Edgy Ideas

106: What happened to the working class?


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Show Notes
In this episode, Simon Western speaks with political theorist and author Professor Brad Evans about the collapse of traditional working-class politics and the growing sense of abandonment across post-industrial communities. Drawing on Brad’s experiences growing up in the South Wales Valleys, the conversation explores how solidarity, class identity and community structures have been eroded by deindustrialisation, neoliberalism and the rise of precarious labour. They reflect on why many working-class communities no longer feel represented by progressive politics and why populist movements are gaining traction.
Simon and Brad discuss the emotional and political consequences of precarity - from Brexit and nationalism to homelessness, resentment and the rise of the “precariat.” Rather than dismissing people drawn toward nationalist or populist politics, they ask what happens when communities lose dignity, voice and recognition. The conversation challenges simplistic binaries of left and right, arguing instead for deeper listening, political humility, and a renewed understanding of interdependence.
The episode also turns toward possibility. Simon introduces ideas from his work on “precarious interdependence,” asking how we might learn to live creatively within uncertainty rather than retreat into fear, certainty, and division. They discuss the role of art, culture, dialogue, and political imagination in creating more humane futures - futures grounded not in nostalgia for the past, but in new forms of solidarity and shared becoming.

Key Reflections

  • Working-class communities have not simply lost jobs, but also the social bonds and identities that once gave meaning and solidarity.
  • Populist movements gain power when people feel politically abandoned, unseen and culturally dismissed.
  • Precarity can produce fear and division, but it can also open possibilities for new forms of creativity, mutuality and transformation.
  • Nationalism often emerges in spaces where class consciousness and collective identity have collapsed.
  • Real political dialogue begins when we stop demonising opponents and start listening to the conditions shaping their lives.
  • Art and culture are not luxuries; they are essential for reimagining society and creating empathetic futures.
  • Keywords
    Precarity, Working Class, Nationalism, Populism, Brexit, South Wales, Political Violence, Class Identity, Labour Party,Identity Politics, Mutuality, Interdependence, Neoliberalism, Community, Deindustrialisation, Arts & Politics, Political Agency, Democracy, Social Change

    Brief Bio
    Brad Evans is a Professor of Political Violence & Aesthetics at the University of Bath, United Kingdom. He is the author of 20 books and edited volumes, along with over 150 academic and international media articles. Brad has written extensively on the state of international affairs, while making major theoretical contributions to the understanding of violence. He has previously held positions at the Universities of Bristol and Leeds, and has also taught at Columbia University in New York.
    Brad is widely known for bringing critical theory into public conversation through projects with The New York Times, Los Angeles Review of Books, and American Book Review. His recent work explores the politics of disappearance, bridging art, academia, and policy through exhibitions, public events, and global collaborations. He is also the founder of the internationally recognised Histories of Violence project, which connects critical research and public dialogue across more than 140 countries.
    A frequent speaker at institutions including Harvard, NYU, Columbia, UCLA, and the Guggenheim, Brad’s work moves between philosophy, politics, art, and lived experience. He is also the author of the acclaimed semi-biographical book How Black Was My Valley, reflecting on growing up in poverty in South Wales. His work and commentary have featured across major global media including the BBC, CNN, The New York Times, The Guardian, and Newsweek.

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    Edgy IdeasBy Simon Western

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