3.” The lyrics are all about light, resilience, and that vague sense of self-actualisation you get after buying overpriced crystals from a weekend market.

Where the track succeeds is in its sheer audacity to believe in something. Huntr/x doesn’t just tell you life can be Golden; they practically kick down your door and hand you a scented candle to prove it. It’s aspirational music, but aspirational in the way a suburban vision board is: sincere, slightly chaotic, and maybe exactly what you need at 2 a.m.

Best moment: when the chorus drops and you briefly believe you might, in fact, be the main character.
Worst moment: the realisation that you’re listening to earbuds you bought off Wish.

Final verdict: not quite solid gold, but definitely gold-plated — shiny enough to keep you dancing until you start questioning your life choices.

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Score: 8.1

In 2006, Petra Marklund, better known by her Europop nom de guerre September, released Cry for You, a track that felt less like a song and more like a government-mandated vaccination against sadness. Somewhere between a breakup anthem and an IKEA flat-pack instruction manual for melancholy, the Swedish queen of cry-while-dancing gifted the world a chorus that managed to be both nihilistic and euphoric, like Robyn if she’d been trapped inside a Ministry of Sound compilation CD for three months.

“Cry for You” is built on a trance-lite backbone that sounds like it was engineered specifically for provincial nightclubs where the carpet is sticky and the smoking area is just a bench. Lyrically, September delivers existential devastation with all the emotion of someone reading out loud from a bus timetable — and that’s exactly why it works. Her stoicism turns heartache into a communal ritual: we’re not crying for him, we’re crying for ourselves, for 2000s fashion, for the tragic return of shutter shades.

Pitchfork has long maintained that pop music is at its best when it convinces you that your heartbreak is part of a collective European experience. Cry for You achieves this in under four minutes, which is more than you can say for most PhD theses on postmodern ennui.

Is it high art? No. But like all essential dancefloor classics, it turns personal despair into a group hug where everyone smells vaguely of Jägerbombs.

Best moment: the chorus, which sounds like the soundtrack to every MySpace breakup ever.
Worst moment: realising you actually did cry for him.

Final verdict: September gave us the perfect reminder that tears and glitter coexist. And sometimes, that’s enough.

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