Peter Yates was quietly one of the most interesting film directors of his time. His seminal 1967 British train-robbery film 'Robbery' got him noticed for the job directing Steve McQueen in 1968's 'Bullitt'. In that film, Yates turned in a car chase frequently mentioned as second only to the iconic one filmed by Billy Friedkin in 'The French Connection'.

By 1973, Yates was in Hollywood, working under a three-picture deal with Peter Bart and Robert Evans at Paramount. Two of those didn't work out. The third turned out to be 'The Friends of Eddie Coyle', which is one of the very best 70's crime films, one of the very best Boston-set films ever made, and features Robert Mitchum's very best performance amid a wonderfully constructed neo-noir shot entirely on location in a series of blue-collar and working class Boston spots.

In this episode, I talk about 'Robbery', 'Bullitt' and 'The French Connection' and how they compare and contrast to 'The Friends of Eddie Coyle', an underappreciated little masterpiece of the sort Peter Yates specialized in throughout his career.