This week's epsisode is with Luke Bryant from The Last Kingdom: Seven Kings Must Die. Our conversation starts in the realm of television filmmaking, focusing on being the head of a department and the significance of fostering a positive work environment. Luke shares his insights on managing a shared vision in television shows and discusses his experiences in projects like 'I Hate Susie'.

In this engaging discussion, we also turn our attention to film aesthetics and technical considerations. Luke and I analyze the task of an HOD in crafting a memorable visual experience and the strategic use of tools to manipulate an image. We also revisit popular films from yesteryears and the color palettes they used to capture the essence of their era. Our conversation also touches upon the genius of directors like Brian De Palma and Martin Scorsese, and the impact of their work on cinema.

Further, we navigate the world of anamorphic lenses, discussing their depth-adding capability and cinematic appeal. We also address the challenges of filming battle scenes and the logistics involved in managing a large number of people on set. As we reflect on the artistry of cinema, we explore the use of soft light and HDR delivery, the subjective nature of HDR, and the crucial role movie theaters play in delivering the perfect visual experience. So, tune in for an insightful journey into the world of television and film with Luke Bryant.

(0:00:14) - Collaboration and Vision in Television Filmmaking

(0:11:40) - Exploring Film Aesthetics and Technical Considerations

(0:16:59) - Anamorphic Filming and Visual Perception

(0:21:20) - Artistry, Hollywood Blockbusters, and Scorsese's Impact

(0:25:05) - Reflections on Art and Filmmaking

(0:28:32) - Cinematic Techniques and Lighting in Filmmaking

(0:34:55) - Candlelight and Projection in Film

(0:42:45) - Filming Challenges and Logistics

(0:53:54) - Discussion on Film and TV Technology

(1:01:08) - Film and Television Fidelity and Resolution

(1:11:24) - Conversation on Time and Content Length

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