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We are now three weeks into NaNoWriMo—where writers are attempting to write a novel in the month of November. For this episode, our writers talk about how to raise the stakes in your story.
To make something feel more threatening, you don’t have to make it bigger or flashier, but you do have to make it more personal to your character. Often, you don’t need to add an event or plot element, but simply ramp up your character’s connection and reaction.
We also talk about multi-thread plots, Star Wars, and getting your reader to be emotionally invested in your characters’ goals. Also—don’t forget to ask for help. (And surprise surprise, the same goes for your characters.)
Homework:
Pick an aspect of craft that you feel weak on and choose to focus on it during your next writing session.
Thing of the Week:
A pep talk from Dan!
Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.
Join Our Writing Community!
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https://writingexcuses.com
4.6
12601,260 ratings
We are now three weeks into NaNoWriMo—where writers are attempting to write a novel in the month of November. For this episode, our writers talk about how to raise the stakes in your story.
To make something feel more threatening, you don’t have to make it bigger or flashier, but you do have to make it more personal to your character. Often, you don’t need to add an event or plot element, but simply ramp up your character’s connection and reaction.
We also talk about multi-thread plots, Star Wars, and getting your reader to be emotionally invested in your characters’ goals. Also—don’t forget to ask for help. (And surprise surprise, the same goes for your characters.)
Homework:
Pick an aspect of craft that you feel weak on and choose to focus on it during your next writing session.
Thing of the Week:
A pep talk from Dan!
Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.
Join Our Writing Community!
Patreon
YouTube
Sign up for our newsletter:
https://writingexcuses.com
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