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Pacing is one of the most subjective and difficult aspects of storytelling to get right. What is pacing? How do you know what the right pace is for a story, and what techniques can you use to speed up or slow down your narrative?
Homework Assignment from Fonda Lee:
Take a page of a work-in-progress project and experiment with the pacing. Ideally, this should be a page with some dialogue or tension between characters. First, try to speed it up: cut description, be tight with dialogue, move the scene quickly. Then do the opposite: rewrite the scene but this time slow it down. Include more context, character interiority, exposition, and scene building. Compare the two versions. Which serves your story better?
Thing of the Week:
The Book of Witches
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https://writingexcuses.com
Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.
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By Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler4.6
12781,278 ratings
Pacing is one of the most subjective and difficult aspects of storytelling to get right. What is pacing? How do you know what the right pace is for a story, and what techniques can you use to speed up or slow down your narrative?
Homework Assignment from Fonda Lee:
Take a page of a work-in-progress project and experiment with the pacing. Ideally, this should be a page with some dialogue or tension between characters. First, try to speed it up: cut description, be tight with dialogue, move the scene quickly. Then do the opposite: rewrite the scene but this time slow it down. Include more context, character interiority, exposition, and scene building. Compare the two versions. Which serves your story better?
Thing of the Week:
The Book of Witches
Sign up for our newsletter:
https://writingexcuses.com
Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.
Join Our Writing Community!
Patreon
YouTube

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