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Cymene and Dominic chat about the Wizard of Oz, unglacier tours, rocket toilets and motorized scooters to lead off this week's podcast. Then (12:37) we are most fortunate to have the chance to talk about art and the Anthropocene with celebrated artist Judit Hersko (http://www.judithersko.com) who represented her native Hungary at the Venice Biennale in 1997. We talk about her earliest work about personal and collective memory and also her longstanding interests in phenomenology, materiality and lucidity and how all of these informed her later approaches to the intersection of art and science. That leads us to her trip to Antarctica and the adventures there—ranging from dinner with Prince Albert of Monaco to the aforementioned incinerator toilets—and what the whole experience taught her about the possibilities and limits of collaboration between art and science. And from there we move to the figure of the Unknown Explorer in her work and how it draws attention to the absence of women in polar history and science before the 1960s. We talk about her more recent projects thematizing Anthropocene phenomena such as oceanic acidification and atmospheric carbon and close with Judit's advice to young artists to learn to meet your muse halfway.
By Dominic Boyer4.9
5555 ratings
Cymene and Dominic chat about the Wizard of Oz, unglacier tours, rocket toilets and motorized scooters to lead off this week's podcast. Then (12:37) we are most fortunate to have the chance to talk about art and the Anthropocene with celebrated artist Judit Hersko (http://www.judithersko.com) who represented her native Hungary at the Venice Biennale in 1997. We talk about her earliest work about personal and collective memory and also her longstanding interests in phenomenology, materiality and lucidity and how all of these informed her later approaches to the intersection of art and science. That leads us to her trip to Antarctica and the adventures there—ranging from dinner with Prince Albert of Monaco to the aforementioned incinerator toilets—and what the whole experience taught her about the possibilities and limits of collaboration between art and science. And from there we move to the figure of the Unknown Explorer in her work and how it draws attention to the absence of women in polar history and science before the 1960s. We talk about her more recent projects thematizing Anthropocene phenomena such as oceanic acidification and atmospheric carbon and close with Judit's advice to young artists to learn to meet your muse halfway.

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