This week we’re joined by Krysty Wilson-Cairns, co-writer of one of the year’s most hotly anticipated thrillers: Edgar Wright’s Last Night In Soho. Audiences are in for a seriously gripping white-knuckle ride if that movie turns out to be anything like Krysty’s first-produced feature film, the incredible 1917. Co-written with director Sam Mendes, 1917 followed two British soldiers as they embarked on a nail-biting mission across No Man’s Land in the first World War. With communication lines down, the lives of 1,600 men rest on this duo delivering a message to a stubborn battalion captain that his soldiers are about to walk into an ambush. 

On release, the film garnered more attention for how it told its story, rather than the story itself. 1917 used long, intricately-choreographed takes to give the impression of a story told across just two uninterrupted shots. It was heralded as an unrelenting real-time glimpse into the horrors of war unlike anything before it. But the movie’s technical accomplishments would have felt empty were there not an emotive plot powering it forward. In the conversation you’re about to hear, Krysty pulls the curtain back on every element of that plot, detailing the painstaking research that went into forming the film’s characters. We also talk about discarded plans for a mustard gas attack sequence, why a certain central character simply had to die, and why we as a society continue to tell World War I stories a century on.

Support for today's episode comes from Screencraft, WeScreenplay and Caveday.

Script Apart is a podcast about the first-draft secrets behind great movies. Each episode, the screenwriter behind a beloved film shares with us their initial screenplay for that movie. We then talk through what changed, what didn’t and why on its journey to the big screen. 

Script Apart is hosted by Al Horner and produced by Kamil Dymek, with music from Stefan Bindley-Taylor. Follow us on Twitter and Instagram, or email us on [email protected].

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